Johan Zoffany RA

Johan Zoffany RA
Author: Johann Zoffany
Publisher: Yale University Press
Total Pages: 0
Release: 2011
Genre: Painting, Modern
ISBN: 9780300176049

Catalog accompanying an exhibition held at the Yale Center for British Art, New Haven, Conn., Oct. 27-Feb. 12, 2012, and at the Royal Academy of Arts, London, Mar. 10-June 10, 2012.

Johan Zoffany, 1733-1810

Johan Zoffany, 1733-1810
Author: Mary Webster
Publisher: Paul Mellon Ctr for Studies
Total Pages: 708
Release: 2011
Genre: Art
ISBN: 9780300162783

Universally recognised as a brilliant and gifted eighteenth-century artist, Zoffany was regarded by Horace Walpole as one of the three greatest painters in England, along with his friends Reynolds and Gainsborough. He has remained without a detailed study of his life and works owing to the fascinating and complex vicissitudes of his career, now established from widely scattered sources. Starting out as a late-baroque painter at a German princely court, he moved to London in 1760 and soon became a leadingportraitist. A loyal patron was the great actor David Garrick through whom Zoffany became admired as the unrivalled interpreter of the Georgian stage. The delightful inventions of his conversation pieces proved, then as now, fashionably successful imagesof private lives and led to his swift rise into the royal patronage of George III and Queen Charlotte. Zoffany set foot in so many worlds that their contrast alone gives a constantly changing interest to the history of his life and work.

National Portrait Gallery Mid-Georgian Portraits, 1760-1790

National Portrait Gallery Mid-Georgian Portraits, 1760-1790
Author: John Ingamells
Publisher:
Total Pages: 624
Release: 2004
Genre: Art
ISBN:

This catalogue includes such famous figures as David Garrick and Dr Samuel Johnson, Sarah Siddons and Emma Hamilton, and the work of such artists as Gainsborough, Reynolds and Romney. It has been compiled by one of the leading authorities on 18th-century English portraiture, John Ingamells.

Enlightened Princesses

Enlightened Princesses
Author: Yale Center for British Art
Publisher: Icons of the Luso-Hispanic World
Total Pages: 0
Release: 2017
Genre: Art patronage
ISBN: 9780300217100

"This publication accompanies the exhibition Enlightened princesses: Caroline, Augusta, Charlotte, and the shaping of the modern world, co-organized by the Yale Center for British Art and Historic Royal Palaces, on view at the Yale Center for British Art, New Haven, from 2 February to 30 April 2017, and at Kensington Palace, London, from 22 June to 12 November 2017"--Colophon.

Art and Identity in Scotland

Art and Identity in Scotland
Author: Viccy Coltman
Publisher: Cambridge University Press
Total Pages:
Release: 2019-10-31
Genre: History
ISBN: 1108284876

This lively and erudite cultural history of Scotland, from the Jacobite defeat of 1745 to the death of an icon, Sir Walter Scott, in 1832, examines how Scottish identity was experienced and represented in novel ways. Weaving together previously unpublished archival materials, visual and material culture, dress and textile history, Viccy Coltman re-evaluates the standard clichés and essentialist interpretations which still inhibit Scottish cultural history during this period of British and imperial expansion. The book incorporates familiar landmarks in Scottish history, such as the visit of George IV to Edinburgh in August 1822, with microhistories of individuals, including George Steuart, a London-based architect, and the East India Company servant, Claud Alexander. It thus highlights recurrent themes within a range of historical disciplines, and by confronting the broader questions of Scotland's relations with the rest of the British state it makes a necessary contribution to contemporary concerns.

Antiquity and Enlightenment Culture

Antiquity and Enlightenment Culture
Author:
Publisher: BRILL
Total Pages: 259
Release: 2020-03-31
Genre: History
ISBN: 9004412670

This volume represents the first move towards a comprehensive overview of the place of antiquity in Enlightenment Europe. Eschewing a narrow focus on any one theme, it seeks to understand eighteenth-century engagements with antiquity on their own terms, focusing on the contexts, questions, and agendas that led people to turn to the ancient past. The contributors show that a profound interest in antiquity permeated all spheres of intellectual and creative endeavour, from antiquarianism to political discourse, travel writing to portraiture, theology to education. They offer new perspectives on familiar figures, such as Rousseau and Hume, as well as insights into hitherto obscure antiquarians and scholars. What emerges is a richer, more textured understanding of the substantial eighteenth-century engagement with antiquity.