International Jazz Bibliography
Author | : Carl Gregor (Duke of Mecklenburg.) |
Publisher | : Strasbourg [France] : P. H. Heitz |
Total Pages | : 236 |
Release | : 1969 |
Genre | : Jazz |
ISBN | : |
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Author | : Carl Gregor (Duke of Mecklenburg.) |
Publisher | : Strasbourg [France] : P. H. Heitz |
Total Pages | : 236 |
Release | : 1969 |
Genre | : Jazz |
ISBN | : |
Author | : John Shepherd |
Publisher | : A&C Black |
Total Pages | : 833 |
Release | : 2003-03-06 |
Genre | : Social Science |
ISBN | : 184714473X |
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Author | : Albert John Walford |
Publisher | : Library Association Publishing (UK) |
Total Pages | : 910 |
Release | : 1980 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Author | : |
Publisher | : A&C Black |
Total Pages | : 833 |
Release | : 2003-01-30 |
Genre | : Music |
ISBN | : 0826463215 |
‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.' Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill The first comprehensive reference work on popular music of the world Contributors are the world's leading popular music scholars Includes extensive bibliographies, discographies, sheet music listings and filmographies. Popular music has been a major force in the world since the nineteenth century. With the advent of electronic and advanced technology it has become ubiquitous. This is the first volume in a series of encyclopedic works covering popular music of the world. Consisting of some 500 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and is arranged in two Parts: Part 1: Social and Cultural Dimensions, covering the social phenomena of relevance to the practice of popular music. Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. For more information visit the website at: www.continuumpopmusic.com
Author | : Arthur James Wells |
Publisher | : |
Total Pages | : 1858 |
Release | : 1965 |
Genre | : Bibliography, National |
ISBN | : |
Author | : Bruce D. Epperson |
Publisher | : University of Chicago Press |
Total Pages | : 301 |
Release | : 2013-10-01 |
Genre | : Music |
ISBN | : 022606767X |
Today, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson’s More Important Than the Music. Following the dedicated few who sought to keep jazz’s legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer. Epperson examines the documentation of recorded jazz from its casual origins as a novelty in the 1920s and ’30s, through the overwhelming deluge of 12-inch vinyl records in the middle of the twentieth century, to the use of computers by today’s discographers. Though he focuses much of his attention on comprehensive discographies, he also examines the development of a variety of related listings, such as buyer’s guides and library catalogs, and he closes with a look toward discography’s future. From the little black book to the full-featured online database, More Important Than the Music offers a history not just of jazz discography but of the profoundly human desire to preserve history itself.
Author | : Bernhard Hefele |
Publisher | : München : Saur |
Total Pages | : 384 |
Release | : 1981 |
Genre | : Jazz |
ISBN | : |