Jane Campion
| Author | : Kathleen McHugh |
| Publisher | : University of Illinois Press |
| Total Pages | : 208 |
| Release | : 2007-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 0252074475 |
Publisher description
Jane Campion On Jane Campion
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Jane Campion
| Author | : Hilary Radner |
| Publisher | : Wayne State University Press |
| Total Pages | : 350 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9780814334324 |
An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker. In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars--like her debt to New Zealand sources and her personal views of family dynamics--and those that benefit from additional insight--such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal. Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum. Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.
Jane Campion
| Author | : John Sayles |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 264 |
| Release | : 1999 |
| Genre | : Motion picture producers and directors |
| ISBN | : 9781578060832 |
Collected interviews with the New Zealand director of The Piano and Portrait of a Lady
Jane Campion
| Author | : Dana Polan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 286 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1838716491 |
With the phenomenal success of 'The Piano' (1993), Jane Campion became revered by many as the leading female film director of the 1990s. In this book, Dana Polan examines the phenomenon of 'The Piano' and how it develops from the early shorts and first features which evoke an often surreal and critical distanced style of looking at everyday issues. Looking at all of Campion's work before and since, including 'Holy Smoke' (1999), which returned again to the battleground of gender politics, the author concludes his survey of the director's work by offering some hypotheses about the erotic thriller 'The Cut' (2001) whilst asking what variety of approaches to the study of directors might now be fruitful.
Jane Campion's The Piano
| Author | : Harriet Elaine Margolis |
| Publisher | : Cambridge University Press |
| Total Pages | : 224 |
| Release | : 2000 |
| Genre | : Fiction |
| ISBN | : 9780521597210 |
An examination of Jane Campion's The Piano from a variety of critical perspectives.
Jane Campion
| Author | : Alistair Fox |
| Publisher | : Indiana University Press |
| Total Pages | : 286 |
| Release | : 2011-03-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 0253223016 |
Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship.
In the Scene: Jane Campion
| Author | : Ellen Cheshire |
| Publisher | : Aurora Metro Publications Ltd. |
| Total Pages | : 203 |
| Release | : 2018-05-09 |
| Genre | : Performing Arts |
| ISBN | : 0993220738 |
A comprehensive overview of the director Jane Campion and her work. Campion is one of the few women film-makers working today who has managed to create a unique body of work. A true independent film-maker, she has attracted many ‘A’ List Hollywood actors to appear in her films. Who else but Campion could have convinced a tattooed Harvey Keitel to run buck-naked through the New Zealand landscape in The Piano, or for the multi award-winning Kate Winslet to pee down her legs in the middle of the desert in Holy Smoke? Campion is also an outspoken champion in recent debates about the lack of women in senior creative positions within the film industry. This book covers Jane Campion’s remarkable career from her Palme d’Or winning debut short film Peel to her recent return to television with the Top of the Lake series, reflecting on the influence of her study in anthropology as well as her formative years growing up in New Zealand. Reviews “Ellen Cheshire’s rich and thoughtful study accessibly and incisively gets us to the heart of why Jane Campion’s films connect with viewers around the world. This book is hugely enjoyable and insightful.” -- James Clarke, Writer, Media Labs, what you need to know. "I've been fascinated with Jane Campion's career ever since I saw "The Piano" make its debut at the movie theater. Ellen Cheshire did a very good job in detailing the gifted Campion's "brilliant career..." ****-- Diane H, NetGalley "The strength of the book for me is the critical analysis from early short films to box office successes, ranging from the actors involved and the awards gained. I particularly like the appraisal of mood, colour, camera angles and locations which brings the movies alive again for me. A bit like those special box sets and DVDs that carried extra edited bits and alternative scenes/endings." **** -- Richard L, Net Galley About the author Ellen Cheshire has a BA (Hons) in Film and English and a MA in Gothic Studies and has taught Film at Undergraduate and A Level. She has published books on Bio-Pics, Audrey Hepburn and The Coen Brothers and contributed chapters to books on James Bond, Charlie Chaplin, Global Film-making, Film Form, Fantasy Films and War Movies. For Supernova Books, she has also written In the Scene: Ang Lee, and contributed to Silent Women; pioneers of Cinema eds. Melody Bridges and Cheryl Robson (voted best book on Silent Film 2016) and Counterculture UK; a celebration eds. Rebecca Gillieron and Cheryl Robson.
Owls Do Cry
| Author | : Janet Frame |
| Publisher | : Catapult |
| Total Pages | : 211 |
| Release | : 2016-11-21 |
| Genre | : Fiction |
| ISBN | : 1619028697 |
First published in New Zealand in 1957, Owls Do Cry, was Janet Frame's second book and the first of her thirteen novels. Now approaching its 60th anniversary, it is securely a landmark in Frame's catalog and indeed a landmark of modernist literature. The novel spans twenty years in the Withers family, tracing Daphne's coming of age into a post–war New Zealand too narrow to know what to make of her. She is deemed mad, institutionalized, and made to undergo a risky lobotomy. Margaret Drabble calls Owls Do Cry "a song of survival"—it is Daphne's song of survival but also the author's: Frame was herself misdiagnosed with schizophrenia and scheduled for brain surgery. She was famously saved only when she won New Zealand's premier fiction prize. Frame was among the first major writers of the twentieth century to confront life in mental institutions and Owls Do Cry is important for this perspective. But it is equally valuable for its poetry, its incisive satire, and its acute social observations. A sensitively rendered portrait of childhood and adolescence and a testament to the power of imagination, this early novel is a first–rate example of Frame's powerful, lyric, and original prose.
Jane Campion on Jane Campion
| Author | : Michel Ciment |
| Publisher | : Abrams |
| Total Pages | : 533 |
| Release | : 2023-09-26 |
| Genre | : Performing Arts |
| ISBN | : |
A chronological overview of one of modern cinema’s most celebrated directors, featuring interviews with Jane Campion herself Jane Campion on Jane Campion offers a unique perspective on the creative process of one of cinema’s greatest contemporary film directors. Through a series of interviews from the early days of Campion’s career to her most recent projects, conducted by Michel Ciment, each chapter contains the study of a film: starting with the short films that Campion made during her studies at the Australian Film Television and Radio School, then moving through the Academy Award–winning The Piano, The Portrait of a Lady, Holy Smoke, In the Cut, Bright Star, the TV series Top of the Lake, and ending with her most recent film, the Academy Award–nominated The Power of the Dog. Organized chronologically, film-by-film, the interviews are illustrated with film stills and photographs taken on set, as well as with annotated scripts, storyboards, and personal documents lent by Campion. The book also reproduces three short stories and a text about the poet John Keats written by the director, along with actress Holly Hunter’s “Scattered Memories” of their collaboration on The Piano and Top of the Lake. A detailed bibliography and filmography of the filmmaker complete this volume, which contains more than 300 color and black-and-white illustrations.
