John Vanderpant Photographs
Author | : John Vanderpant |
Publisher | : Galerie nationale du Canada |
Total Pages | : 100 |
Release | : 1976 |
Genre | : Photography |
ISBN | : |
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Author | : John Vanderpant |
Publisher | : Galerie nationale du Canada |
Total Pages | : 100 |
Release | : 1976 |
Genre | : Photography |
ISBN | : |
Author | : Arnold, Grant |
Publisher | : Vancouver Art Gallery |
Total Pages | : 6 |
Release | : 1993 |
Genre | : |
ISBN | : |
Author | : Sheryl Salloum |
Publisher | : Horsdal & Schubart |
Total Pages | : 0 |
Release | : 1995 |
Genre | : Photographers |
ISBN | : 9780920663400 |
An internationally renowned photographer, John Vanderpant was a Fellow of the Royal Photographic Society of Great Britain, which in his day was the highest possible honour. Underlying Vibrations presents the biography of a talented and much-loved man, and for the first time, a portfolio of 58 of his most celebrated images.
Author | : Carol Payne |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 296 |
Release | : 2011-08-31 |
Genre | : Photography |
ISBN | : 0773585729 |
The Cultural Work of Photography in Canada is an in-depth study on the use of photographic imagery in Canada from the late nineteenth century to the present. This volume of fourteen essays provides a thought-provoking discussion of the role photography has played in representing Canadian identities. In essays that draw on a diversity of photographic forms, from the snapshot and advertising image to works of photographic art, contributors present a variety of critical approaches to photography studies, examining themes ranging from photography's part in the formation of the geographic imaginary to Aboriginal self-identity and notions of citizenship. The volume explores the work of photographs as tools of self and collective expression while rejecting any claim to a definitive, singular telling of photography's history. Reflecting the rich interdisciplinarity of contemporary photography studies, The Cultural Work of Photography in Canada is essential reading for anyone interested in Canadian visual culture. Contributors include Sarah Bassnett (University of Western Ontario), Lynne Bell (University of Saskatchewan), Jill Delaney (Library and Archives Canada), Robert Evans (Carleton University), Sherry Farrell Racette (University of Manitoba), Blake Fitzpatrick (Ryerson University), Vincent Lavoie (Université du Québec à Montréal), John O'Brian (University of British Columbia), James Opp (Carleton University), Joan M. Schwartz (Queen's University), Sarah Stacy (Library and Archives Canada), Jeffrey Thomas (Ottawa), and Carol Williams (Trent University/University of Lethbridge).
Author | : Ann Davis |
Publisher | : University of Toronto Press |
Total Pages | : 252 |
Release | : 1992-01-01 |
Genre | : Art |
ISBN | : 9780802068613 |
None of these painters was motivated solely by mystical concerns; each of them also painted works which were of a secular or non-spiritual nature. None the less, they were all deeply interested in and concerned about matters mystical. Through a careful examination of the primary documentation Ann Davis looks at the sources of their beliefs in Christianity, transcendentalism, and theosophy and theories of the fourth dimension, and attempts to put some of their major works into new contexts so that familiar paintings can be seen in a new and revealing mystical way.