Jean Luc Godards Hail Mary
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| Author | : Maryel Locke |
| Publisher | : SIU Press |
| Total Pages | : 268 |
| Release | : 1993 |
| Genre | : Performing Arts |
| ISBN | : 9780809318247 |
Maryel Locke and Charles Warren present twelve original essays by film critics, filmmakers, theologians, and philosophers that examine the 1985 film Hail Mary, directed by Jean-Luc Godard, and its companion film, The Book of Mary, directed by Anne-Marie Miéville. (The films are collectively released under the title Hail Mary.) The interpretative essays offer a rich spectrum of analysis and opinion representing many divergent points of view about critical theory, the status of women, and the value of film as a medium. Locke and Warren also include two important interviews with Godard, brief biographies and complete filmographies of Godard and Miéville, a short breakdown of the two films including the English subtitles, and the script of the French dialogue to complete a remarkably comprehensive treatment of this important film. The only film based on the biblical story of the Virgin Mary, Godard’s Hail Mary is a contemporary Swiss/French representation of Mary’s virgin pregnancy, the birth of her son, and her relationship with Joseph and her young child. Miéville’s companion film is about a young girl named Mary whose parents get a divorce. While neither film is overtly religious, the initial release of Hail Mary brought public protests, court cases, a physical attack on Godard, and condemnation by the Pope.
| Author | : Wheeler Winston Dixon |
| Publisher | : State University of New York Press |
| Total Pages | : 314 |
| Release | : 1997-03-06 |
| Genre | : Social Science |
| ISBN | : 1438401248 |
One of the most important, controversial, and prolific filmmakers in film history, and a founder of French New Wave cinema, Jean-Luc Godard has maintained an unbroken string of films in various genres and mediums from the late 1950s onward. Godard has established a reputation as a rebel who can work within and outside the system, producing films that are creative, breathtakingly beautiful, and yet commercial enough to earn back their production costs. In this book, Wheeler Winston Dixon offers an overview of all of Godard's work as a filmmaker, including his work for television and his ethnographic work in Africa. Free from the jargon and value judgments that have marred much of what has been written about Godard, this is the only book that covers the entirety of Godard's career, from his early film criticism for Cahiers du Cinema to his most recent video/film work. Illustrated with forty-six rare stills and researched in detail, it is the Godard book for the 1990s.
| Author | : Douglas Morrey |
| Publisher | : Manchester University Press |
| Total Pages | : 284 |
| Release | : 2019-01-11 |
| Genre | : Performing Arts |
| ISBN | : 1526141558 |
This volume offers a new interpretation of the whole of Godard's career in cinema. Drawing examples from all periods of Godard's filmmaking, it examines the parallels between the director's innovative approach to film form and wider developments in French culture and thought since 1950.
| Author | : David Sterritt |
| Publisher | : Cambridge University Press |
| Total Pages | : 320 |
| Release | : 1999-08-13 |
| Genre | : Performing Arts |
| ISBN | : 9780521589710 |
The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's New Wave movement in the early 1960s to a period of political experimentation in the late 1960s and 70s, and, currently, a contemplative period in which Godard has explored issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, the filmmaker's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. In subsequent chapters, he traces Godard's visionary ideas through six of his key films, including Breathless, My Life to Live, Weekend, Numéro deux, Hail Mary, and Nouvelle Vague formats. Linking Godard's works to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century.
| Author | : John Waters |
| Publisher | : Simon and Schuster |
| Total Pages | : 216 |
| Release | : 2007-11-01 |
| Genre | : Performing Arts |
| ISBN | : 1416591249 |
An outrageous collection from the uniquely legendary John Waters, updated with new material—including Waters’s 2002 New York Times article, “Finally, Footlights on the Fat Girls.” Crackpot, originally released in 1986, is John Waters’s brilliantly entertaining litany of odd and fascinating people, places, and things. From Baltimore to Los Angeles, from William Castle to Pia Zadora, from the National Enquirer to Ronald Reagan’s colon, Waters explores the depths of our culture. And he dispenses useful advice along the way: how not to make a movie, how to become famous (read: infamous), and of course, how to most effectively shock and make our nation’s public laugh at the same time. Loaded with bonus features, this special edition is guaranteed to leave you totally mental.
| Author | : Albertine Fox |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 290 |
| Release | : 2017-12-18 |
| Genre | : Performing Arts |
| ISBN | : 1786732742 |
What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer. Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema.
| Author | : Wheeler W. Dixon |
| Publisher | : SUNY Press |
| Total Pages | : 314 |
| Release | : 1997-01-01 |
| Genre | : Performing Arts |
| ISBN | : 9780791432853 |
In this book, Wheeler Winston Dixon offers an overview of all of Godard's work as a filmmaker, including his work for television and his ethnographic work in Africa. Free from the jargon and value judgments that have marred much of what has been written about Godard, this is the only book that covers the entirety of Godard's career.
| Author | : Catherine O'Brien |
| Publisher | : Columbia University Press |
| Total Pages | : 210 |
| Release | : 2011 |
| Genre | : Performing Arts |
| ISBN | : 190666028X |
The Celluloid Madonna is the first book to analyze the life of the Virgin Mary on screen from the silent era through to the present. For decades, Mary has caught the imagination of filmmakers from a range of religious backgrounds, whether Catholic, Protestant, Muslim, Marxist, or atheist, and film's intersection of theology and secular culture has inspired some of the most singular and controversial visions of this icon in cinema history. Focusing on the challenge of adapting Scripture to the screen, this volume discusses Cecil B. DeMille's The King of Kings (1927), Pier Paolo Pasolini's The Gospel According to St. Matthew (1964), Franco Zeffirelli's Jesus of Nazareth (1977), Jean-Luc Godard's Hail Mary (1984), Jean Delannoy's Mary of Nazareth (1994), Mel Gibson's The Passion of the Christ (2004), Catherine Hardwicke's The Nativity Story (2006), and Mark Dornford-May's Son of Man (2006).
| Author | : Tom Conley |
| Publisher | : John Wiley & Sons |
| Total Pages | : 597 |
| Release | : 2014-04-17 |
| Genre | : Performing Arts |
| ISBN | : 1118587014 |
This compendium of original essays offers invaluable insights into the life and works of one of the most important and influential directors in the history of cinema, exploring his major films, philosophy, politics, and connections to other critics and directors. Presents a compendium of original essays offering invaluable insights into the life and works of one of the most important and influential filmmakers in the history of cinema Features contributions from an international cast of major film theorists and critics Provides readers with both an in-depth reading of Godard’s major films and a sense of his evolution from the New Wave to his later political periods Brings fresh insights into the great director’s biography, including reflections on his personal philosophy, politics, and connections to other critics and filmmakers Explores many of the 80 features Godard made in nearly 60 years, and includes coverage of his recent work in video
| Author | : Charles Warren |
| Publisher | : Wesleyan University Press |
| Total Pages | : 404 |
| Release | : 1996-05-31 |
| Genre | : Performing Arts |
| ISBN | : 9780819562906 |
Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications. In essays by eleven of America's foremost writers, critics, and filmmakers, Beyond Document explores the full spectrum of nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema-verité, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who. . ., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and in Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve" ; and poet Susan Howe explores structures of mourning in several filmmakers. All the book's essays provide deeply felt understanding of documentary film, and of how we live with, an d within, images. CONTRIBUTORS: Jay Cantor, Robert Gardener, Patricia Hampl, Maureen Howard, Susan Howe, Helene Keyssar, Phillip Lopatte, Vlada Petric, William Rothman, Charles Warren, Eliot Weinberger.
