James Joyce And The Cinema
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Author | : Keith Williams |
Publisher | : Edinburgh University Press |
Total Pages | : 304 |
Release | : 2020-03-27 |
Genre | : Literary Criticism |
ISBN | : 1474402496 |
In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science.
Author | : Patricia Hutchins |
Publisher | : |
Total Pages | : 4 |
Release | : 1951 |
Genre | : |
ISBN | : |
Author | : Thomas Burkdall |
Publisher | : Routledge |
Total Pages | : 134 |
Release | : 2018-02-02 |
Genre | : Literary Criticism |
ISBN | : 1136712186 |
Employing concepts from film theory, this much-needed study explores in-depth the "cinematic" quality of James Joyce's fiction from Dubliners to Finnegan's Wake.
Author | : John McCourt |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : |
ISBN | : |
Author | : John McCourt |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : History |
ISBN | : 9781859184714 |
This title focuses on Joyce's interest and involvement in early modern cinema and his subsequent thematic and formal borrowing for this genre. It looks at cinema's interest in Joyce as seen in important film versions of his work.
Author | : John McCourt |
Publisher | : |
Total Pages | : 248 |
Release | : 2010 |
Genre | : Electronic books |
ISBN | : 9781908634061 |
This title focuses on Joyce's interest and involvement in early modern cinema and his subsequent thematic and formal borrowing for this genre. It looks at cinema's interest in Joyce as seen in important film versions of his work.
Author | : Lia Guerra |
Publisher | : |
Total Pages | : 170 |
Release | : 2022 |
Genre | : Literary Criticism |
ISBN | : 9788868972608 |
Author | : Máhr Kinga |
Publisher | : |
Total Pages | : 71 |
Release | : 2001 |
Genre | : Ireland |
ISBN | : |
Author | : Jeffrey Geiger |
Publisher | : Edinburgh University Press |
Total Pages | : 227 |
Release | : 2015-03-02 |
Genre | : Social Science |
ISBN | : 0748676147 |
Highlights the complex ways in which media anticipate, interfere with and draw on one other
Author | : Cleo Hanaway-Oakley |
Publisher | : Oxford University Press |
Total Pages | : 185 |
Release | : 2017-06-30 |
Genre | : Literary Criticism |
ISBN | : 0192534181 |
James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. In a wealth of close analyses, Joyce's fiction is read alongside the work of early film-makers such as Charlie Chaplin, Georges Méliès, and Mitchell and Kenyon, and in relation to the philosophical dimensions of early-cinematic devices such as the Mutoscope, the stereoscope, and the panorama. By putting Joyce's literary work--Ulysses above all--into dialogue with both early cinema and phenomenology, this book elucidates and enlivens literature, film, and philosophy.