Jonson's Gypsies Unmasked
Author | : Dale B. J. Randall |
Publisher | : Durham, N.C. : Duke University Press |
Total Pages | : 232 |
Release | : 1975 |
Genre | : Drama |
ISBN | : |
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Author | : Dale B. J. Randall |
Publisher | : Durham, N.C. : Duke University Press |
Total Pages | : 232 |
Release | : 1975 |
Genre | : Drama |
ISBN | : |
Author | : David Cressy |
Publisher | : Oxford University Press |
Total Pages | : 352 |
Release | : 2018-06-28 |
Genre | : History |
ISBN | : 0191080519 |
Gypsies, Egyptians, Romanies, and—more recently—Travellers. Who are these marginal and mysterious people who first arrived in England in early Tudor times? Are claims of their distant origins on the Indian subcontinent true, or just another of the many myths and stories that have accreted around them over time? Can they even be regarded as a single people or ethnicity at all? Gypsies have frequently been vilified, and not much less frequently romanticized, by the settled population over the centuries. Social historian David Cressy now attempts to disentangle the myth from the reality of Gypsy life over more than half a millennium of English history. In this, the first comprehensive historical study of the doings and dealings of Gypsies in England, he draws on original archival research, and a wide range of reading, to trace the many moments when Gypsy lives became entangled with those of villagers and townsfolk, religious and secular authorities, and social and moral reformers. Crucially, it is a story not just of the Gypsy community and its peculiarities, but also of England's treatment of that community, from draconian Elizabethan statutes, through various degrees of toleration and fascination, right up to the tabloid newspaper campaigns against Gypsy and Traveller encampments of more recent years.
Author | : Ralph Berry |
Publisher | : Routledge |
Total Pages | : 250 |
Release | : 2015-07-30 |
Genre | : Literary Criticism |
ISBN | : 1317370929 |
This book, first published in 1985, explores the consciousness and the experience of Shakespeare’s audience. First describing the stage’s physical impact, Ralph Berry then goes on to explore the social or tribal consciousness of the audience in certain plays. The title finishes by examining the masque – the salient form of the Jacobean theatre. This title will be of interest to students of literature and theatre studies.
Author | : Jane Rickard |
Publisher | : Cambridge University Press |
Total Pages | : 283 |
Release | : 2015-10-08 |
Genre | : Literary Criticism |
ISBN | : 1316416232 |
King James VI and I's extensive publications and the responses they met played a key role in the literary culture of Jacobean England. This book is the first sustained study of how James's subjects commented upon, appropriated and reworked these royal writings. Jane Rickard highlights the vitality of such responses across genres - including poetry, court masque, sermon, polemic and drama - and in the different media of performance, manuscript and print. The book focuses in particular on Jonson, Donne and Shakespeare, arguing that these major authors responded in illuminatingly contrasting ways to James's claims as an author-king, made especially creative uses of the opportunities that his publications afforded and helped to inspire some of what the King in turn wrote. Their literary responses reveal that royal writing enabled a significant reimagining of the relationship between ruler and ruled. This volume will interest researchers and advanced students of Renaissance literature and history.
Author | : David Riggs |
Publisher | : Harvard University Press |
Total Pages | : 420 |
Release | : 1989 |
Genre | : Biography & Autobiography |
ISBN | : 9780674066267 |
'Compelling... Riggs's approach to the man-as-artist is to see him as a paradox, a man of reckless defiance who boasted openly about his womanizing and criminal record, and who nonetheless represented himself in Renaissance England as the great model of a self-restrained and chastely austere classical style of writing... David Riggs's eminently readable and generously illustrated study not only fully justifies our curiosity, but handles with admirable tact what might be lurid and sensational if our only interest were the gossip.'New York Times Book Review
Author | : Paula Blank |
Publisher | : Routledge |
Total Pages | : 220 |
Release | : 2002-11 |
Genre | : History |
ISBN | : 1134774737 |
The English language in the Renaissance was in many ways a collection of competing Englishes. Blank investigates the representation of alternative vernaculars in both linguistic and literary works of the time.
Author | : Christopher Page |
Publisher | : Cambridge University Press |
Total Pages | : 309 |
Release | : 2017-11-16 |
Genre | : Music |
ISBN | : 1108329675 |
This is the first history of the guitar during the reign of the Stuarts, a time of great political and social upheaval in England. In this engaging and original volume, Christopher Page gathers a rich array of portraits, literary works and other, previously unpublished, archival materials in order to create a comprehensive picture of the guitar from its early appearances in Jacobean records, through its heyday at the Restoration court in Whitehall, to its decline in the first decades of the eighteenth century. The book explores the passion of Charles II himself for the guitar, and that of Samuel Pepys, who commissioned the largest repertoire of guitar-accompanied song to survive from baroque Europe. Written in Page's characteristically approachable style, this volume will appeal to general readers as well as to music historians and guitar specialists.
Author | : Frances Timbers |
Publisher | : Routledge |
Total Pages | : 341 |
Release | : 2016-04-20 |
Genre | : Literary Criticism |
ISBN | : 1317036514 |
'The Damned Fraternitie': Constructing Gypsy Identity in Early Modern England, 1500–1700 examines the construction of gypsy identity in England between the early sixteenth century and the end of the seventeenth century. Drawing upon previous historiography, a wealth of printed primary sources (including government documents, pamphlets, rogue literature, and plays), and archival material (quarter sessions and assize cases, parish records and constables's accounts), the book argues that the construction of gypsy identity was part of a wider discourse concerning the increasing vagabond population, and was further informed by the religious reformations and political insecurities of the time. The developing narrative of a fraternity of dangerous vagrants resulted in the gypsy population being designated as a special category of rogues and vagabonds by both the state and popular culture. The alleged Egyptian origin of the group and the practice of fortune-telling by palmistry contributed elements of the exotic, which contributed to the concept of the mysterious alien. However, as this book reveals, a close examination of the first gypsies that are known by name shows that they were more likely Scottish and English vagrants, employing the ambiguous and mysterious reputation of the newly emerging category of gypsy. This challenges the theory that sixteenth-century gypsies were migrants from India and/or early predecessors to the later Roma population, as proposed by nineteenth-century gypsiologists. The book argues that the fluid identity of gypsies, whose origins and ethnicity were (and still are) ambiguous, allowed for the group to become a prime candidate for the 'other', thus a useful tool for reinforcing the parameters of orthodox social behaviour.
Author | : M. Young |
Publisher | : Springer |
Total Pages | : 231 |
Release | : 1999-09-22 |
Genre | : History |
ISBN | : 0230514898 |
James VI and I was the most prominent homosexual figure in the early modern period. Young has amassed the evidence surrounding James and related it to the larger history of homosexuality. The result is a synthesis of old and new history that illuminates Jacobean politics and challenges many current assumptions about effeminacy, manliness, sodomy, sexual constructs and sexual discourse before the eighteenth century.
Author | : Philip Edwards |
Publisher | : Cambridge University Press |
Total Pages | : 288 |
Release | : 1979 |
Genre | : Drama |
ISBN | : 9780521276955 |
This imprint is established to publish in paperback for an individual readership the Press's most outstanding original monographs. These are titles which would normally appear in specialist hardback editions only, but whose quality and general academic importance justify their special promotion in this prestige imprint. The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programmes in the Humanities and Social Sciences, and therefore represents some of the best current scholarship in the English language.