John Dunton and the English Book Trade
Author | : Stephen Parks |
Publisher | : New York : Garland Pub. |
Total Pages | : 472 |
Release | : 1976 |
Genre | : Language Arts & Disciplines |
ISBN | : |
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Author | : Stephen Parks |
Publisher | : New York : Garland Pub. |
Total Pages | : 472 |
Release | : 1976 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Author | : Marjorie Plant |
Publisher | : Taylor & Francis |
Total Pages | : 553 |
Release | : 2024-11-01 |
Genre | : Business & Economics |
ISBN | : 1040223818 |
Originally published in 1938, and as a third edition in 1974, this volume presents the results of original research into the economic aspects of the transition from the medieval manuscript to the modern printed book. It discusses the problems of supply of materials and labour created by the introduction of machinery and the growth of the literary market. The social evolution of the printing crafts is portrayed, focussing first upon the Stationers’ Company and later upon the trade union. The book traces the development of the author-printer-publisher relationship, and its bearing on the question of copyright and reviews, inter alia the organisation and price policy of bookselling from the days of legal maximum prices to the net book agreement. The 3rd edition contains sections on Public Lending Right, paperbacks, photo-copying in its relation to publishing and the rise of international publishing. .
Author | : Lisa M. Maruca |
Publisher | : University of Washington Press |
Total Pages | : 240 |
Release | : 2012-03-15 |
Genre | : Literary Criticism |
ISBN | : 0295801751 |
The Work of Print traces a shift in the very definition of literature, from one that encompasses the material conditions of the production and distribution of books to the more familiar emphasis on the solitary author's ownership of an abstract text. Drawing on contemporary accounts of those involved in the trade - printers, booksellers, publishers, and distributors - Lisa Maruca examines attitudes about the creative process and approaches to the commodification of writing. The "work of print" describes the labors through which literature was produced: both the physical labor of making books and the underlying cultural work performed by a set of ideologies about who counted as a maker of texts. Printers' manuals, tracts on typography, legal documents, and booksellers' autobiographies reveal that print workers conceived of their roles as central to the production of literature. Maruca's insightful readings of these documents alongside traditional works of fiction and authors' correspondence show that the claims of print workers and booksellers were part of a struggle for ownership and control as the concept of author as proprietor of his or her intellectual property began to take hold in the mid-1700s, gradually eclipsing print workers' contributions to the process of textual creation. The print trade asserted its authority using a rhetoric of hierarchical and binary sexuality and gender, which affected women working in the industry and limited the type of work they were allowed to perform. In response, women developed strategies to redeploy conventional ideas of gender to gain concessions for themselves as publishers and distributors of printed material, strategies that formed a foundation for the rise of female authorship later in the eighteenth century. Encompassing the histories of literature, labor, technology, publishing, and gender, The Work of Print ultimately offers significant insights into the ideology of authorship and intellectual property and our understanding of textuality and print in the digital age.
Author | : Jaroslaw Jasenowski |
Publisher | : Springer Nature |
Total Pages | : 293 |
Release | : |
Genre | : |
ISBN | : 3031624505 |
Author | : John Feather |
Publisher | : Routledge |
Total Pages | : 305 |
Release | : 2003-09-02 |
Genre | : Literary Criticism |
ISBN | : 1134972962 |
This comprehensive history (first published in 1987) covers the whole period in which books have been printed in Britain. Though Gutenberg had the edge over Caxton, England quickly established itself in the forefront of the international book trade. The slow process of copying manuscripts gave way to an increasingly sophisticated trade in the printed word which brought original literature, translations, broadsheets and chapbooks and even the Bible within the purview of an increasingly broad slice of society. Powerful political forces continued to control the book trade for centuries before the principle of freedom of opinion was established. In the nineteenth and early twentieth centuries the competition from pirated USA editions - where there were no copyright laws - provided a powerful threat to the trade. This period also saw the rise of remaindering, cheap literature, and many other 'modern' features of the trade. The author surveys all these developments, bringing his history up to the present age.
Author | : Hugh Amory |
Publisher | : Cambridge University Press |
Total Pages | : 676 |
Release | : 2000 |
Genre | : Business & Economics |
ISBN | : 9780521482561 |
Volume 1 of A History of the Book in America, The Colonial Book in the Atlantic World, encompasses the seventeenth and eighteenth centuries. It is organized around three major themes: the persisting colonial relationship between European settlements and the Old World; the gradual emergence of a pluralistic book trade that differentiated printers from booksellers; and the transition from a 'culture of the Word', organized around an understanding of print as a vehicle of the sacred, to the culture of republicanism, epitomized by Benjamin Franklin, and culminating in the uses of print during the Revolutionary era. The volume will also describe nascent forms of literary and learned culture (including the circulation of manuscripts), literacy and censorship, orality, and the efforts by Europeans to introduce written literary to Native Americans and African Americans.
Author | : James Raven |
Publisher | : Yale University Press |
Total Pages | : 513 |
Release | : 2007-08-22 |
Genre | : History |
ISBN | : 0300122616 |
In 1450 very few English men or women were personally familiar with a book; by 1850, the great majority of people daily encountered books, magazines, or newspapers. This book explores the history of this fundamental transformation, from the arrival of the printing press to the coming of steam. James Raven presents a lively and original account of the English book trade and the printers, booksellers, and entrepreneurs who promoted its development. Viewing print and book culture through the lens of commerce, Raven offers a new interpretation of the genesis of literature and literary commerce in England. He draws on extensive archival sources to reconstruct the successes and failures of those involved in the book trade—a cast of heroes and heroines, villains, and rogues. And, through groundbreaking investigations of neglected aspects of book-trade history, Raven thoroughly revises our understanding of the massive popularization of the book and the dramatic expansion of its markets over the centuries.
Author | : John Dunton |
Publisher | : |
Total Pages | : 824 |
Release | : 1818 |
Genre | : Booksellers and bookselling |
ISBN | : |
Author | : Alex W. Barber |
Publisher | : Boydell & Brewer |
Total Pages | : 356 |
Release | : 2022 |
Genre | : History |
ISBN | : 1783275170 |
A discussion of the fascinating interplay between communication, politics and religion in early modern England suggesting a new framework for the politics of print culture. This book challenges the idea that the loss of pre-publication licensing in 1695 unleashed a free press on an unsuspecting political class, setting England on the path to modernity. England did not move from a position of complete control of the press to one of complete freedom. Instead, it moved from pre-publication censorship to post-publication restraint. Political and religious authorities and their agents continued to shape and manipulate information. Authors, printers, publishers and book agents were continually harassed. The book trade reacted by practicing self-censorship. At times of political calm, government and the book trade colluded in a policy of policing rather than punishment. The Restraint of the Press in England problematizes the notion of the birth of modernity, a moment claimed by many prominent scholars to have taken place at the transition from the seventeenth into the eighteenth century. What emerges from this study is not a steady move to liberalism, democracy or modernity. Rather, after 1695, England was a religious and politically fractured society, in which ideas of the sovereignty of the people and the power of public opinion were being established and argued about.