THE INDIAN LISTENER

THE INDIAN LISTENER
Author: All India Radio (AIR),New Delhi
Publisher: All India Radio (AIR),New Delhi
Total Pages: 87
Release: 1942-07-07
Genre: Antiques & Collectibles
ISBN:

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-07-1942 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 87 VOLUME NUMBER: Vol. VII, No. 14 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 25-88 ARTICLE: 1. From These Beginnings 2. The Tallest Mast 3. Peshawar: Studios And Office Building 4. Music Of The Pathans AUTHOR: Unknown KEYWORDS: 1. North-West Frontier, Lord Lytton, Malakand Hydro-Electric Scheme 2. Peshawar Station, Mediumwave Transmitter, Aerial Mast 3. AIR Peshawar, North Circular Road, Reverberation Time 4. North-West Frontier Province, Pushtu Language, Tappa, Sindh hairvin, Lobha, Pathans Document ID: INL-1942 (J-D) Vol- II (02)

AKASHVANI

AKASHVANI
Author: Publications Division (India),New Delhi
Publisher: Publications Division (India),New Delhi
Total Pages: 48
Release: 1961-04-23
Genre: Antiques & Collectibles
ISBN:

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi. From 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 23-04-1961 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXVI. No. 17. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 08-48 ARTICLE: 1. The Pyramids 2. Pakistan Cricket Team In India 3. Numismatics 4. Literery Growth And Journals 5. The Philosophy Of Social Work 6. Second Thoughts AUTHOR: 1. Solie Petit 2. Neelkant Jadhav 3. P. J. Chinmulgund 4. N. Krishnamurthy 5. Prof. A. R. Wadia 6. Smt. Shakuntala Paranjpe Document ID : 8 Prasar Bharati Archives has the copyright in all matters published in this and other AIR journals.For reproduction previous permission is essential.

AKASHVANI

AKASHVANI
Author: All India Radio (AIR), New Delhi
Publisher: All India Radio (AIR), New Delhi
Total Pages: 68
Release: 1964-12-13
Genre: Antiques & Collectibles
ISBN:

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 13 DECEMBER, 1964 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XXIX, No. 50 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-67 ARTICLE: 1. Indian Culture : A Synthesis 2. Tribal Welfare 3. Books on My Shelf 4. An Ideal Holiday 5. Importance of Compositions In Hindustani Music 6. Indian Coins AUTHOR: 1. Shri Gopalji Mehrotra 2. Dr. A .N . Welling 3. Prof. C .M . Shukla 4. P. C. Sen 5. Dinkar Kaikani 6. A. K. Bhaitacharya KEYWORDS : 1. Educational system,fundamental values,Islam's impact 2. Importance of literacy,state’s initiative essential,basic education 3. Magic pass-words,enjoyed the world, 4. The preparations,so illogical a reason,like a mother-hen 5. Essentials of Araga, a dynamic experience, 6. In early Christian, era Greek characters, when Islam came Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

Link

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Author:
Publisher:
Total Pages: 600
Release: 1986
Genre:
ISBN:

Jaltarang

Jaltarang
Author: Santosh Choubey
Publisher: Notion Press
Total Pages: 168
Release: 2019-06-17
Genre: Fiction
ISBN: 1645876950

Jaltarang is a love story in the context of Indian Classical Music and its genesis. Underlying this predominant theme is a delicate narrative of emotional relationships. The five chapters have been categorized as Indian Ragas namely: Aalap, Jod, Vilambit, Drut, and Jhala. The storyline of the novel is pertaining to these musical structures, slowing down and picking up pace as is done in the rendition of a Raga. The lead characters Devashish and Smriti play Jaltarang and Sitar respectively, their mutual love and understanding always reflect in their music. The narration is illuminated with rare musical information, chronicles and stories from the History of Indian Classical Music weaved into an engaging story. Towards the end, it also deals with disruption of a musical symphony by ever-increasing noise and sound pollution of modern urban life and how the couple reinstates their belief, values, and faith among all these.

Companion to North Indian Classical Music

Companion to North Indian Classical Music
Author: Satyendra Krishen Sen Chib
Publisher:
Total Pages: 530
Release: 2004
Genre: Music
ISBN:

"With growing interest in North Indian classical music, both in India and abroad, in spite of several books on specific topics which have appeared in recent times, there is a need for comprehensive reference book in English which will give adequate and pre"

A Discography of Hindustani and Karnatic Music

A Discography of Hindustani and Karnatic Music
Author:
Publisher: Greenwood
Total Pages: 624
Release: 1985-09-25
Genre: Music
ISBN:

This exhaustive and complete discography of Indian music issued on microgroove discs and cassettes provides information on over 2,700 recordings of classical and semiclassical music of the Indian subcontinent. It covers the period from the early 1950s to the end of 1983 and also contains information on recordings from the early 1930s onward that were originally issued at 78 RPM and have been reissued on microgroove discs. The main text of the discography is divided into five sections: Hindustani Instrumental, Hindustani Vocal, Karnatic Instrumental, Karnatic Vocal, and Anthologies. Artists are listed alphabetically and brief biographical information is provided when possible. The recordings are indexed by Raga and Tala (the melody and the rhythm), thus allowing comparison between different recordings of the same piece. An instrumental index is included as are indexes to several styles of vocal performance.