Jacques Audiard

Jacques Audiard
Author: Gemma King
Publisher: Manchester University Press
Total Pages: 195
Release: 2021-06-15
Genre: Performing Arts
ISBN: 1526133024

Fragile yet powerful, macho yet transgressive, Jacques Audiard’s films portray disabled, marginalised or otherwise non-normative bodies in constant states of crisis and transformation. Jacques Audiard is the first book on the cinema of one of the most important French directors working today. It studies his screenwriting background, his collaborative practices and his use of genre motifs alongside his reputation as a celebrated French auteur. Using the motif of border-crossing – both physical and symbolic – the book explores how Audiard’s films construct and transcend boundaries of many forms. Focusing on the representation of the physical body, French society and broader transnational contexts, it reveals how Audiard’s cinema occupies a space both within and beyond the imaginary of French cinema.

Five Directors

Five Directors
Author: Kate Ince
Publisher: Manchester University Press
Total Pages: 168
Release: 2019-01-04
Genre: Performing Arts
ISBN: 1526141396

Auteurism – the idea that a director of a film is its source of meaning and should retain creative control over the finished product – has been one of film studies’ most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris. Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of ‘auteur’ has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism. This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts.

WORLD CINEMA SPA ESSENTIALS

WORLD CINEMA SPA ESSENTIALS
Author: Sainath
Publisher: SAINATH S
Total Pages: 147
Release: 2021-12-17
Genre: Art
ISBN:

21st Century Genre-Bending Crime Films The Top Pick Volume One Cinema of the 21st century has transformed the global discourse through an expansion of media reach. The tremendous changes in filmmaking worldwide have witnessed many new dimensions and articulated the best contemporary world cinema. The article spotlights a few of its best pick in the genre-specific convention of the crime films made in the twenty-first century. These inspiring cinemas' appeal has an excuse of the genre bend through several layers, which is also a culmination of interests and styles. The blend worth mentioning of the staple that could catalyse various debates surrounding them. The idea to pen regarding interests about extraordinary experiences of energy and emotion the films motivate and communicate, stirring up the most extensive imaginaries of disciplines to combine and analyse through areas of studies. The essential elements of psychology, history, psychoanalysis, politics, the social order, literary studies and many such influences that sustain the audience that likely to turn the material consumptions to meet the visual needs. Knowledge indicates that the world of cinema reflects the virtual and social construct of the subgenre and besides the interplay of the changing definition. What it brings is the emotions and responses of the audience face-to-face with the ambivalence of the content, production and impact of crime from sources of inherent spring of indie filmmakers, studios, collaboration, mainstream cinemas and also the blockbusters of sorts.

The New Biographical Dictionary of Film

The New Biographical Dictionary of Film
Author: David Thomson
Publisher: Knopf
Total Pages: 1090
Release: 2010
Genre: Biography & Autobiography
ISBN: 0307271749

Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.

French B Movies

French B Movies
Author: David A. Pettersen
Publisher: Indiana University Press
Total Pages: 327
Release: 2023-03-07
Genre: Performing Arts
ISBN: 0253064910

In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry. By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation.

Roger Ebert's Movie Yearbook 2012

Roger Ebert's Movie Yearbook 2012
Author: Roger Ebert
Publisher: Andrews McMeel Publishing
Total Pages: 794
Release: 2011-12-06
Genre: Performing Arts
ISBN: 1449408133

A collection of reviews from the past 30 months by the influential Pulitzer Prize-winning critic includes such entries as an interview with Justin Timberlake, a tribute to Blake Edward and an essay on the Oscars. Original.

The Encyclopedia of Film Composers

The Encyclopedia of Film Composers
Author: Thomas S. Hischak
Publisher: Rowman & Littlefield
Total Pages: 837
Release: 2015-04-16
Genre: Performing Arts
ISBN: 1442245506

For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical material Important dates Career highlights Analysis of the composer’s musical style Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.

Haunted Laughter

Haunted Laughter
Author: Jonathan C. Friedman
Publisher: Rowman & Littlefield
Total Pages: 241
Release: 2022-03-14
Genre: Religion
ISBN: 1793640165

A 2023 Choice Reviews Outstanding Academic Title Haunted Laughter addresses whether it is appropriate to use comedy as a literary form to depict Adolf Hitler, The Third Reich, and the Holocaust. Guided by existing theories of comedy and memory and through a comprehensive examination of comedic film and television productions, from the United States, Israel, and Europe, Jonathan Friedman proposes a model and a set of criteria to evaluate the effectiveness of comedy as a means of representation. These criteria include depth of purpose, relevance to the times, and originality of form and content. Friedman concludes that comedies can be effective if they provide relevant information about life and death in the past, present, or future; break new ground; and serve a purpose or multiple purposes—capturing the dynamic of the Nazi system of oppression, empowering or healing victims, serving as a warning for the future, or keeping those who can never grasp the real horror of genocide from losing perspective.

The Introspective Realist Crime Film

The Introspective Realist Crime Film
Author: Luis M. García-Mainar
Publisher: Springer
Total Pages: 215
Release: 2016-06-10
Genre: Performing Arts
ISBN: 1137496533

This book explores the formal and thematic conventions of crime film, the contexts in which these have flourished and their links with the social issues of a globalized world. The crime film has traditionally been identified with suspense, a heterogeneous aesthetic and a tacit social mind. However, a good number of the crime films produced since the early 2000s have shifted their focus from action or suspense and towards melodrama in narratives that highlight the social dimension of crime, intensify their realist aesthetics and dwell on subjectivity. With the 1940s wave of Hollywood semi-documentary crime films and 1970s generic revisionism as antecedents, these crime films find inspiration in Hollywood cinema and constitute a transnational trend. With a close look at Steven Soderbergh’s Traffic (2000), David Fincher’s Zodiac (2007), Jacques Audiard’s Un prophète (2009) and Tomas Alfredson’s Tinker Tailor Soldier Spy (2011), this book sets out the stylistic and thematic conventions, contexts and cultural significance of a new transnational trend in crime film.

Britannica Book of the Year 2011

Britannica Book of the Year 2011
Author: Encyclopaedia Britannica, Inc.
Publisher: Encyclopaedia Britannica, Inc.
Total Pages: 882
Release: 2011-03-01
Genre: Juvenile Nonfiction
ISBN: 1615355006

The Britannica Book fo the Year 2011 provides a valuable viewpoint on the people and events that shaped the year. In addition to keeping the Encyclopaedia Britannica updated, it serves as a great reference source for the latest news on the ever-changing populations, governments, and economies throughout the world.