Jarrell Bishop Lowell Co
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| Author | : Suzanne Ferguson |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 376 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9781572332294 |
Jarrell, Bishop, Lowell, & Co.: Middle-Generation Poets in Context Takes on the oft-noted but little explored friendship of three of the most respected poets of the twentieth century. Editor Suzanne Ferguson collects eighteen essays that explore the literary, personal, and political affiliations of Randall Jarrell, Elizabeth Bishop, and Robert Lowell, influential literary figures who flourished in the periods between modernism and postmodernism. Essay in the first section of the book directly compare the subjects, while sections on each of the poets follow. The contributors unpack received wisdom on the poets, revising and updating our conceptions. The multiple viewpoints reflect on one another, shedding provocative light on the group as a whole, and revealing the ways the study of poets in their historical context helps make them not only accessible but also relevant to today's reader. The Contributors: Edward Hirsch, Steven Gould Axelrod, Jeredith Merrin, Thomas Travisano, Diederik Oostdijk, Richard Flynn, Nelson Hathcock, Florian Hild, Stephen Burt, James McCorkle, Ross Leckie, Meg Schoerke, Lurel Kornhiser, Francesco Rognoni, Christian Sisack, Ernest J. Smith, and Elise Partridge. The Editor: Suzanne Ferguson is Samuel B. and Virginia C. Knight Professor of Humanities, Emerita, at Case Western Reserve University. She is author of The Poetry of Randall Jarrell, editor of Critical Essays on Randall Jarrell, and coeditor of Literature and the Visual Arts in Contemporary Society. Her articles have appeared in Georgia Review, Modern Fiction Studies, Word and Image, and other journals.
| Author | : Stephanie Burt |
| Publisher | : Columbia University Press |
| Total Pages | : 484 |
| Release | : 2005-04-06 |
| Genre | : Literary Criticism |
| ISBN | : 0231500955 |
Randall Jarrell (1914–1965) was the most influential poetry critic of his generation. He was also a lyric poet, comic novelist, translator, children's book author, and close friend of Elizabeth Bishop, Robert Lowell, Hannah Arendt, and many other important writers of his time. Jarrell won the 1960 National Book Award for poetry and served as poetry consultant to the Library of Congress. Amid the resurgence of interest in Randall Jarrell, Stephen Burt offers this brilliant analysis of the poet and essayist. Burt's book examines all of Jarrell's work, incorporating new research based on previously undiscovered essays and poems. Other books have examined Jarrell's poetry in biographical or formal terms, but none have considered both his aesthetic choices and their social contexts. Beginning with an overview of Jarrell's life and loves, Burt argues that Jarrell's poetry responded to the political questions of the 1930s, the anxieties and social constraints of wartime America, and the apparent prosperity, domestic ideals, and professional ideology that characterized the 1950s. Jarrell's work is peopled by helpless soldiers, anxious suburban children, trapped housewives, and lonely consumers. Randall Jarrell and His Age situates the poet-critic among his peers—including Bishop, Lowell, and Arendt—in literature and cultural criticism. Burt considers the ways in which Jarrell's efforts and achievements encompassed the concerns of his time, from teen culture to World War II to the Cuban Missile Crisis; the book asks, too, how those efforts might speak to us now.
| Author | : Thomas J. Travisano |
| Publisher | : University of Virginia Press |
| Total Pages | : 354 |
| Release | : 1999-12-29 |
| Genre | : Literary Collections |
| ISBN | : 9780813929187 |
In a February 1966 letter to her artistic confidant, RobertLowell, Elizabeth Bishop tellingly grouped four midcentury poets: Lowell, RandallJarrell, John Berryman, and herself. For Bishop--always wary of being pigeonholedand therefore reticent about naming her favorite contemporaries--it was a rareexplicit acknowledgment of an informal but enduring artistic circle that has evadedthe notice of literary journalists for more than forty years. Despite the privatenature of their dialogue, the group's members--Bishop, Lowell, Jarrell, andBerryman--left a compelling record of their mutual interchange and influence.Drawing on an extensive range of published and archival sources, Thomas Travisanotraces these poets' creation of a surprisingly coherent postmodern aesthetic anddefines its continuing influence on Americanpoetry. The refusal of this "midcentury quartet,"as Travisano calls them, to voice a formalized doctrine, coupled with theirintuitive way of working, has caused critics to miss the coherence of their project.Travisano argues that these poets are not only successors to Pound, Auden, Stevens, and Eliot but postmodern explorers in their own right. In forging their ownaesthetic, characterized here as a postmodern mode of elegy, they encounteredsignificant resistance from their immediate modernist mentors Allen Tate, John CroweRansom, and Marianne Moore. Jarrell, whom othersof the group regarded as a critic of particular genius, was first described as apost-modernist in a 1941 review by Ransom that Travisano cites as the earliest knownuse of the term. In Jarrell's review of Lowell's Lord Weary's Castle six yearslater, he named Lowell a postmodernist and identified traits, among them the use ofpastiche, that are now considered by theorists such as Fredric Jameson asspecifically postmodern. And Bishop's inventiveness allowed her to adapt aself-exploratory mode often, but imprecisely, termed confessional to challengingforms such as the double sonnet, villanelle, andsestina. Each of these poets suffered adevastating loss during childhood and lived through the twentieth-century disastersof the Great Depression, World War II and the Holocaust, and the cold war. Thecontinual tension in their poetry between subjectivity and form, claims Travisano, reflects the plight of the fractured individual in a postmodern world. By arguing sosharply for the importance of this circle, Midcentury Quartet is certain to redrawthe map of postwar American poetry.
| Author | : Joan Romano Shifflett |
| Publisher | : LSU Press |
| Total Pages | : 244 |
| Release | : 2020-06-03 |
| Genre | : Literary Criticism |
| ISBN | : 0807173819 |
Robert Penn Warren, Randall Jarrell, and Robert Lowell maintained lifelong, well-documented friendships with one another, often discussing each other’s work in private correspondence and published reviews. Joan Romano Shifflett’s Warren, Jarrell, and Lowell: Collaboration in the Reshaping of American Poetry traces the artistic and personal connections between the three writers. Her study uncovers the significance of their parallel literary development and reevaluates dominant views of how American poetry evolved during the mid-twentieth century. Familiar accounts of literary history, most prominently the celebration of Lowell’s Life Studies as a revolutionary breakthrough into confessional poetry, have obscured the significance of the deep connections that Lowell shared with Warren and Jarrell. They all became quite close in the 1930s, with the content and style of their early poetry revealing the impact of their mentors John Crowe Ransom and Allen Tate, whose aesthetics the three would ultimately modify and transform. The three poets achieved professional maturity and success in the 1940s, during which time they relied on one another’s honest critiques as they experimented with changes in subject matter and modes of expression. Shifflett shows that their works of the late 1940s were heavily influenced by Robert Frost. This period found Warren, Jarrell, and Lowell infusing ostensibly simple verse with multifaceted layers of meaning, capturing the language of speech in diction and rhythm, and striving to raise human experience to a universal level. During the 1950s, the three poets became public figures, producing major works that addressed the nation’s postwar need to reconnect with humanity. Warren, Jarrell, and Lowell continued to respond in interlocking ways throughout the 1960s, with each writer using innovative stylistic techniques to create a colloquy with readers that directed attention away from superficial matters and toward the important work of self-reflection. Drawing from biographical materials and correspondence, along with detailed readings of many poems, Warren, Jarrell, and Lowell offers a compelling new perspective on the shaping of twentieth-century American poetry.
| Author | : Steven Gould Axelrod |
| Publisher | : Rutgers University Press |
| Total Pages | : 563 |
| Release | : 2012-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 0813562902 |
Steven Gould Axelrod, Camille Roman, and Thomas Travisano continue the standard of excellence set in Volumes I and II of this extraordinary anthology. Volume III provides the most compelling and wide-ranging selection available of American poetry from 1950 to the present. Its contents are just as diverse and multifaceted as America itself and invite readers to explore the world of poetry in the larger historical context of American culture. Nearly three hundred poems allow readers to explore canonical works by such poets as Elizabeth Bishop, Robert Lowell, and Sylvia Plath, as well as song lyrics from such popular musicians as Bob Dylan and Queen Latifah. Because contemporary American culture transcends the borders of the continental United States, the anthology also includes numerous transnational poets, from Julia de Burgos to Derek Walcott. Whether they are the works of oblique avant-gardists like John Ashbery or direct, populist poets like Allen Ginsberg, all of the selections are accompanied by extensive introductions and footnotes, making the great poetry of the period fully accessible to readers for the first time.
| Author | : Thomas Austenfeld |
| Publisher | : Cambridge University Press |
| Total Pages | : 576 |
| Release | : 2024-04-04 |
| Genre | : Literary Criticism |
| ISBN | : 1009465708 |
| Author | : Craig Svonkin |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 549 |
| Release | : 2023-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 1350062510 |
With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: · Major histories and genealogies of post-war poetry – from the language poets and the Black Arts Movement to New York school and the Beats · Poetry, identity and community – from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability · Key genres and forms – including digital, visual, documentary and children's poetry · Central critical themes – economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, and Claudia Rankine reflect on the craft and value of poetry today.
| Author | : Kathleen Spivack |
| Publisher | : UPNE |
| Total Pages | : 258 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 1555537650 |
In 1959 Kathleen Spivack won a fellowship to study at Boston University with Robert Lowell. Her fellow students were Sylvia Plath and Anne Sexton, among others. Thus began a relationship with the famous poet and his circle that would last to the end of his life in 1977 and beyond. Spivack presents a lovingly rendered story of her time among some of the most esteemed artists of a generation. Part memoir, part loose collection of anecdotes, artistic considerations, and soulful yet clear-eyed reminiscences of a lost time and place, hers is an intimate portrait of the often suffering Lowell, the great and near great artists he attracted, his teaching methods, his private world, and the significant legacy he left to his students. Through the story of a youthful artist finding her poetic voice among literary giants, Spivack thoughtfully considers how poets work. She looks at friendships, addiction, despair, perseverance and survival, and how social changes altered lives and circumstances. This is a beautifully written portrait of friends who loved and lived words, and made great beauty together. A touching and deeply revealing look into the lives and thoughts of some of the most influential artists of the twentieth century, With Robert Lowell and His Circle will appeal to writers, students, and thoughtful literary readers, as well as to scholars.
| Author | : Julia Mickenberg |
| Publisher | : Oxford University Press |
| Total Pages | : 601 |
| Release | : 2012-11-29 |
| Genre | : Literary Criticism |
| ISBN | : 0199938555 |
Remarkably well researched, the essays consider a wide range of texts - from the U.S., Britain and Canada - and take a variety fo theoretical approaches, including formalism and Marxism and those related to psychology, postcolonialism, reception, feminism, queer studies, and performance studies ... This collection pushes boundaries of genre, notions of childhood ... Choice. Back cover of book.
| Author | : Bethany Hicok |
| Publisher | : Lever Press |
| Total Pages | : 365 |
| Release | : 2020-01-03 |
| Genre | : Literary Criticism |
| ISBN | : 1643150111 |
In a life full of chaos and travel, Elizabeth Bishop managed to preserve and even partially catalog, a large collection—more than 3,500 pages of drafts of poems and prose, notebooks, memorabilia, artwork, hundreds of letters to major poets and writers, and thousands of books—now housed at Vassar College. Informed by archival theory and practice, as well as a deep appreciation of Bishop’s poetics, the collection charts new territory for teaching and reading American poetry at the intersection of the institutional archive, literary study, the liberal arts college, and the digital humanities. The fifteen essays in this collection use this archive as a subject, and, for the first time, argue for the critical importance of working with and describing original documents in order to understand the relationship between this most archival of poets and her own archive. This collection features a unique set of interdisciplinary scholars, archivists, translators, and poets, who approach the archive collaboratively and from multiple perspectives. The contributions explore remarkable new acquisitions, such as Bishop’s letters to her psychoanalyst, one of the most detailed psychosexual memoirs of any twentieth century poet and the exuberant correspondence with her final partner, Alice Methfessel, an important series of queer love letters of the 20th century. Lever Press’s digital environment allows the contributors to present some of the visual experience of the archive, such as Bishop’s extraordinary “multi-medial” and “multimodal” notebooks, in order to reveal aspects of the poet’s complex composition process.
