Japanese New Religions In The Age Of Mass Media
Download Japanese New Religions In The Age Of Mass Media full books in PDF, epub, and Kindle. Read online free Japanese New Religions In The Age Of Mass Media ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Erica Baffelli |
| Publisher | : Routledge |
| Total Pages | : 192 |
| Release | : 2016-02-05 |
| Genre | : Religion |
| ISBN | : 1135117845 |
The Open Access version of this book, available at www.taylorfrancis.com/books/9781135117849, has been made available under a Creative Commons Attribution-Non Commercial-No Derivative 4.0 license. Japanese "new religions" (shinshūkyō) have used various media forms for training, communicating with members, presenting their messages, reinforcing or protecting the image of the leader, and, potentially, attracting converts. In this book the complex and dual relationship between media and new religions is investigated by looking at the tensions groups face between the need for visibility and the risks of facing attacks and criticism through media. Indeed media and new technologies have been extensively used by religious groups not only to spread their messages and to try to reach a wider audience, but also to promote themselves as a highly modern and up-to-date form of religion appropriate for a modern technological age. In 1980s and early 1990s some movements, such as Agonshū , Kōfuku no Kagaku, and Aum Shinrikyō came into prominence especially via the use of media (initially publications, but also ritual broadcasts, advertising campaigns, and public media events). This created new modes of ritual engagement and new ways of interactions between leaders and members. The aim of this book is to develop and illustrate particular key issues in the wider new religions and media nexus by using specific movements as examples. In particular, the analysis of the interaction between media and new religions will focus primarily on three case studies predominantly during the first period of development of the groups.
| Author | : Erica Baffelli |
| Publisher | : Routledge |
| Total Pages | : 192 |
| Release | : 2016-02-05 |
| Genre | : Religion |
| ISBN | : 1135117837 |
The Open Access version of this book, available at www.taylorfrancis.com/books/9781135117849, has been made available under a Creative Commons Attribution-Non Commercial-No Derivative 4.0 license. Japanese "new religions" (shinshūkyō) have used various media forms for training, communicating with members, presenting their messages, reinforcing or protecting the image of the leader, and, potentially, attracting converts. In this book the complex and dual relationship between media and new religions is investigated by looking at the tensions groups face between the need for visibility and the risks of facing attacks and criticism through media. Indeed media and new technologies have been extensively used by religious groups not only to spread their messages and to try to reach a wider audience, but also to promote themselves as a highly modern and up-to-date form of religion appropriate for a modern technological age. In 1980s and early 1990s some movements, such as Agonshū , Kōfuku no Kagaku, and Aum Shinrikyō came into prominence especially via the use of media (initially publications, but also ritual broadcasts, advertising campaigns, and public media events). This created new modes of ritual engagement and new ways of interactions between leaders and members. The aim of this book is to develop and illustrate particular key issues in the wider new religions and media nexus by using specific movements as examples. In particular, the analysis of the interaction between media and new religions will focus primarily on three case studies predominantly during the first period of development of the groups.
| Author | : Erica Baffelli |
| Publisher | : Routledge |
| Total Pages | : 229 |
| Release | : 2013-05-13 |
| Genre | : Religion |
| ISBN | : 113682782X |
Japanese Religions on the Internet draws attention to how religion is being presented, represented and discussed on the Japanese Internet. Its intention is to contribute to wider discussions about religion and the Internet by providing an important example – based on one of the Internet’s most prominent languages – of how new media technologies are being used and are impacting on religion in the East-Asian context, while also developing further our understandings of religion in a technologically advanced country. Scholars studying the relationship of religion and the Internet can no longer work on prevailing notions that have thus far characterised the field, such as the assumption that the Internet is a Western-centric phenomenon and that studies of English-language sites relating to religion can provide a viable model for wider analyses of the topic. Despite this growing amount of research on religion and the Internet, comparatively little has focused on non-Western cultures. The general field of study relating to religion and the Internet has paid scant attention to Asian contexts. The field needs a full-length and comprehensive study that focuses on the Japanese religious world and the Internet, not merely to redress the imbalances of the field thus far, but also because such studies will be central to the emerging field of the study of religion and the Internet in future. They will provide important means of developing new theories, constructing new paradigms and understanding the underlying dynamics of this new media form.
| Author | : Nancy K. Stalker |
| Publisher | : University of Hawaii Press |
| Total Pages | : 282 |
| Release | : 2007-10-31 |
| Genre | : Religion |
| ISBN | : 0824832264 |
From the 1910s to the mid-1930s, the flamboyant and gifted spiritualist Deguchi Onisaburô (1871–1948) transformed his mother-in-law’s small, rural religious following into a massive movement, eclectic in content and international in scope. Through a potent blend of traditional folk beliefs and practices like divination, exorcism, and millenarianism, an ambitious political agenda, and skillful use of new forms of visual and mass media, he attracted millions to Oomoto, his Shintoist new religion. Despite its condemnation as a heterodox sect by state authorities and the mainstream media, Oomoto quickly became the fastest-growing religion in Japan of the time. In telling the story of Onisaburô and Oomoto, Nancy Stalker not only gives us the first full account in English of the rise of a heterodox movement in imperial Japan, but also provides new perspectives on the importance of "charismatic entrepreneurship" in the success of new religions around the world. She makes the case that these religions often respond to global developments and tensions (imperialism, urbanization, consumerism, the diffusion of mass media) in similar ways. They require entrepreneurial marketing and management skills alongside their spiritual authority if their groups are to survive encroachments by the state and achieve national/international stature. Their drive to realize and extend their religious view of the world ideally stems from a "prophet" rather than "profit" motive, but their activity nevertheless relies on success in the modern capitalist, commercial world. Unlike many studies of Japanese religion during this period, Prophet Motive works to dispel the notion that prewar Shinto was monolithically supportive of state initiatives and ideology.
| Author | : Jolyon Baraka Thomas |
| Publisher | : University of Hawaii Press |
| Total Pages | : 218 |
| Release | : 2012-10-31 |
| Genre | : Literary Criticism |
| ISBN | : 0824835891 |
Manga and anime (illustrated serial novels and animated films) are highly influential Japanese entertainment media that boast tremendous domestic consumption as well as worldwide distribution and an international audience. Drawing on Tradition examines religious aspects of the culture of manga and anime production and consumption through a methodological synthesis of narrative and visual analysis, history, and ethnography. Rather than merely describing the incidence of religions such as Buddhism or Shinto in these media, Jolyon Baraka Thomas shows that authors and audiences create and re-create “religious frames of mind” through their imaginative and ritualized interactions with illustrated worlds. Manga and anime therefore not only contribute to familiarity with traditional religious doctrines and imagery, but also allow authors, directors, and audiences to modify and elaborate upon such traditional tropes, sometimes creating hitherto unforeseen religious ideas and practices. The book takes play seriously by highlighting these recursive relationships between recreation and religion, emphasizing throughout the double sense of play as entertainment and play as adulteration (i.e., the whimsical or parodic representation of religious figures, doctrines, and imagery). Building on recent developments in academic studies of manga and anime—as well as on recent advances in the study of religion as related to art and film—Thomas demonstrates that the specific aesthetic qualities and industrial dispositions of manga and anime invite practices of rendition and reception that can and do influence the ways that religious institutions and lay authors have attempted to captivate new audiences. Drawing on Tradition will appeal to both the dilettante and the specialist: Fans and self-professed otaku will find an engaging academic perspective on often overlooked facets of the media and culture of manga and anime, while scholars and students of religion will discover a fresh approach to the complicated relationships between religion and visual media, religion and quotidian practice, and the putative differences between “traditional” and “new” religions.
| Author | : Stewart M. Hoover |
| Publisher | : Columbia University Press |
| Total Pages | : 404 |
| Release | : 2002 |
| Genre | : Religion |
| ISBN | : 9780231120890 |
Focusing on the crossover between the sacred and the secular, this volume gathers the work of media experts, religious historians, sociologists of religion, and authorities on American studies and art history.
| Author | : Levi McLaughlin |
| Publisher | : University of Hawaii Press |
| Total Pages | : 241 |
| Release | : 2018-12-31 |
| Genre | : Religion |
| ISBN | : 0824877896 |
Soka Gakkai is Japan’s largest and most influential new religious organization: It claims more than 8 million Japanese households and close to 2 million members in 192 countries and territories. The religion is best known for its affiliated political party, Komeito (the Clean Government Party), which comprises part of the ruling coalition in Japan’s National Diet, and it exerts considerable influence in education, media, finance, and other key areas. Levi McLaughlin’s comprehensive account of Soka Gakkai draws on nearly two decades of archival research and non-member fieldwork to account for its institutional development beyond Buddhism and suggest how we should understand the activities and dispositions of its adherents. McLaughlin explores the group’s Nichiren Buddhist origins and turns to insights from religion, political science, anthropology, and cultural studies to characterize Soka Gakkai as mimetic of the nation-state. Ethnographic vignettes combine with historical evidence to demonstrate ways Soka Gakkai’s twin Buddhist and modern humanist legacies inform the organization’s mimesis of the modern Japan in which the group took shape. To make this argument, McLaughlin analyzes Gakkai sources heretofore untreated in English-language scholarship; provides a close reading of the serial novel The Human Revolution, which serves the Gakkai as both history and de facto scripture; identifies ways episodes from members’ lives form new chapters in its growing canon; and contributes to discussions of religion and gender as he chronicles the lives of members who simultaneously reaffirm generational transmission of Gakkai devotion as they pose challenges for the organization’s future. Readers looking for analyses of the nation-state and strategies for understanding New Religions and modern Buddhism will find Soka Gakkai’s Human Revolution to be an especially thought-provoking study that offers widely applicable theoretical models.
| Author | : Erica Baffelli |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 215 |
| Release | : 2018-12-13 |
| Genre | : History |
| ISBN | : 1350086533 |
“This book is available as open access through the Bloomsbury Open programme and is available on www.bloomsburycollections.com. This book examines the trajectory and development of the Japanese religious movement Agonshu and its charismatic founder Kiriyama Seiyu. Based on field research spanning 30 years, it examines Agonshu from when it first captured attention in the 1980s with its spectacular rituals and use of media technologies, through its period of stagnation to its response to the death of its founder in 2016. The authors discuss the significance of charismatic leadership, the 'democratisation' of practice and the demands made by movements such as Agonshu on members, while examining how the movement became increasingly focused on revisionist nationalism and issues of Japanese identity. In examining the dilemma that religions commonly face on the deaths of charismatic founders, Erica Baffelli and Ian Reader look at Agonshu's response to Kiriyama's death, looking at how and why it has transformed a human founder into a figure of worship. By examining Agonshu in the wider context, the authors critically examine the concept of 'new religions'. They draw attention to the importance of understanding the trajectories of 'new' religions and how they can become 'old' even within their first generation.
| Author | : Ian Reader |
| Publisher | : University of Hawaii Press |
| Total Pages | : 298 |
| Release | : 1991-04-01 |
| Genre | : History |
| ISBN | : 9780824813543 |
What role does religion play in contemporary Japanese society and in the lives of Japanese people today? This text examines the major areas in which the Japanese participate in religious events, the role of religion in the social system and the underlying views within the Japanese religious world. Through a series of case studies of religion in action - at crowded temples and festivals, in austere Zen meditation halls, at home and at work, at dramatic fire rituals - it illustrates the immense variety, energy and colour inherent in Japanese religion. It also discusses the continued relevance and responses of religion in a rapidly modernizing and changing society.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 266 |
| Release | : 2024-03-04 |
| Genre | : Philosophy |
| ISBN | : 9004686258 |
This volume of the Annual Review for the Sociology of Religion adresses the challenges of the diversity and complexity of sociological approaches to Asian forms and dynamics of Asian or Asian-inpired ascetic ideas and practices. Eleven papers, written by scholars conducting researches in different geographic and cultural contexts, all contribute to enrich discussion on the relevance of sociological studies of Yoga, meditation and other ascetic techniques and traditions. Contributors are: Zuzana Bártová, Loïc Bawidamann, Jørn Borup, Sally SJ Brown, Ugo Dessì, Marianne Qvortrup Fibiger, Marc Lebranchu, Patrick S.D. McCartney, Lionel Obadia, Matteo Di Placido, Alexandros Sakellariou, João Paulo P. Silveira, and Rafael Walthert.
