Jean Pierre Melville Portrait En 9 Poses
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Author | : Ginette Vincendeau |
Publisher | : Bloomsbury Publishing |
Total Pages | : 285 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838716548 |
Ginette Vincendeau discusses the artistic value of his films in their proper context and comments on Jean-Pierre Melville's love of American culture and his controversial critical and political standing in this English language study.
Author | : |
Publisher | : Penn State Press |
Total Pages | : 310 |
Release | : 1998 |
Genre | : |
ISBN | : 9780271044330 |
Author | : |
Publisher | : |
Total Pages | : 1000 |
Release | : 1996 |
Genre | : Literature |
ISBN | : |
Author | : Ginette Vincendeau |
Publisher | : Bloomsbury Publishing |
Total Pages | : 288 |
Release | : 2000-11-01 |
Genre | : Social Science |
ISBN | : 1441130268 |
French cinema is second only to Hollywood in the number of its movie stars who have emerged to achieve international fame. France is, in fact, arguably the only country other than the United States to have an international "star system." Yet these glamorous and charismatic stars differ from their U.S. counterparts in that they maintain more freedom to control their own images and often straddle both mainstream and auteur cinema.Ginette Vincendeau, a leading authority on French cinema, analyzes the phenomenon of French film stardom and provides brilliant in-depth studies of the major popular stars of the French cinema: Max Linder, Jean Gabin, Brigitte Bardot, Jeanne Moreau, Louis de FunFs, Jean-Paul Belmondo, Alain Delon, Catherine Deneuve, GTrard Depardieu, and Juliette Binoche. This volume analyzes these stars' images and performance styles in the context of the French film industry, but also in relation to national culture and society. In the country where Brigitte Bardot and Catherine Deneuve have modeled for Marianne (the effigy of the Republic) and left-wing politicians have held up Jean Gabin as a role model, Vincendeau examines the unusual relationship between French film stars and national identity.Ginette Vincendeau is professor of film studies at the University of Warwick. She is the author and editor of a number of books on cinema.
Author | : Terence Pepper |
Publisher | : Constable |
Total Pages | : 132 |
Release | : 1985 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 144 |
Release | : 1996-11-04 |
Genre | : |
ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
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Publisher | : |
Total Pages | : 1068 |
Release | : 2007 |
Genre | : New York (N.Y.) |
ISBN | : |
Author | : Jean-Pierre Melville |
Publisher | : London : Secker and Warburg [for] the British Film Institute |
Total Pages | : 184 |
Release | : 1971 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Kevin J. Avery |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 426 |
Release | : 2002 |
Genre | : Drawing |
ISBN | : 1588390608 |
"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.
Author | : Carrie Rebora Barratt |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 366 |
Release | : 1995 |
Genre | : Art, American |
ISBN | : 0870997459 |
A lavish, illustrated volume published to accompany an exhibition of Copley's work that will be traveling to several cities during 1996. The focus is on the paintings, miniatures, and pastels that Copley, the supreme portraitist of the colonial era, produced before he moved to London in 1774. Four principal essays place the work in historical and social context and bring new critical methods to bear upon the study of portraits and portraiture; four shorter essays treat various aspects of Copley's art and techniques. Catalog entries detail the sitters' lives and the ways in which Copley enhanced his subjects' status and presence. 10x12.25" Annotation copyright by Book News, Inc., Portland, OR