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The Pickwick Papers
| Author | : Charles Dickens |
| Publisher | : Courier Dover Publications |
| Total Pages | : 707 |
| Release | : 2017-08-25 |
| Genre | : Fiction |
| ISBN | : 0486824942 |
A convivial gentleman travels the countryside of Georgian England with a trio of jolly mates and his Cockney valet. Their encounters with highwaymen, romantic entanglements, and other comic misadventures offer rollicking entertainment.
Christmas Classics: Charles Dickens Collection (With Original Illustrations)
| Author | : Charles Dickens |
| Publisher | : e-artnow |
| Total Pages | : 4755 |
| Release | : 2017-07-06 |
| Genre | : Juvenile Fiction |
| ISBN | : 8075839463 |
This unique collection of "Christmas Classics: Charles Dickens Collection (With Original Illustrations)” has been designed and formatted to the highest digital standards. A Christmas Carol The Chimes Oliver Twist A Christmas Tree David Copperfield Little Dorrit The Cricket on the Hearth The Battle of Life The Haunted Man What Christmas Is As We Grow Older The Poor Relation's Story The Child's Story The Schoolboy's Story Nobody's Story The Seven Poor Travellers The Holly-Tree The Wreck of the Golden Mary The Perils of Certain English Prisoners A House to Let The Haunted House A Message From the Sea Tom Tiddler's Ground Somebody's Luggage Mrs. Lirriper's Lodgings Mrs. Lirriper's Legacy Doctor Marigold's Prescriptions Mugby Junction No Thoroughfare Great Expectations The Pickwick Papers
Government Gazette
| Author | : New South Wales |
| Publisher | : |
| Total Pages | : 1104 |
| Release | : 1858 |
| Genre | : New South Wales |
| ISBN | : |
The Sounds of Capitalism
| Author | : Timothy D. Taylor |
| Publisher | : University of Chicago Press |
| Total Pages | : 367 |
| Release | : 2012-07-27 |
| Genre | : Business & Economics |
| ISBN | : 0226791157 |
Here, Timothy D. Taylor tracks the use of music in American advertising for nearly a century, from variety shows like 'The Clicquot Club Eskimons' to the rise of the jingle, from the postwar growth of consumerism, to the more complete fusion of popular music and consumption in the 1980s and after.
