Japanese No Dramas

Japanese No Dramas
Author:
Publisher: Penguin UK
Total Pages: 384
Release: 1992-10-29
Genre: Drama
ISBN: 0141907800

Japanese nõ theatre or the drama of 'perfected art' flourished in the fourteenth and fifteenth centuries largely through the genius of the dramatist Zeami. An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of 'form' is more central than 'meaning' and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire. Revered in Japan as a cultural treasure, the spiritual and sensuous beauty of these works has been a profound influence for English-speaking artists including W. B. Yeats, Ezra Pound and Benjamin Britten.

Japanese Nō Dramas /edited and Translated by Royall Tyler

Japanese Nō Dramas /edited and Translated by Royall Tyler
Author: Royall Tyler
Publisher: Penguin UK
Total Pages: 538
Release: 1992-10-29
Genre: Drama
ISBN: 0140445390

"An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects but the idea of "form" is more central than "meaning", and their structure is always ritualised. Selected for their literary merit, the twenty-four plays in this volume dramatise such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire."--Back cover.

Japanese Plays

Japanese Plays
Author: A.L. Sadler
Publisher: Tuttle Classics
Total Pages: 324
Release: 2010-03-10
Genre: Drama
ISBN:

Classic Noh, Kyogen and Kabuki Works Nothing reflects the beauty of life as much as Japanese theater. It is here that reality is held suspended and emptiness can fill the mind with words, music, dance, and mysticism. A.L. Sadler translates the mysteries of Noh, Kyogen, and Kabuki in his groundbreaking book, Japanese Plays. A seminal classic in its time, it provides a cross-section of Japanese theater that gives the reader a sampler of its beauty and power. The power of Noh is in its ability to create an iconic world that represents the attributes that the Japanese hold in highest esteem: family, patriotism, and honor. Kyogen plays provide comic relief often times performed between the serious and stoic Noh plays. Similarly, Sadler's translated Kyogen pieces are layered between the Noh and the Kabuki plays. The Kabuki plays were the theater of the common people of Japan. The course of time has given them the patina of folk art making them precious cultural relics of Japan. Sadler selected these pieces for translation because of their lighter subject matter and relatively upbeat endings—ideal for a western readership. More linear in their telling and pedestrian in the lessons learned these plays show the difficulties of being in love when a society is bent on conformity and paternal rule. The end result found in Japanese Plays is a wonderful selection of classic Japanese dramatic literature sure to enlighten and delight.

On the Art of the No Drama

On the Art of the No Drama
Author: Masakazu Yamazaki
Publisher: Princeton University Press
Total Pages: 356
Release: 2020-05-05
Genre: Performing Arts
ISBN: 0691213305

This annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.

Atsumori

Atsumori
Author: Zeami Motokiyo
Publisher: Volume Edizioni srl
Total Pages: 37
Release: 2014-03-07
Genre: Drama
ISBN: 8897747108

The japanese Noh drama by the Master Zeami Motokiyo about the Buddhist priest Rensei and the warrior of the Taira Clan Atsumori. The story of redention of the warrior Kumagai Jiro Naozane that killed the young Atsumori. One of the most popular and touching Zeami's Noh drama inspired by "The Tales of Heike". Contents: Preface by Massimo Cimarelli Atsumori by Zeami Motokiyo Pearson Part I Interlude Part II Glossary Notes

Japanese No Masks

Japanese No Masks
Author: Friedrich Perzynski
Publisher: Courier Corporation
Total Pages: 178
Release: 2012-09-21
Genre: Drama
ISBN: 0486141284

120 full-page plates of magnificent, elaborately carved, museum-quality masks worn by actors playing gods, warriors, beautiful women, feudal lords, and supernatural beings. Captions.

The Columbia Anthology of Modern Japanese Drama

The Columbia Anthology of Modern Japanese Drama
Author: J. Thomas Rimer
Publisher: Columbia University Press
Total Pages: 738
Release: 2014-04-29
Genre: Drama
ISBN: 0231128304

This anthology is the first to survey the full range of modern Japanese drama and make available JapanÕs best and most representative twentieth- and early-twenty-first-century works in one volume. Divided into six chronological sections: ÒThe Age of Taisho DramaÓ; The Tsukiji Tsukiji Little Theater and Its AftermathÓ; ÒWartime and Postwar DramaÓ; ÒThe 1960s and Underground TheaterÓ; ÒThe 1980s and BeyondÓ; and ÒPopular Theater,Ó the collection opens with a comprehensive introduction to Meiji period drama and provides an informal yet complete history of twentieth-century Japanese theater for students, scholars, instructors, and dramatists. The collection features a mix of original and previously published translations of works, among them plays by such writers as Masamune Hakucho (The Couple Next Door), Enchi Fumiko (Restless Night in Late Spring), Abe Kobo (The Man Who Turned into a Stick), Morimoto Kaoru (A WomanÕs Life), Kara Juro (Two Women), Terayama Shuji (Poison Boy), Noda Hideki (Poems for Sale), and Mishima Yukio (The Sardine SellerÕs Net of Love). Leading translators include Donald Keene, J. Thomas Rimer, Mitsuyra Mori, M. Cody Poulton, John Gillespie, Mari Boyd, and Brian Powell. Each section features an introduction to the developments and character of the period, notes on the playsÕ productions, and photographs of their stage performances. The volume complements any course on modern Japanese literature and any study of modern drama in China, Korea, or other Asian or contemporary Western nation.

N? ; And, Bunraku

N? ; And, Bunraku
Author: Donald Keene
Publisher: Columbia University Press
Total Pages: 210
Release: 1990
Genre: Drama
ISBN: 9780231074193

Donald Keene combines informative works on two forms of classical Japanese theater into a single volume. The No text looks at all aspects of this traditional theater form including its history, its stage and props, the use of music and dance in its performances, the plays as literature, and the aesthetics of No. Also discussed are Kyogen, the comic farces that are typically interspersed with the solemn No dramas.

Zeami’s Style

Zeami’s Style
Author: Thomas Blenman Hare
Publisher: Stanford University Press
Total Pages: 336
Release: 1996-03-01
Genre: Drama
ISBN: 0804726779

This is the first full-length study of Zeami Motokiyo (1363–1443), generally recognized as the greatest playwright of Japan's classical Noh theater. The book begins with a biography based on the known documents relating to Zeami's life. It then examines the documentary evidence for authorship and explains the various technical aspects of Noh. Subsequent chapters explore the role of the old man in noh (particularly in the play Takasago), as well as Zeami's plays about women and warriors, with primary attention to Izutsu and Tadanori. The book concludes with a general discussion of Zeami's style and the relationship between his dramatic theory and his plays.