Jacques Ranciere And The Contemporary Scene
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| Author | : Jean-Philippe Deranty |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 289 |
| Release | : 2012-02-16 |
| Genre | : Philosophy |
| ISBN | : 1441152970 |
This book forms the first critical study of Jacques Rancière's impact and contribution to contemporary theoretical and interdisciplinary studies. It showcases the work of leading scholars in fields such as political theory, history and aesthetic theory; each of whom are uniquely situated to engage with the novelty of Rancière's thinking within their respective fields. Each of the essays provides an investigation into the critical stance Rancière takes towards his contemporaries, concentrating on the versatile application of his thought to diverse fields of study (including, political and education theory, cinema studies, literary and aesthetic theory, and historical studies). The aim of this collection is to use the critical interventions Rancière's writing makes on current topics and themes as a way of offering new critical perspectives on his thought. Wielding their individual expertise, each contributor assesses his perspectives and positions on thinkers and topics of contemporary importance. The edition includes a new essay by Jacques Rancière, which charts the different problems and motivations that have shaped his work.
| Author | : Jean-Philippe Deranty |
| Publisher | : A&C Black |
| Total Pages | : 290 |
| Release | : 2012-02-23 |
| Genre | : Philosophy |
| ISBN | : 1441114092 |
This collection of essays aims to investigate the unique place of Jacques Rancière in the contemporary intellectual scene
| Author | : Jacques Ranciere |
| Publisher | : Verso Books |
| Total Pages | : 289 |
| Release | : 2013-06-04 |
| Genre | : Philosophy |
| ISBN | : 1781680892 |
Composed in a series of scenes, Aisthesis–Rancière’s definitive statement on the aesthetic–takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events—some famous, others forgotten—to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.
| Author | : Joseph J. Tanke |
| Publisher | : A&C Black |
| Total Pages | : 209 |
| Release | : 2011-04-28 |
| Genre | : Philosophy |
| ISBN | : 1441194738 |
Jacques Rancière: An Introduction offers the first comprehensive introduction to the thought of one of today's most important and influential theorists. Joseph Tanke situates Rancière's distinctive approach against the backdrop of Continental philosophy and extends his insights into current discussions of art and politics. Tanke explains how Rancière's ideas allow us to understand art as having a deeper social role than is customarily assigned to it, as well as how political opposition can be revitalized. The book presents Rancière's body of work as a coherent whole, tracing key notions such as the distribution of the sensible, the aesthetics of politics, and the supposition of equality from his earliest writings through to his most recent interventions. Tanke concludes with a series of critical questions for Rancière's work, indicating how contemporary thought might proceed after its encounter with him. The book provides readers new to Rancière with a clear overview of his enormous intellectual output. Engaging with many un-translated and unpublished sources, the book will also be of interest to Rancière's long-time readers.
| Author | : Jean-Philippe Deranty |
| Publisher | : Routledge |
| Total Pages | : 199 |
| Release | : 2014-12-05 |
| Genre | : Philosophy |
| ISBN | : 1317492072 |
Although relatively unknown a decade ago, the work of Jacques Ranciere is fast becoming a central reference in the humanities and social sciences. His thinking brings a fresh, innovative approach to many fields, notably the study of work, education, politics, literature, film, art, as well as philosophy. This is the first, full-length introduction to Ranciere's work and covers the full range of his contribution to contemporary thought, presenting in clear, succinct chapters the key concepts Ranciere has developed in his writings over the last forty years. Students new to Ranciere will find this work accessible and comprehensive, an ideal introduction to this major thinker. For readers already familiar with Ranciere, the in-depth analysis of each key concept, written by leading scholars, should provide an ideal reference.
| Author | : T. J. Clark |
| Publisher | : Yale University Press |
| Total Pages | : 282 |
| Release | : 2006-01-01 |
| Genre | : Art |
| ISBN | : 9780300117264 |
Why do we keep returning to certain pictures? What is it we are looking for? How does our understanding of an image change over time? This investigates the nature of visual complexity, the capacity of certain images to sustain repeated attention, and how pictures respond and resist their viewers' wishes.
| Author | : Ulf Schulenberg |
| Publisher | : Springer |
| Total Pages | : 243 |
| Release | : 2019-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 3030115607 |
From Finding to Making offers the first detailed discussion of the relationship between Marxism and pragmatism. These two philosophies of praxis are not incompatible, and an analysis of their relation helps one to better understand both. Establishing a transatlantic theoretical dialogue, this book discusses similarities and differences between these philosophies. It is an interdisciplinary study that brings together philosophy, American and European intellectual history, and literary studies. Schulenberg’s book shows that if we seek to continue the unfinished project of establishing a genuinely postmetaphysical culture, the attempt to elucidate the dialectics of Marxism and pragmatism is a good starting point. The book offers detailed discussions of Sidney Hook, Georg Lukács, Theodor W. Adorno, Fredric Jameson, W.E.B. Du Bois, John Dewey, Richard Rorty, and Jacques Rancière.
| Author | : Jacques Rancière |
| Publisher | : Verso Books |
| Total Pages | : 149 |
| Release | : 2019-09-03 |
| Genre | : Philosophy |
| ISBN | : 1788736559 |
In The Future of the Image, Jacques Rancire develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. He argues that there is a stark political choice in art: it can either reinforce a radical democracy or create a new reactionary mysticism. For Rancire there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals.
| Author | : Davide Panagia |
| Publisher | : Duke University Press |
| Total Pages | : 153 |
| Release | : 2018-02-22 |
| Genre | : Philosophy |
| ISBN | : 0822372169 |
In Rancière’s Sentiments Davide Panagia explores Jacques Rancière’s aesthetics of politics as it informs his radical democratic theory of participation. Attending to diverse practices of everyday living and doing—of form, style, and scenography—in Rancière’s writings, Panagia characterizes Rancière as a sentimental thinker for whom the aesthetic is indistinguishable from the political. Rather than providing prescriptions for political judgment and action, Rancière focuses on how sensibilities and perceptions constitute dynamic relations between persons and the worlds they create. Panagia traces this approach by examining Rancière’s modernist sensibilities, his theory of radical mediation, the influence of Gustave Flaubert on Rancière’s literary voice, and how Rancière juxtaposes seemingly incompatible objects and phenomena to create moments of sensorial disorientation. The power of Rancière’s work, Panagia demonstrates, lies in its ability to leave readers with a disjunctive sensibility of the world and what political thinking is and can be.
| Author | : Bryan Nelson |
| Publisher | : Edinburgh University Press |
| Total Pages | : 241 |
| Release | : 2024-04-30 |
| Genre | : Political Science |
| ISBN | : 1474477240 |
This book explores an often neglected current in contemporary French political thought that challenges the limits of the concept of democracy. It situates the projects of Jacques Ranciere, Claude Lefort and Miguel Abensour in relation to each other, as well as to the larger philosophical question of the nature of democracy itself. In doing so, Bryan Nelson illuminates democracy's potential as a profound emancipatory and transformative project, offering an unprecedented challenge to modes of domination, strategies of inequality and hierarchies of all kinds. Against prevailing interpretations, the author draws on the central concepts, problems and polemics in the works of Ranciere, Lefort and Abensour to develop a bold conception of democracy that allows us to rethink its character, power and broader social and political implications.
