Japanese Mingei Folk Crafts
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| Author | : Kim Brandt |
| Publisher | : Duke University Press |
| Total Pages | : 319 |
| Release | : 2007-07-20 |
| Genre | : History |
| ISBN | : 0822389541 |
A Study of the Weatherhead East Asian Institute, Columbia University Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt’s account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups—such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers—to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style.
| Author | : Manami Okazaki |
| Publisher | : Tuttle Publishing |
| Total Pages | : 172 |
| Release | : 2024-07-30 |
| Genre | : Art |
| ISBN | : 1462924603 |
"In an age when so much of our time is spent staring at screens, it is easy to understand why the warmth, intimacy and idiosyncrasies of hand craftsmanship should seem alluring…the term Mingei describes useful, unobtrusive, beautifully crafted objects" --Alice Rawsthorn, The New York Times The Mingei Folk Crafts movement, founded by philosopher and art historian Soetsu Yanagi and potters Hamada Shoji and Kawai Kanjiro in the early 20th century, celebrates the utilitarian designs in functional objects hand-crafted by village artisans throughout Japan. This book offers an illustrated guide to Japan's rich folk craft traditions and shows why the Mingei philosophy is even more relevant today than it was a century ago. Folk crafts have become associated with the Slow Life movement and the Wabi Sabi philosophy which values simple and imperfect items above the bright and shiny mass-produced objects of our modern culture. This book introduces 34 fascinating Japanese folk craft traditions--ranging from popular, widely-known ones to many lesser-known crafts that are equally exquisite but rarely seen. The crafts covered here include: Aizome Hand-dyed Indigo Textiles which use the leaves of the indigo plant to produce a rich, deep-blue color Bizen, the unique unglazed pottery with an earthy, rustic appearance--and simple, charming designs Chochin Lanterns made of handmade washi paper stretched over a bamboo frame, found outside restaurants and temples, including the famous example at the entrance to Tokyo's Sensoji Temple Edo Furin Wind Chimes made of delicate hand-blown glass, one of the iconic symbols--and sounds--of the hot and humid Japanese summers Inuharuko Papier Mache Toy Dogs, adorable pups that have acted as good-luck symbols since the Edo period Maneki Neko Beckoning Cats, one of the most popular folk crafts in Japan, with their right paw raised to bring in money and good luck Tenugui Cloths, dyed using the chusen method to provide delicate color gradations and used as kitchen cloths, for wrapping or to wear as a scarf, as well as for framing since they are so beautiful! Author Manami Okazaki describes each craft in loving detail and interviews nine talented folk artists specializing in unique crafts like Koginzashi Needlework, Bingata Dyed Fabrics and Warazaiku Rice Straw Crafts. This beautifully-illustrated book will be treasured by folk art collectors and enthusiasts worldwide. It features 400 color photographs and a comprehensive guide to buying Japanese folk crafts both inside and outside Japan.
| Author | : Brian Moeran |
| Publisher | : Routledge |
| Total Pages | : 287 |
| Release | : 2013-12-19 |
| Genre | : Social Science |
| ISBN | : 1136796738 |
This is a study of a group of potters living in a small community in the south of Japan, and about the problems they face in the production, marketing and aesthetic appraisal of a kind of stoneware pottery generally referred to as mingei, or folk art. It shows how different people in an art world bring to bear different sets of values as they negotiate the meaning of mingei and try to decide whether a pot is 'art', 'folk art', or mere 'craft'. At the same time, this book is an unusual monograph in that it reaches beyond the mere study of an isolated community to trace the origins and history of 'folk art' in general. By showing how a set of aesthetic ideals originating in Britain was taken to Japan, and thence back to Europe and the United States - as a result of the activities of people like William Morris, Yanagi So etsu, Bernard Leach and Hamada Sho ji - this book rewrites the history of contemporary western ceramics.
| Author | : Muneyoshi Yanagi |
| Publisher | : Kodansha International |
| Total Pages | : 254 |
| Release | : 1989 |
| Genre | : Art |
| ISBN | : 9780870119484 |
Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical.
| Author | : Soetsu Yanagi |
| Publisher | : Penguin UK |
| Total Pages | : 204 |
| Release | : 2019-01-31 |
| Genre | : Art |
| ISBN | : 0241366364 |
The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty. In an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. Objects like these exemplify the enduring appeal of simplicity and function: the beauty of everyday things.
| Author | : Amaury Saint-Gilles |
| Publisher | : Tuttle Publishing |
| Total Pages | : 265 |
| Release | : 1990-01-01 |
| Genre | : Art |
| ISBN | : 1462917364 |
Explore Japanese folk art--called mingei--with this beautifully illustrated book. Mingei literally means the "arts of the people" and is a treasured expression of Japanese culture and history. This book of Japanese folk art introduces 116 exquisite and interesting Japanese pieces, describing their origins, showing how they are made and used, and relating the background of myth and folklore associated with each. Illustrated with many line drawings and color photographs, Mingei offers readers a concise and informative introduction to a rich and varied artistic tradition.
| Author | : Yūko Kikuchi |
| Publisher | : Psychology Press |
| Total Pages | : 329 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 0415297907 |
Yanagi Soetsu, Bernard Leach and Hamada Shoji are the golden trio of the Mingei (folkcrafts) movement. The theory at its core and its adaptation by Leach, has long been an influential 'Oriental' asethetic philosophy for studio craft artists in the West.
| Author | : Robert Moes |
| Publisher | : |
| Total Pages | : 324 |
| Release | : 1995 |
| Genre | : Decorative arts |
| ISBN | : |
| Author | : Nihon Mingeikan |
| Publisher | : Kodansha |
| Total Pages | : 210 |
| Release | : 1991 |
| Genre | : Folk art |
| ISBN | : |
| Author | : Daniel Rhodes |
| Publisher | : Ravenio Books |
| Total Pages | : 416 |
| Release | : 2015-10-22 |
| Genre | : Crafts & Hobbies |
| ISBN | : |
My purpose in writing this book has been to present in as clear and understandable form as possible the important facts about ceramic materials and their use in pottery. The ceramic medium has a rich potential. It is so various and adaptable that each culture and each succeeding generation finds in it a new means of expression. As a medium, it is capable of great beauty of form, color, and texture, and its expressions are unique not only for variety but for permanence and utility as well. To make full use of the medium, the ceramist or potter not only needs skill, imagination, and artistic vision, but he also needs to have a sound knowledge of the technical side of the craft. This knowledge has not been easy to come by, and many of those seriously engaged in pottery have learned through endless experimentation and discouraging failures. It is hoped that the present work will enable the creative worker to go more directly to his goal in pottery, and that it will enable him to experiment intelligently and with a minimum of lost effort. While technical information must not be considered as an end in itself, it is a necessary prerequisite to a free and creative choice of means in ceramics. None of the subjects included are dealt with exhaustively, and I have tried not to overwhelm the reader with details. The information given is presented in as practical form as possible, and no more technical data or chemical theory is given than has been thought necessary to clarify the subject. This work is organized as follows: Part One—Clay Chapter I. Geologic Origins of Clay Chapter 2. The Chemical Composition of Clay Chapter 3. The Physical Nature of Clay Chapter 4. Drying and Firing Clay Chapter 5. Kinds of Clay Chapter 6. Clay Bodies Chapter 7. Mining and Preparing Clay Part Two—Glazes Chapter 8. The Nature of Glass and Glazes Chapter 9. Early Types of Glazes Chapter 10. The Oxides and Their Function in Glaze Forming Chapter 11. Glaze Materials Chapter 12. Glaze Calculations, Theory and Objectives Chapter 13. Glaze Calculation Using Materials Containing More Than One Oxide Chapter 14. Calculating Glaze Formulas from Batches or Recipes Chapter 15. Practical Problems in Glaze Calculation Chapter 16. The Composition of Glazes Chapter 17. Types of Glazes Chapter 18. Originating Glaze Formulas Chapter 19. Fritted Glazes Chapter 20. Glaze Textures Chapter 21. Sources of Color in Glazes Chapter 22. Methods of Compounding and Blending Colored Glazes Chapter 23. Glaze Mixing and Application Chapter 24. Firing Glazes Chapter 25. Glaze Flaws Chapter 26. Engobes Chapter 27. Underglaze Colors and Decoration Chapter 28. Overglaze Decoration Chapter 29. Reduction Firing and Reduction Glazes Chapter 30. Special Glazes and Glaze Effects
