Joel Sternfeld
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| Author | : Joel Sternfeld |
| Publisher | : Chronicle Books (CA) |
| Total Pages | : 120 |
| Release | : 1996 |
| Genre | : Photography |
| ISBN | : |
In this sobering collection of photographs, Joel Sternfeld looks at fifty places where violence has stained the American landscape. Arriving long after news photographers have gone, he presents us with the landscape that is left behind, the ordinary site that remains after the tragedy. Free of the sensationalism of contemporary reporting, these unadorned images, and the brief text that accompanies them, have a surprising power, allowing us to contemplate the meaning of what has taken place, and what has been lost. In this work, one of the most acclaimed photographers of our time extends the documentary tradition, finding a way to visualize our beleaguered national sense, shaken by decades of violence. This groundbreaking work asks that we broaden our conventional definition of violence to include the consequences of corporate irresponsibility and governmental indifference. These picture stand as a heartfelt memorial. They mark sites that have become an indelible part of the American landscape. They ask us to stand on that difficult threshold between what has happened and what little remains; between what we know and what cannot be understood. This, too, is the American landscape.
| Author | : Joel Sternfeld |
| Publisher | : Steidl |
| Total Pages | : 0 |
| Release | : 2023-10-10 |
| Genre | : Photography |
| ISBN | : 9783969992296 |
The definitive edition of Joel Sternfeld's seminal American Prospects, featuring new photographs, and a revised format and cover First published in 1987 to critical acclaim, the seminal American Prospects has been likened to Walker Evans' American Photographs and Robert Frank's The Americans in both its ability to visually summarize the zeitgeist of a decade and to influence the course of photography following its publication. This definitive edition of American Prospects contains 12 new pictures, most of which have neither been published nor exhibited. Freed from the size constraints of previous editions, Sternfeld includes portraits and portraits in the landscape that elucidate the human condition in America. The result is a more complex and rounded view of American society that strongly anticipates Sternfeld's Stranger Passing series (1985-2000) and links the two bodies of work. A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous awards, including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld's books published by Steidl include American Prospects (2003), Sweet Earth (2006), Oxbow Archive (2008), First Pictures (2012) and Landscape as Longing (2016) with Frank Gohlke.
| Author | : Joel Sternfeld |
| Publisher | : Bulfinch Press |
| Total Pages | : 136 |
| Release | : 2001-01 |
| Genre | : Photography |
| ISBN | : 9780821227527 |
The successful photographer shares his idiosyncratic vision of life in America by combining his evocative images with the musings of two great writers.
| Author | : Joel Sternfeld |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : High Line (New York, N.Y. : Park) |
| ISBN | : 9783865219824 |
This is the first book of Sternfeld's largely unseen early colour photographs. In 1969 Sternfeld began working with a 35 mm camera and Kodachrome film, and First Pictures contains works from this time until 1980. Here Sternfeld develops traits that appear in his mature work: irony, a politicised view of America, concern for the social condition. But there are also pictures that bear little relation to his later work: colour arrangements that parallel those of Eggleston, as well as street photography which Sternfeld ceased making in 1976. The photographs in First Pictures were made at a time when colour photography was struggling to assert itself against the authoritative black and white tradition, making this book a revelation both in Sternfeld's oeuvre and in the history of contemporary photography.
| Author | : Joel Sternfeld |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Art and science |
| ISBN | : 9783865212788 |
Joel Sternfeld went to Montreal in 2005 to photograph the participants in the eleventh United Nations conference on climate change. The resulting 53 colour portraits of participants at the conference form the heart of this book.
| Author | : Holger Feroudj |
| Publisher | : Steidl |
| Total Pages | : 156 |
| Release | : 2019-07-09 |
| Genre | : Parks |
| ISBN | : 9783958296589 |
In the early morning of 14 April 2018, David Buckel walked into Prospect Park in New York City and set himself alight. He was a distinguished attorney whose work to secure social justice and LGBT rights had won national acclaim. At the time of his death at the age of 60 Buckel had left the practice of law and was working on a community farm in Red Hook, Brooklyn, as the head of composting. He was married to a man with whom he, and a married lesbian couple, were co-raising a college-bound daughter.In an email sent to the New York Times moments before his death Buckel decried the increasing pollution of the earth. He expressed the hope that his death by fossil fuels would encourage others to be better stewards and cohabitants of the earth. Joel Sternfeld happened to be in Prospect Park on that day with his nine-year-old son. Returning the next day he began to document the gradual regeneration of the site as a means to honor the hope that climate change might be reversed. Our Loss is the latest book by Sternfeld in his ongoing exploration of the effects of climate change, following Oxbow Archive (2008) and When it Changed (2008).The seasons are the blatant manifestation of the physical forces of the universe: energy from the sun, gravity, material from the origin-and of all the biologic particulars of this planet; oxygen, water, life forms, all showing up, and showing off together. - Joel Sternfeld
| Author | : Joel Sternfeld |
| Publisher | : Gerhard Steidl Gmbh |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Land use, Rural |
| ISBN | : 9783865217868 |
On a summer morning in 1833, Thomas Cole, a British-born, American landscape painter climbed to the top of Mount Holyoke in central Massachusetts and made a sketch of the Connecticut River where it bends and resembles an ox yoke. Three years later the sketch he made that morning became View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow). The four by six foot painting, now a key work of American art has been described as Coles attempt to create a moving time/space panorama within a single frame the passage of time is represented by the ongoing fury of the storm on the mountain as sunshine returns to the meadow below. Cole was skeptical about progress and the painting may represent a warning about the clearing of wilderness to make open land for farms and factories. Nearly two hundred years after Cole painted The Oxbow, the American photographic artist, Joel Sternfeld, walked into the mile square field depicted in the lower right quadrant of Coles painting. Sternfeld had first photographed this field in 1978 while traveling on American Prospects andby the time he returned in 2006, the Oxbow in the river was crossed by an interstate highway and the destructive effects of progress that Cole had feared were making themselves apparent globally as climate change. Sternfeld spent the next year and a half walking that field, commuting to it on an almost daily basis from his home in southern Vermont. His archive is a record of classic New England seasonality, a nature study unlike any other as it is made with the foreknowledge that because of global warming it will never be the same again. His choice of subject matter, a flat unremarkable corn and potato field (archetypal new world crops), signals a conceptual stance away from previous nature depictions: his field is neither Beautiful, nor Sublime, nor Picturesque. The flatness of the field, an unusual stretch of visual freedom in the New England highlands offers an eloquent emptiness and a vessel for the true subject his work: iconic seasonal effect as manifestation of the orbiting Earth.
| Author | : Frank Gohlke |
| Publisher | : |
| Total Pages | : 152 |
| Release | : 2016 |
| Genre | : Photography, Artistic |
| ISBN | : 9783958290327 |
In 2003, Frank Gohlke and Joel Sternfeld were commissioned to photograph one of the densest concentrations of ethnic diversity in the world, the borough of Queens in New York City. After more than a year of photographing everything from corner bodegas to the borough's boundaries, Gohlke and Sternfeld had not only captured the complicated dy - namic that sustains Queens and its myriad communities; they had also evolved a unique theory of landscape photography in which landscape is a visible manifestation of the invisible emotions of its inhabitants. The collection inherits the strength of each photographer's eye. Gohlke's Queens consists of streets, houses, fences, gardens, parklands, shorelines, and waste spaces, the terri - tory where human arrangement contends endlessly with the forces that undo it: unruly vegetation, weather, rot, decay, and the "creative destruction" of a voracious commercial culture. Sternfeld focuses on the indigenous shops, restau - rants, mosques and temples that make a walk in Queens feel like a walk in Thailand, India or Peru-or all of them at once. Often tucked into homes or converted factories, these plac - es signify a home country, or perhaps a home country that exists more in the mind than in actuality. In conjunction with an essay by the acclaimed writer Suketu Mehta, this book is a powerful instrument for understand - ing a landscape that seems to defy interpretation. Gohlke and Sternfeld successfully make the dizzying patchwork of Queens accessible and visible.
| Author | : Joel Sternfeld |
| Publisher | : Steidl |
| Total Pages | : 112 |
| Release | : 2019-04 |
| Genre | : Campagna di Roma (Italy) |
| ISBN | : 9783958292635 |
In his 1992 book Campagna Romana. The Countryside of Ancient Rome Joel Sternfeld focused on the ruins of grand structures with a clear warning: great civilizations fall, ours may too. Now in Rome after Rome, containing images from the previous book as well as numerous unpublished pictures, Sternfeld's questions multiply: who are these modern Romans? What is their relationship to the splendor that was? What is the nature of sullied modernity in relation to the Arcadian ideal? Is there, at this late moment, any chance for Utopia? The Campagna, the countryside south and east of Rome occupies a special place in Roman--and human history. With the rise of Ancient Rome, this once polluted, malarial landscape was restored by emperors and thrived with some 20 towns and numerous wealthy villas on the rolling plains among the mighty aqueducts that fed water to Rome. After the city fell, the Campagna once again became desolate and dangerous. The gloomy tombs, broken homes and aqueducts sat in a kind of no man's land for over 1,000 years. To this landscape came the painters: Dürer, Lorrain, Poussin, and later, Corot, Turner, and Americans such as Thomas Cole. In the ruins they sought the origins of Rome's greatness and the meaning of her fall. Later they depicted a place where Roman gods cavorted and mankind lived in a golden age, an Arcadia. Central Rome was rebuilt with Baroque apartments hiding the past: in the Campagna the past was visible and all imaginings possible. Sternfeld juxtaposes the ruins of a powerful, ancient civilization with the new construction and the debris of our own time. Avoiding obvious contrasts, eschewing heavy-handed irony, this contemporary artist draws our attention to both despoliation and lasting beauty; he suggests many reasons for despair, yet he also has something to say about the nobility of the human spirit. Theodore E. Stebbins Jr.
| Author | : Melinda Hunt |
| Publisher | : Scalo Publishers |
| Total Pages | : 130 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : |
Hart Island is a place outside the vision and minds of most New Yorkers, even those who have family buried there. It represents the ultimate melting pot, a place where individual lives are blended beyond recognition. Melinda Hunt
