Job Descriptions For Film Video Cgi
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Author | : William E. Hines |
Publisher | : Ed-Venture Books |
Total Pages | : 0 |
Release | : 1999 |
Genre | : Business & Economics |
ISBN | : 9780935873023 |
Job Descriptions is the standard and definitive A-to-Z reference guide to the duties and responsibilities of film and video industry craftspersons. It offers detailed descriptions of what each craftsperson in more than 150 categories is expected to contribute to a production More... and to whom that craftsperson is responsible. This book is an reference for producers and production managers as well as librarians, writers, teachers, students, job counselors serious film aficionados. The fifth edition is greatly expanded and thoroughly updated.
Author | : William E. Hines |
Publisher | : Ed-Venture Films/Books |
Total Pages | : 126 |
Release | : 1984 |
Genre | : Performing Arts |
ISBN | : |
Author | : William E. Hines |
Publisher | : |
Total Pages | : 95 |
Release | : 1969 |
Genre | : Motion picture industry |
ISBN | : |
Author | : Jan Bone |
Publisher | : McGraw Hill Professional |
Total Pages | : 176 |
Release | : 2004-04-22 |
Genre | : Business & Economics |
ISBN | : 0071442472 |
The most comprehensive career book series available, Opportunities In...explores a vast range of professions to help job seekers find the job that's best for them. Each book offers: The latest information on a field of interest Training and education requirements for each career Up-to-date professional and internet resources Salary statistics for different positions within each field And much more
Author | : David E. Elkins, SOC |
Publisher | : Taylor & Francis |
Total Pages | : 553 |
Release | : 2020-03-12 |
Genre | : Art |
ISBN | : 0429836759 |
Excel as a Cameraman in today’s evolving film industry with this updated classic. Learn what to do – and what NOT to do – during production and get the job done right the first time. This seventh edition covers the basics of cinematography and provides you with the multi-skill set needed to maintain and transport a camera, troubleshoot common problems on location, prepare for job interviews, and work with both film and digital technologies. Illustrations, checklists, and tables accompany each chapter and highlight the daily workflow of an Assistant Cameraman (AC), with expanded sections on problems and troubleshooting, updated formulas, tables, and checklists, as well as new information on the differences between working in the United States and UK and additional information on working with digital technology. This is a must-have for anyone looking to succeed in this highly technical and ever-changing profession. This book features a comprehensive companion web site that offers plenty of useful resources, including online tutorials that ACs can easily access while on location and supplementary downloadable forms and checklists.
Author | : David E. Elkins |
Publisher | : Taylor & Francis |
Total Pages | : 510 |
Release | : 2005 |
Genre | : Performing Arts |
ISBN | : 0240805585 |
This is a guide to all aspects of the role of the camera assistant. The number of potential problems the camera assistant can expect to face has been increased in the book to aid problem-solving skills.
Author | : David K. Irving |
Publisher | : Taylor & Francis |
Total Pages | : 434 |
Release | : 2012-11-12 |
Genre | : Performing Arts |
ISBN | : 1136048413 |
Producing and Directing the Short Film and Video is the definitive book on the subject for beginning filmmakers and students. The book clearly illustrates all of the steps involved in preproduction, production, postproduction, and distribution. Its unique two-fold approach looks at filmmaking from the perspectives of both producer and director, and explains how their separate energies must combine to create a successful short film or video, from script to final product. This guide offers extensive examples from award-winning shorts and includes insightful quotes from the filmmakers themselves describing the problems they encountered and how they solved them. The companion website contains useful forms and information on grants and financing sources, distributors, film and video festivals, film schools, internet sources for short works, and professional associations.
Author | : Denise Mann |
Publisher | : Rutgers University Press |
Total Pages | : 307 |
Release | : 2014-02-11 |
Genre | : Performing Arts |
ISBN | : 0813564557 |
This collection looks at the post–network television industry’s heady experiments with new forms of interactive storytelling—or wired TV—that took place from 2005 to 2010 as the networks responded to the introduction of broadband into the majority of homes and the proliferation of popular, participatory Web 2.0 companies like Facebook, YouTube, and Twitter. Contributors address a wide range of issues, from the networks’ sporadic efforts to engage fans using transmedia storytelling to the production inefficiencies that continue to dog network television to the impact of multimedia convergence and multinational, corporate conglomeration on entrepreneurial creativity. With essays from such top scholars as Henry Jenkins, John T. Caldwell, and Jonathan Gray and from new and exciting voices emerging in this field, Wired TV elucidates the myriad new digital threats and the equal number of digital opportunities that have become part and parcel of today’s post-network era. Readers will quickly recognize the familiar television franchises on which the contributors focus— including Lost, The Office, Entourage, Battlestar Gallactica, The L Word, and Heroes—in order to reveal their impact on an industry in transition. While it is not easy for vast bureaucracies to change course, executives from key network divisions engaged in an unprecedented period of innovation and collaboration with four important groups: members of the Hollywood creative community who wanted to expand television’s storytelling worlds and marketing capabilities by incorporating social media; members of the Silicon Valley tech community who were keen to rethink television distribution for the digital era; members of the Madison Avenue advertising community who were eager to rethink ad-supported content; and fans who were enthusiastic and willing to use social media story extensions to proselytize on behalf of a favorite network series. In the aftermath of the lengthy Writers Guild of America strike of 2007/2008, the networks clamped down on such collaborations and began to reclaim control over their operations, locking themselves back into an aging system of interconnected bureaucracies, entrenched hierarchies, and traditional partners from the past. What’s next for the future of the television industry? Stay tuned—or at least online. Contributors: Vincent Brook, Will Brooker, John T. Caldwell, M. J. Clarke, Jonathan Gray, Henry Jenkins, Derek Johnson, Robert V. Kozinets, Denise Mann, Katynka Z. Martínez, and Julie Levin Russo
Author | : Richard W. Kroon |
Publisher | : McFarland |
Total Pages | : 773 |
Release | : 2010-03-30 |
Genre | : Performing Arts |
ISBN | : 0786457406 |
Defining more than 10,000 words and phrases from everyday slang to technical terms and concepts, this dictionary of the audiovisual language embraces more than 50 subject areas within film, television, and home entertainment. It includes terms from the complete lifecycle of an audiovisual work from initial concept through commercial presentation in all the major distribution channels including theatrical exhibition, television broadcast, home entertainment, and mobile media. The dictionary definitions are augmented by more than 700 illustrations, 1,600 etymologies, and nearly 2,000 encyclopedic entries that provide illuminating anecdotes, historical perspective, and clarifying details.
Author | : Rhonda Hammer |
Publisher | : Peter Lang |
Total Pages | : 696 |
Release | : 2009 |
Genre | : Education |
ISBN | : 9780820495262 |
This anthology is designed to assist teachers and students in learning how to better understand and interpret our common culture and everyday life. With a focus on contemporary media, consumer, and digital culture, this book combines classic and original writings by both leading and rising scholars in the field. The chapters present key theories, concepts, and methodologies of critical cultural and media studies, as well as cutting-edge research into new media. Sections on teaching media/cultural studies and concrete case studies provide practical examples that illuminate contemporary culture, ranging from new forms of digital media and consumer culture to artifacts from TV and film, including Barbie and Big Macs, soap operas, Talk TV, Facebook, and YouTube. The lively articles show that media/cultural studies is an exciting and relevant arena, and this text should enable students and citizens to become informed readers and critics of their culture and society.