Japan English Publications In Print
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A Guide to Japanese Prints and Their Subject Matter
Author | : Basil Stewart |
Publisher | : Courier Corporation |
Total Pages | : 586 |
Release | : 1979-01-01 |
Genre | : Art |
ISBN | : 9780486238098 |
British connoisseur describes in detail the subject of famous Japanese color prints using 274 reproductions of works by Hokusai, Hiroshige, Utamaro, Shunyei, and other masters. Bibliography. Index.
Directories in Print
Author | : |
Publisher | : |
Total Pages | : 916 |
Release | : 1986 |
Genre | : Associations, institutions, etc |
ISBN | : |
Directories for almost everything.
Japan English Publications in Print, 1993
Author | : Warren E. Ball |
Publisher | : |
Total Pages | : 446 |
Release | : 1993 |
Genre | : |
ISBN | : 9784900178083 |
A History of Japanese Journalism
Author | : William De Lange |
Publisher | : Psychology Press |
Total Pages | : 248 |
Release | : 1998 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781873410684 |
In Japan, the kisha-clubs are the focal point between the authorities and the media - they are not the counterpart of the leisurely, informal nature of western press clubs of which the free access to information is of the essence.
General Catalogue of Printed Books
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 1138 |
Release | : 1969 |
Genre | : English imprints |
ISBN | : |
Made in Japan
Author | : Alicia Volk |
Publisher | : University of Washington Press |
Total Pages | : 123 |
Release | : 2005-01-01 |
Genre | : Art |
ISBN | : 9780295985022 |
Made in Japan examines the artistic dialogue between East and West as it played out between 1945 and 1970. During this post-World War II period, Japanese printmakers effectively acted as ambassadors, bringing their aesthetic traditions into fruitful interaction with contemporary American trends and forging ties with artists, scholars, museums, and collectors. This volume presents for the first time an integrated history of innovative visual experimentation and pioneering cultural patronage. The creative print (sosaku hanga) movement originated in the early twentieth century, when Japanese artists sought to modernize their practice by embracing Euro-American concepts of originality and autonomy. The movement matured in the decades following World War II, when second- and third-generation sosaku hanga printmakers continued to experiment in stylistic, technical, and thematic terms. From the early 1950s, Japanese printmakers participated in a newly global art scene, achieving great success at international art exhibitions sponsored by the American and Japanese governments. The prints in this book range widely in treatment and medium, embracing woodcut, stencil, lithography, etching, mezzotint, aquatint, and screenprint. Made in Japan includes essays by Alicia Volk and Helen Nagata and biographies of the artists.