James Baldwins Go Tell It On The Mountain A Religious Approach
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Author | : Martin Arndt |
Publisher | : GRIN Verlag |
Total Pages | : 29 |
Release | : 2007-11 |
Genre | : Philosophy |
ISBN | : 3638866254 |
Seminar paper from the year 2001 in the subject Theology - Miscellaneous, grade: good, University of Leipzig, language: English, abstract: James Arthur Baldwin was born to Emma Berdis Jones and an unknown father on August 2, 1924, in New York City. The fact that he did not know about the identity of his biological father haunted him all his life. Who was to become Baldwin's stepfather was a laborer and Pentecostal preacher who came - as part of the Great Migration - to New York in 1919 "seeking better social conditions and economic opportunities." (Kenan 1994: 26) After he married her, he began to preach in storefront churches and made a living of a job he had in a bottle factory on Long Island, and although he "worked steadily, until encroaching age and illness prohibited it", were his wages seldom high enough to feed his big family2, especially during the Great Depression. (Kenan: 27) As described in "Notes of a Native Son" this situation had contributed to his father's "intolerable bitterness of spirit."(Kenan: 88) It was "unrelieved bitterness and anger" that "drove [his father] away permanently in 1932." (Kenan: 27) James was very much influenced and shaped by his stepfather, and the problems that derived from his relationship to him became in my eyes a powerful motor for his poetry writings and determined his future decisions. To his father the young boys intelligence and his interest in books was but a source of danger, for "the Bible was the only book worth reading." (Kenan: 29) If it wasn't for Orilla "Bill" Miller, a white woman from the Midwest who stepped up against his fathers objections, and for Gertrude Ayer, a black principal who encouraged the young boy to write stories, plays and poems, James would have been deprived of a valuable education, because in the Baldwin household "education was suspect as a tool of the white devils not particularly useful to black men in a racist society that placed so many checks on their ambition." (Kenan: 31) James Ba
Author | : James Baldwin |
Publisher | : |
Total Pages | : 616 |
Release | : 1963 |
Genre | : African American men |
ISBN | : 9781582880822 |
Go Tell It on the Mountain (fiction): James Baldwin's portrayal of black people in Harlem caught up in a dramatic struggle, and of a society confronting inevitable change. The Fire Next Time (non-fiction): The powerful evocation of a childhood in Harlem that helped to galvanize the early days of the civil rights movement examines the deep consequences of racial injustice to both the individual and the body politic. If Beale Street Could Talk (fiction): A love story about two badly frightended but intensely brave, black young people.
Author | : James Baldwin |
Publisher | : Vintage |
Total Pages | : 242 |
Release | : 2013-09-12 |
Genre | : Fiction |
ISBN | : 0375701877 |
In one of the greatest American classics, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else." “With vivid imagery, with lavish attention to details ... [a] feverish story.” —The New York Times
Author | : Carol E. Henderson |
Publisher | : Peter Lang |
Total Pages | : 186 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 9780820481586 |
The publication of James Baldwin's Go Tell It on the Mountain ushered in a new age of the urban telling of a tale twice told yet rarely expressed in such vivid portraits. Go Tell It unveils the struggle of man with his God and that of man with himself. Baldwin's intense scrutiny of the spiritual and communal customs that serve as moral centers of the black community directs attention to the striking incongruities of religious fundamentalism and oppression. This book examines these multiple impulses, challenging the widely held convention that politics and religion do not mix.
Author | : Gale, Cengage Learning |
Publisher | : Gale, Cengage Learning |
Total Pages | : 38 |
Release | : 2016-06-29 |
Genre | : Literary Criticism |
ISBN | : 1410346889 |
A Study Guide for James Baldwin's "Go Tell It on the Mountain," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
Author | : Trudier Harris |
Publisher | : Cambridge University Press |
Total Pages | : 174 |
Release | : 1996-03-29 |
Genre | : Literary Collections |
ISBN | : 9780521498265 |
A collection of critical essays on James Baldwin's Go Tell It on the Mountain.
Author | : James Baldwin |
Publisher | : Henry Holt and Company |
Total Pages | : 99 |
Release | : 2023-01-17 |
Genre | : Social Science |
ISBN | : 1250886724 |
Over twenty-two months in 1979 and 1981 nearly two dozen children were unspeakably murdered in Atlanta despite national attention and outcry; they were all Black. James Baldwin investigated these murders, the Black administration in Atlanta, and Wayne Williams, the Black man tried for the crimes. Because there was only evidence to convict Williams for the murders of two men, the children's cases were closed, offering no justice to the families or the country. Baldwin's incisive analysis implicates the failures of integration as the guilt party, arguing, "There could be no more devastating proof of this assault than the slaughter of the children." As Stacey Abrams writes in her foreword, "The humanity of black children, of black men and women, of black lives, has ever been a conundrum for America. Forty years on, Baldwin's writing reminds us that we have never resolved the core query: Do black lives matter? Unequivocally, the moral answer is yes, but James Baldwin refuses such rhetorical comfort." In this, his last book, by excavating American race relations Baldwin exposes the hard-to-face ingrained issues and demands that we all reckon with them.
Author | : Martin Arndt |
Publisher | : GRIN Verlag |
Total Pages | : 22 |
Release | : 2004-10-06 |
Genre | : Religion |
ISBN | : 3638312054 |
Seminar paper from the year 2001 in the subject Theology - Miscellaneous, grade: good, University of Leipzig, language: English, abstract: James Arthur Baldwin was born to Emma Berdis Jones and an unknown father on August 2, 1924, in New York City. The fact that he did not know about the identity of his biological father haunted him all his life. Who was to become Baldwin’s stepfather was a laborer and Pentecostal preacher who came - as part of the Great Migration - to New York in 1919 “seeking better social conditions and economic opportunities.” (Kenan 1994: 26) After he married her, he began to preach in storefront churches and made a living of a job he had in a bottle factory on Long Island, and although he “worked steadily, until encroaching age and illness prohibited it”, were his wages seldom high enough to feed his big family2, especially during the Great Depression. (Kenan: 27) As described in “Notes of a Native Son” this situation had contributed to his father’s “intolerable bitterness of spirit.”(Kenan: 88) It was “unrelieved bitterness and anger” that “drove [his father] away permanently in 1932.” (Kenan: 27) James was very much influenced and shaped by his stepfather, and the problems that derived from his relationship to him became in my eyes a powerful motor for his poetry writings and determined his future decisions. To his father the young boys intelligence and his interest in books was but a source of danger, for “the Bible was the only book worth reading.” (Kenan: 29) If it wasn’t for Orilla “Bill” Miller, a white woman from the Midwest who stepped up against his fathers objections, and for Gertrude Ayer, a black principal who encouraged the young boy to write stories, plays and poems, James would have been deprived of a valuable education, because in the Baldwin household “education was suspect as a tool of the white devils not particularly useful to black men in a racist society that placed so many checks on their ambition.” (Kenan: 31) James Baldwin was brought up “in a household atmosphere of strict, even suffocating, religiosity” (Kenan: 32) and his father lived “like a prophet, in such unimaginably close communion with the Lord, that his long silence which were punctuated by moans and hallelujahs and snatches of old songs while he sat at the living room window never seemed strange to us.” (Baldwin 1984: 89)
Author | : Joseph Drexler-Dreis |
Publisher | : Fordham Univ Press |
Total Pages | : 281 |
Release | : 2018-12-04 |
Genre | : Religion |
ISBN | : 0823281892 |
Bringing together theologies of liberation and decolonial thought, Decolonial Love interrogates colonial frameworks that shape Christian thought and legitimize structures of oppression and violence within Western modernity. In response to the historical situation of colonial modernity, the book offers a decolonial mode of theological reflection and names a historical instance of salvation that stands in conflict with Western modernity. Seeking a new starting point for theological reflection and praxis, Joseph Drexler-Dreis turns to the work of Frantz Fanon and James Baldwin. Rejecting a politics of inclusion into the modern world-system, Fanon and Baldwin engage reality from commitments that Drexler-Dreis describes as orientations of decolonial love. These orientations expose the idolatry of Western modernity, situate the human person in relation to a reality that exceeds modern/colonial significations, and catalyze and authenticate historical movement in conflict with the modern world-system. The orientations of decolonial love in the work of Fanon and Baldwin—whose work is often perceived as violent from the perspective of Western modernity—inform theological commitments and reflection, and particularly the theological image of salvation. Decolonial Love offers to theologians a foothold within the modern/colonial context from which to commit to the sacred and, from a historical encounter with the divine mystery, face up to and take responsibility for the legacies of colonial domination and violence within a struggle to transform reality.
Author | : James Baldwin |
Publisher | : Delta |
Total Pages | : 594 |
Release | : 2000-06-13 |
Genre | : Fiction |
ISBN | : 0385334567 |
James Baldwin’s final novel is “the work of a born storyteller at the height of his powers” (The New York Times Book Review). “Not everything is lost. Responsibility cannot be lost, it can only be abdicated. If one refuses abdication, one begins again.” The stark grief of a brother mourning a brother opens this stunning, unforgettable novel. Here, in a monumental saga of love and rage, James Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the forbidden passion of Giovanni’s Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses—and a living contemporary history of black struggle in this land.