Jazz Records 1942 1969 A Bl 1942 64
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Popular Music
Author | : Roman Iwaschkin |
Publisher | : Routledge |
Total Pages | : 675 |
Release | : 2016-04-14 |
Genre | : Music |
ISBN | : 1317223454 |
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.
The Film Sense
Author | : Sergei Eisenstein |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 316 |
Release | : 1947 |
Genre | : Biography & Autobiography |
ISBN | : 9780156309356 |
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
The American Dance Band Discography 1917-1942: Arthur Lange to Bob Zurke
Author | : Brian Rust |
Publisher | : |
Total Pages | : 1072 |
Release | : 1975 |
Genre | : Dance orchestra music |
ISBN | : |
All that is Solid Melts Into Air
Author | : Marshall Berman |
Publisher | : Verso |
Total Pages | : 388 |
Release | : 1983 |
Genre | : History |
ISBN | : 9780860917854 |
The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.
The Dictionary Catalog of the Vivian G. Harsh Collection of Afro-American History and Literature, the Chicago Public Library
Author | : Chicago Public Library |
Publisher | : Macmillan Reference USA |
Total Pages | : 842 |
Release | : 1978 |
Genre | : History |
ISBN | : |
Lady Sings the Blues
Author | : Billie Holiday |
Publisher | : Crown |
Total Pages | : 258 |
Release | : 2006-07-25 |
Genre | : Biography & Autobiography |
ISBN | : 0767923863 |
Perfect for fans of The United States vs. Billie Holiday, this is the fiercely honest, no-holds-barred memoir of the legendary jazz, swing, and standards singing sensation—a fiftieth-anniversary edition updated with stunning new photos, a revised discography, and an insightful foreword by music writer David Ritz Taking the reader on a fast-moving journey from Billie Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.