Joan Myers Brown And The Audacious Hope Of The Black Ballerina
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Author | : Brenda Dixon Gottschild |
Publisher | : Springer |
Total Pages | : 413 |
Release | : 2016-04-29 |
Genre | : Performing Arts |
ISBN | : 1137512350 |
Founder of the Philadelphia Dance Company (PHILADANCO) and the Philadelphia School of Dance Arts, Joan Myers Brown's personal and professional histories reflect the hardships as well as the advances of African-Americans in the artistic and social developments of the second half of the twentieth and the early twenty-first centuries.
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Release | : 2012 |
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ISBN | : 9781349585007 |
Author | : B. Gottschild |
Publisher | : Springer |
Total Pages | : 349 |
Release | : 2016-04-30 |
Genre | : Social Science |
ISBN | : 1137039000 |
What is the essence of black dance in America? To answer that question, Brenda Dixon Gottschild maps an unorthodox 'geography', the geography of the black dancing body, to show the central place black dance has in American culture. From the feet to the butt, to hair to skin/face, and beyond to the soul/spirit, Brenda Dixon Gottschild talks to some of the greatest choreographers of our day including Garth Fagan, Francesca Harper, Meredith Monk, Brenda Buffalino, Doug Elkins, Ralph Lemon, Fernando Bujones, Bill T. Jones, Trisha Brown, Jawole Zollar, Bebe Miller, Sean Curran and Shelly Washington to look at the evolution of black dance and it's importance to American culture. This is a groundbreaking piece of work by one of the foremost African-American dance critics of our day.
Author | : Holly Van Leuven |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2019-02-01 |
Genre | : Biography & Autobiography |
ISBN | : 0190639067 |
Best remembered for his role as the Scarecrow in the 1939 MGM musical The Wizard of Oz, Ray Bolger led a rich and extraordinary career in the decade before and more than four decades after the creation of the film. Ray Bolger: More Than a Scarecrow is the first biography of this classic American entertainer, covering the luminous and forgotten career of the eccentric dancer outside of his burlap mask. The product of a fragmented, working-class Boston Irish family, Bolger learned tap and eccentric dance steps as solace for a difficult life before running away to repertory theater and Vaudeville. From there, he would go on to become a Broadway star, a contract player at Hollywood's major studios, one of the first performers to tour the South Pacific for the USO, a Tony Award winner, an early sitcom star, and the opening headliner of the Sahara Hotel in Las Vegas. Using unprecedented access to Bolger's papers and many never-before-published photographs, Ray Bolger: More Than a Scarecrow pieces together the lost story of an itinerant hoofer who survived and thrived during the major media changes of the twentieth century and established himself as a staple of American pop culture.
Author | : Thomas F. Defrantz |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 382 |
Release | : 2002-04-01 |
Genre | : Performing Arts |
ISBN | : 0299173135 |
Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.
Author | : Sarah Wilbur |
Publisher | : Wesleyan University Press |
Total Pages | : 296 |
Release | : 2021-10-20 |
Genre | : Performing Arts |
ISBN | : 0819580538 |
"A cultural and structural analysis of the NEA's dance funding from its inception through the early 2000s. Wilbur studies how people in power engineer and translate institutional norms of arts recognition within dance, performance, and arts policy disclosure"--
Author | : NA NA |
Publisher | : Springer |
Total Pages | : 281 |
Release | : 2016-04-29 |
Genre | : Performing Arts |
ISBN | : 0312299680 |
The career of Norton and Margot, a ballroom dance team whose work was thwarted by the racial tenets of the era, serves as the barometer of the times and acts as the tour guide on this excursion through the worlds of African American vaudeville, black and white America during the swing era, the European touring circuit, and pre-Civil Rights era racial etiquette.
Author | : Caroline Joan S. Picart |
Publisher | : Springer |
Total Pages | : 382 |
Release | : 2013-11-07 |
Genre | : Art |
ISBN | : 1137321970 |
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
Author | : Kristen Frederickson |
Publisher | : Univ of California Press |
Total Pages | : 292 |
Release | : 2003-03-04 |
Genre | : Art |
ISBN | : 9780520231658 |
Contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. These 13 essays address the work and history of specific artists, beginning with the Renaissance and ending with the present day.
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Total Pages | : 556 |
Release | : 1890 |
Genre | : Dogs |
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