Jolly Jack Tars
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Author | : Paul A. Gilje |
Publisher | : Cambridge University Press |
Total Pages | : 409 |
Release | : 2016-02-15 |
Genre | : History |
ISBN | : 131648310X |
Anyone could swear like a sailor! Within the larger culture, sailors had pride of place in swearing. But how they swore and the reasons for their bad language were not strictly wedded to maritime things. Instead, sailor swearing, indeed all swearing in this period, was connected to larger developments. This book traces the interaction between the maritime and mainstream world in the United States while examining cursing, language, logbooks, storytelling, sailor songs, reading, images, and material goods. To Swear Like a Sailor offers insight into the character of Jack Tar - the common seaman - and into the early republic. It illuminates the cultural connections between Great Britain and the United States and the appearance of a distinct American national identity. The book explores the emergence of sentimental notions about the common man - through the guise of the sailor - appearing on stage, in song, in literature, and in images.
Author | : William M. Fowler |
Publisher | : |
Total Pages | : 360 |
Release | : 1984 |
Genre | : History |
ISBN | : |
"Jack Tars and Commodores" is a lively and authoritative account of the United States Navy from Independence throught the War of 1812.
Author | : Joseph Edwards Carpenter |
Publisher | : |
Total Pages | : 450 |
Release | : 1866 |
Genre | : Ballads, English |
ISBN | : |
Author | : SONGSTER. |
Publisher | : |
Total Pages | : 72 |
Release | : 1798 |
Genre | : |
ISBN | : |
Author | : Carolyn Williams |
Publisher | : Columbia University Press |
Total Pages | : 498 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 0231148054 |
An examination of Gilbert and Sullivan's comic operas, and how parody was used in the culture wars of late-nineteenth-century England.
Author | : Mary A. Conley |
Publisher | : Manchester University Press |
Total Pages | : 232 |
Release | : 2017-03-01 |
Genre | : History |
ISBN | : 1526117657 |
Jack Tar to Union Jack examines the intersection between empire, navy, and manhood in British society from 1870 to 1918. Through analysis of sources that include courts-martial cases, sailors’ own writings, and the HMS Pinafore, Conley charts new depictions of naval manhood during the Age of Empire, a period which witnessed the radical transformation of the navy, the intensification of imperial competition, the democratisation of British society, and the advent of mass culture. Jack Tar to Union Jack argues that popular representations of naval men increasingly reflected and informed imperial masculine ideals in Victorian and Edwardian Britain. Conley shows how the British Bluejacket as both patriotic defender and dutiful husband and father stood in sharp contrast to the stereotypic image of the brave but bawdy tar of the Georgian navy. This book will be essential reading for students of British imperial history, naval and military history, and gender studies.
Author | : Edward Howard |
Publisher | : |
Total Pages | : 368 |
Release | : 1840 |
Genre | : Adventure stories, British |
ISBN | : |
Author | : Joseph Edwards Carpenter |
Publisher | : |
Total Pages | : 296 |
Release | : 1866 |
Genre | : Songs |
ISBN | : |
Author | : Anna Kearney Guigné |
Publisher | : University of Ottawa Press |
Total Pages | : 462 |
Release | : 2016-12-12 |
Genre | : Music |
ISBN | : 0776623850 |
In 1951, musician Kenneth Peacock (1922–2000) secured a contract from the National Museum of Canada (today the Canadian Museum of History) to collect folksongs in Newfoundland. As the province had recently joined Confederation, the project was deemed a goodwill gesture, while at the same time adding to the Museum’s meager Anglophone archival collections. Between 1951 and 1961, over the course of six field visits, Peacock collected 766 songs and melodies from 118 singers in 38 communities, later publishing two-thirds of this material in a three-volume collection, Songs of the Newfoundland Outports (1965). As the publication consists of over 1000 pages, Outports is considered to be a bible for Newfoundland singers and a valuable resource for researchers. However, Peacock’s treatment of the material by way of tune-text collations, use of lines and stanzas from unpublished songs has always been somewhat controversial. Additionally, comparison of the field collection with Outports indicates that although Peacock acquired a range of material, his personal preferences requently guided his publishing agenda. To ensure that the songs closely correspond to what the singers presented to Peacock, the collection has been prepared by drawing on Peacock’s original music and textual notes and his original field recordings. The collection is far-ranging and eclectic in that it includes British and American broadsides, musical hall and vaudeville material alongside country and western songs, and local compositions. It also highlights the influence of popular media on the Newfoundland song tradition and contextualizes a number of locally composed songs. In this sense, it provides a key link between what Peacock actually recorded and the material he eventually published. As several of the songs have not previously appeared in the standard Newfoundland collections, The Forgotten Songs sheds new light on the extent of Peacock’s collecting. The collection includes 125 songs arranged under 113 titles along with extensive notes on the songs, and brief biographies of the 58 singers. Thanks to the Research Centre for the Study of Music Media and Place, a video of the launch event, held in St.John's, Newfoundland, is available at https://www.youtube.com/watch?v=ghj6E6-QiLI&t=21s.
Author | : Alfred J. Pairpoint |
Publisher | : |
Total Pages | : 268 |
Release | : 1891 |
Genre | : United States |
ISBN | : |