Jewish Space In Fin De Sia Cle Vienna And St Petersburg
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Author | : Charlotte Ashby |
Publisher | : Berghahn Books |
Total Pages | : 256 |
Release | : 2013-01-01 |
Genre | : History |
ISBN | : 0857457659 |
The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
Author | : Pavel Vasilyev |
Publisher | : GRIN Verlag |
Total Pages | : 13 |
Release | : 2010-12-22 |
Genre | : History |
ISBN | : 3640783611 |
Essay from the year 2010 in the subject History of Europe - Newer History, European Unification, grade: A-, University CEU San Pablo Madrid, language: English, abstract: At first glance, the historical Jews do not seem to have been a group that was determining the architectural, visual and spatial outlook of cities – in Europe or overseas alike. In fact, as Rudolf Klein put it, “the Jews were seldom in a position – save in ancient and modern Israel – to impose architecture on others”; partially because they “moved so many times in history that they lacked the preconditions for a continuous architectural evolution”. Moreover, architecture has always been considered a Jewish 'specialty' much less then, say, literature, medicine or business. However, I will show that a closer look at the connections between the Jews and the urban space is an important and promising enterprise that tells us a lot about the Jews, the city – and also about Gentiles. The focus of this paper is on the fin-de-siècle period (late 19th – early 20th centuries) and on the two capital cities of Vienna and St. Petersburg – and for some reasons. Both cities were capitals of the empires (Austria-Hungary and the Russian Empire, respectively), that were powerful enough to be a major military and financial competitors, but still technologically and economically backward. The transition to modernity in both capitals was late and problematic, and the Jewish communities have faced a long and persistent anti-Semitism. In both contexts, however, the Jews were especially successful and over-represented in the most modern professions – and also more visible in the rapidly changing modern urban space. Thus, this paper also compliments to the perspective that analyzes “Jewish space” in fin-de-siècle capitals – and brings a comparative element into the picture. Accordingly, in this paper I will look at the Jewish experiences in turn-of-the-century Vienna and St. Petersburg to compare the visions, images and representations of the “Jewish space” in the two imperial capitals that were struggling through modernity. I am particularly interested in residential, occupational and religious aspects of the “Jewish space” as these were the factors that determined the everyday life cycle of particular Jews. Additionally, I want to trace the potential influence that the Jewish patterns of space organization may have exercised upon Gentile ones around turn of the century.
Author | : Pavel Vasilyev |
Publisher | : GRIN Verlag |
Total Pages | : 29 |
Release | : 2010-12 |
Genre | : History |
ISBN | : 3640783352 |
Essay from the year 2010 in the subject History Europe - Other Countries - Newer History, European Unification, grade: A-, University CEU San Pablo Madrid, language: English, abstract: At first glance, the historical Jews do not seem to have been a group that was determining the architectural, visual and spatial outlook of cities - in Europe or overseas alike. In fact, as Rudolf Klein put it, "the Jews were seldom in a position - save in ancient and modern Israel - to impose architecture on others"; partially because they "moved so many times in history that they lacked the preconditions for a continuous architectural evolution". Moreover, architecture has always been considered a Jewish 'specialty' much less then, say, literature, medicine or business. However, I will show that a closer look at the connections between the Jews and the urban space is an important and promising enterprise that tells us a lot about the Jews, the city - and also about Gentiles. The focus of this paper is on the fin-de-siècle period (late 19th - early 20th centuries) and on the two capital cities of Vienna and St. Petersburg - and for some reasons. Both cities were capitals of the empires (Austria-Hungary and the Russian Empire, respectively), that were powerful enough to be a major military and financial competitors, but still technologically and economically backward. The transition to modernity in both capitals was late and problematic, and the Jewish communities have faced a long and persistent anti-Semitism. In both contexts, however, the Jews were especially successful and over-represented in the most modern professions - and also more visible in the rapidly changing modern urban space. Thus, this paper also compliments to the perspective that analyzes "Jewish space" in fin-de-siècle capitals - and brings a comparative element into the picture. Accordingly, in this paper I will look at the Jewish experiences in turn-of-the-century Vienna and St. Petersburg to compare the visions,
Author | : Joshua S. Walden |
Publisher | : Oxford University Press, USA |
Total Pages | : 319 |
Release | : 2014 |
Genre | : History |
ISBN | : 0199334668 |
Sounding Authentic considers the intersecting influences of nationalism, modernism, and technological innovation on representations of ethnic and national identities in twentieth-century art music. Author Joshua S. Walden discusses these forces through the prism of what he terms the "rural miniature": short violin and piano pieces based on folk song and dance styles. This genre, mostly inspired by the folk music of Hungary, the Jewish diaspora, and Spain, was featured frequently on recordings and performance programs in the early twentieth century. Furthermore, Sounding Authentic shows how the music of urban Romany ensembles developed into nineteenth-century repertoire of virtuosic works in the style hongrois before ultimately influencing composers of rural miniatures. Walden persuasively demonstrates how rural miniatures represented folk and rural cultures in a manner that was perceived as authentic, even while they involved significant modification of the original sources. He also links them to the impulse toward realism in developing technologies of photography, film, and sound recording. Sounding Authentic examines the complex ways the rural miniature was used by makers of nationalist agendas, who sought folkloric authenticity as a basis for the construction of ethnic and national identities. The book also considers the genre's reception in European diaspora communities in America where it evoked and transformed memories of life before immigration, and traces how many rural miniatures were assimilated to the styles of American popular song and swing. Scholars interested in musicology, ethnography, the history of violin performance, twentieth-century European art music, the culture of the Jewish Diaspora and more will find Sounding Authentic an essential addition to their library.
Author | : John Franklin Jameson |
Publisher | : |
Total Pages | : 464 |
Release | : 2009 |
Genre | : Electronic journals |
ISBN | : |
Author | : Shachar Pinsker |
Publisher | : Stanford University Press |
Total Pages | : 666 |
Release | : 2010-12-13 |
Genre | : Literary Criticism |
ISBN | : 0804777241 |
Literary Passports is the first book to explore modernist Hebrew fiction in Europe in the early decades of the twentieth century. It not only serves as an introduction to this important body of literature, but also acts as a major revisionist statement, freeing this literature from a Zionist-nationalist narrative and viewing it through the wider lens of new comparative studies in modernism. The book's central claim is that modernist Hebrew prose-fiction, as it emerged from 1900 to 1930, was shaped by the highly charged encounter of traditionally educated Jews with the revolution of European literature and culture known as modernism. The book deals with modernist Hebrew fiction as an urban phenomenon, explores the ways in which the genre dealt with issues of sexuality and gender, and examines its depictions of the complex relations between tradition, modernity, and religion.
Author | : Paul Reitter |
Publisher | : University of Chicago Press |
Total Pages | : 271 |
Release | : 2020-10-09 |
Genre | : Literary Criticism |
ISBN | : 0226709728 |
In turn-of-the-century Vienna, Karl Kraus created a bold new style of media criticism, penning incisive satires that elicited both admiration and outrage. Kraus’s spectacularly hostile critiques often focused on his fellow Jewish journalists, which brought him a reputation as the quintessential self-hating Jew. The Anti-Journalist overturns this view with unprecedented force and sophistication, showing how Kraus’s criticisms form the center of a radical model of German-Jewish self-fashioning, and how that model developed in concert with Kraus’s modernist journalistic style. Paul Reitter’s study of Kraus’s writings situates them in the context of fin-de-siècle German-Jewish intellectual society. He argues that rather than stemming from anti-Semitism, Kraus’s attacks constituted an innovative critique of mainstream German-Jewish strategies for assimilation. Marshalling three of the most daring German-Jewish authors—Kafka, Scholem, and Benjamin—Reitter explains their admiration for Kraus’s project and demonstrates his influence on their own notions of cultural authenticity. The Anti-Journalist is at once a new interpretation of a fascinating modernist oeuvre and a heady exploration of an important stage in the history of German-Jewish thinking about identity.
Author | : Yohanan Petrovsky-Shtern |
Publisher | : Yale University Press |
Total Pages | : 339 |
Release | : 2010-08-31 |
Genre | : Biography & Autobiography |
ISBN | : 0300168608 |
The grandson of a Jew, whose Jewish relatives converted to Christianity, whose allies played down his Jewish origins just as fervently as his enemies played them up, V.I. Lenin makes for a fascinating case study of the many complexities associated with 'Jewish question' in Russia.
Author | : |
Publisher | : |
Total Pages | : 540 |
Release | : 1980 |
Genre | : Books |
ISBN | : |
Author | : Liliana Riga |
Publisher | : Cambridge University Press |
Total Pages | : 329 |
Release | : 2012-11-12 |
Genre | : History |
ISBN | : 1107014220 |
This book offers a new interpretation of the Russian Revolution, finding that nearly two-thirds of the Bolsheviks were ethnic minorities.