Jean Jacques Lebel
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| Author | : Paul B. Franklin |
| Publisher | : Getty Publications |
| Total Pages | : 422 |
| Release | : 2016-06-01 |
| Genre | : Art |
| ISBN | : 1606064436 |
Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.
| Author | : Alyce Mahon |
| Publisher | : Princeton University Press |
| Total Pages | : 299 |
| Release | : 2020-05-26 |
| Genre | : Art |
| ISBN | : 0691141614 |
"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--
| Author | : Pablo Picasso |
| Publisher | : Prestel Publishing |
| Total Pages | : 376 |
| Release | : 2001 |
| Genre | : Architecture |
| ISBN | : |
The career of the greatest painter of the twentieth century was played out in the shadow of Eros -- and of Thanatos. At the age of eight Picasso's first drawings already displayed a precocious interest in the female form, and in the days leading up to his death he was still working obsessively on sketches of the female sex. At the turn of the century the young Picasso created drawings and watercolors inspired by the bordellos of Barcelona which he frequented. These works mix desire, fascination, but also comedy and the grotesque alongside the ever-present fear of disease. They would result, seven years later, in his masterpiece, Les Demoiselles d'Avignon. The works in this ground-breaking book include erotic drawings formal and informal, sketches in notebooks hidden in drawers and private collections, and occasionally paintings and sculptures. Through all these works the essays by an international team of scholars, analyse the primeval notion of desire in Picasso's work, as well as his relation to voyeurism and exhibitionism, to artist and model. Whether through playful or hallucinatory forms, Picasso's representation of the desiring and desired body has become a pivotal moment in the history of twentieth-century art. Produced to accompany a major exhibition in Paris, Montreal and Barcelona, Picasso Erotique is a unique examination of the central theme in Picasso's work.
| Author | : Axel Heil |
| Publisher | : Walther Konig Verlag |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : |
| ISBN | : 9783863352295 |
This volume presents a wide selection of the artistic output of the writer William S. Burroughs, and shows works that he created during the 1960s with Brion Gysin, Ian Sommerville, and Anthony Balch under the name of 'The Third Mind' as well as 'Collaborations' with other artists such as John Giorno and George Condo.
| Author | : Jehan Le Bel |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 296 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 1843836947 |
Even as a canon, he lived in princely style, with a retinue of two knights and forty squires, and he wrote at the request of John of Hainault, the uncle of queen Philippa. He was thus able to draw directly on the verbal accounts of the Crécy campaign given to him by soldiers from Hainault who had fought on both sides; and his description of warfare in Scotland is the most realistic account of what it was like to be on campaign that survives from this period.
| Author | : Mariellen Sandford |
| Publisher | : Routledge |
| Total Pages | : 371 |
| Release | : 2003-09-02 |
| Genre | : Performing Arts |
| ISBN | : 1134857829 |
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Brandon Taylor |
| Publisher | : Routledge |
| Total Pages | : 254 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351549618 |
Just what do psychoanalysis and modern sculpture have to do with one another? The present collection of essays, unique in its field, shows how key metaphors of Freudian and Kleinian psychoanalysis - splitting, projection, sublimation, identification, the schizoid and reparative mechanisms - as well as Lacan's concepts of the stade du mirroir and the objet petit a, can be fruitfully applied to a range of modern three-dimensional art, from Surrealism to the present day. As these essays show, figures such as Barbara Hepworth, Eva Hesse, Jean-Jacques Lebel, Robert Morris, Donald Judd, Gilbert and George, Rebecca Horn and others have often approached the material of sculpture with something like these mechanisms in mind. The need to unlock the levels of psychoanalytic connection between artist, object and viewer in recent debate has fuelled the diverse proposals of this original and important book.
| Author | : Claire Bishop |
| Publisher | : Verso Books |
| Total Pages | : 483 |
| Release | : 2012-07-24 |
| Genre | : Art |
| ISBN | : 1781683972 |
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
| Author | : Allan Kaprow |
| Publisher | : |
| Total Pages | : 341 |
| Release | : |
| Genre | : Happening (Art) |
| ISBN | : |
| Author | : Mitchell Abidor |
| Publisher | : AK Press |
| Total Pages | : 253 |
| Release | : 2018-04-10 |
| Genre | : History |
| ISBN | : 1849352992 |
Q: “You threw paving stones at [the cops]?” A: “Oh yeah. I had no problem doing that. And I threw marbles as well that we stole from stores. And towards the end we even managed to steal tractors from construction sites and we knocked over trees with them.” The mass protests that shook France in May 1968 were exciting, dangerous, creative, and influential, changing European politics to this day. Students demonstrated, workers went on general strike, and factories and universities were occupied. Before it was all over, children, homemakers, and the elderly were swept up in the life-changing events that targeted bureaucratic capitalism and the staid Communist Party. The French state was on the ropes and feared civil war or revolution. Decades later, here are the eye-opening oral testimonies of those young rebels who demanded the impossible. Published on the 50th anniversary of those momentous events, May Made Me presents the legacy of the uprising: how those explosive experiences changed both the individual and history. “These powerful and moving testimonies create an eye-opening account of the inspiring events of May ’68, which are more relevant for today’s activists than ever before.” —Paul Mason, author of Postcapitalism: A Guide to Our Future
