Jacob Weinberg Musical Pioneer
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Author | : Ellen Weinberg Mausner, M D |
Publisher | : |
Total Pages | : 114 |
Release | : 2021-01-09 |
Genre | : |
ISBN | : |
A biography of JACOB WEINBERG (1879-1956) a brilliant Russian-Jewish composer and concert pianist. Born in Odessa, he trained at the Moscow Conservatory of Music (1901-1906) and became a concert pianist and prolific composer. He wrote the first Hebrew Opera, "The Pioneers of Palestine" (1924). He emigrated to the US and setlled in NY with his family. His works were performed in NY - at such cultural landmark venues as Carnegie Hall, Town Hall, City Center (formerly the Mecca Temple), and the 92nd St Y. This book is written by his granddaughter ELLEN WEINBERG MAUSNER.
Author | : Allon Gal |
Publisher | : Wayne State University Press |
Total Pages | : 448 |
Release | : 1996 |
Genre | : Fiction |
ISBN | : 9780814326305 |
Explores how North American Jews have envisioned Israel From the late 19th century to the present.
Author | : Artur Holde |
Publisher | : Open Road Media |
Total Pages | : 395 |
Release | : 2021-03-23 |
Genre | : Music |
ISBN | : 1504066839 |
This authoritative history chronicles the work and lives of great Jewish musicians around the world from the early nineteenth century to the mid-twentieth. Since the Age of Enlightenment, Jewish musicians, composers, and musicologists have greatly enriched the artistic legacies of cultures and countries on a global scale. Their contributions have been a major influence on numerous musical forms, both secular and sacred. Jews in Music presents a survey of these accomplishments through the rise of Zionism, the settlement of the Jewish Homeland, and the burgeoning Jewish music developments in America. Jews in Music presents a detailed history ranging from the symphonies of Felix Mendelssohn to the Broadway musicals of Leonard Bernstein, from the great touring violinists of Western Europe to the pioneers of commercial music recording. Plus, a section on sacred music explores in depth the evolution of the musical components of the synagogue, including the chants, compositions, and traditional songs of the chazzanim.
Author | : |
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Total Pages | : 632 |
Release | : 1925 |
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Author | : |
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Total Pages | : 748 |
Release | : 1955 |
Genre | : Jews |
ISBN | : |
Author | : |
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Total Pages | : 790 |
Release | : 1928 |
Genre | : Music |
ISBN | : |
Author | : Library of Congress |
Publisher | : |
Total Pages | : 712 |
Release | : 1979 |
Genre | : Catalogs, Union |
ISBN | : |
Author | : Joshua S. Walden |
Publisher | : Cambridge University Press |
Total Pages | : 311 |
Release | : 2015-11-19 |
Genre | : Music |
ISBN | : 131643205X |
The term 'Jewish music' has conveyed complex and diverse meanings for people around the world across hundreds of years. This accessible and comprehensive Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Leading international experts introduce the broad range of genres found in Jewish music from the biblical era to the present day, including classical, religious, folk, popular, and dance music. Presenting a range of fresh perspectives on the subject, the chapters explore Jewish liturgy, Klezmer, music in Israel, the music of Yiddish theatre and cinema, and classical music from the Jewish Enlightenment through to the postmodern era. Additional contributions set Jewish music in context and offer an overview of the broader issues that arise in its study, such as questions of Diaspora, ontology, economics, and the history of sound technologies.
Author | : |
Publisher | : |
Total Pages | : 48 |
Release | : 1947 |
Genre | : Jews |
ISBN | : |
Author | : Erik Levi |
Publisher | : Springer |
Total Pages | : 316 |
Release | : 1996-04-15 |
Genre | : History |
ISBN | : 1349245828 |
In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.