Ivory Sculpture Through The Ages
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The Golden Age of Ivory
Author | : Richard H. Randall |
Publisher | : |
Total Pages | : 168 |
Release | : 1993 |
Genre | : Art |
ISBN | : |
Definitive illustrated catalogue: every medieval ivory in America. Sets new scholarly standard.
Medieval Ivory Carvings
Author | : Paul Williamson |
Publisher | : |
Total Pages | : 364 |
Release | : 2014 |
Genre | : Art |
ISBN | : |
"The first volume of a new catalogue of the Victoria and Albert Museum's collection of medieval ivory carvings, covering the years 400-1200, appeared in 2010. The present two volumes complete the catalogue, taking in every piece carved between about 1200 and 1550; and it is satisfying to report that a further volume, on the post-medieval ivories, was published by my colleague Marjorie Trusted in 2013."--Preface, p. 9.
Ivory Carvings in Early Medieval England, 700-1200
Author | : Arts Council of Great Britain |
Publisher | : |
Total Pages | : 100 |
Release | : 1974 |
Genre | : |
ISBN | : 9780728700222 |
Ivory Vikings
Author | : Nancy Marie Brown |
Publisher | : Macmillan |
Total Pages | : 290 |
Release | : 2015-09 |
Genre | : Art |
ISBN | : 1137279370 |
In the early 1800's, on a Hebridean beach in Scotland, the sea exposed an ancient treasure cache: 93 chessmen carved from walrus ivory. Norse netsuke, each face individual, each full of quirks, the Lewis Chessmen are probably the most famous chess pieces in the world. Harry played Wizard's Chess with them in Harry Potter and the Sorcerer's Stone. Housed at the British Museum, they are among its most visited and beloved objects. Questions abounded: Who carved them? Where? Nancy Marie Brown's Ivory Vikings explores these mysteries by connecting medieval Icelandic sagas with modern archaeology, art history, forensics, and the history of board games. In the process, Ivory Vikings presents a vivid history of the 400 years when the Vikings ruled the North Atlantic, and the sea-road connected countries and islands we think of as far apart and culturally distinct: Norway and Scotland, Ireland and Iceland, and Greenland and North America. The story of the Lewis chessmen explains the economic lure behind the Viking voyages to the west in the 800s and 900s. And finally, it brings from the shadows an extraordinarily talented woman artist of the twelfth century: Margret the Adroit of Iceland.
Ice Age Art
Author | : Jill Cook |
Publisher | : British Museum Publications Limited |
Total Pages | : 288 |
Release | : 2013 |
Genre | : Art |
ISBN | : 9780714123332 |
This unique and remarkable work explores the extraordinary creative explosion that happened during the last European Ice Age, between 40,000 and 10,000 years ago, when the very first figurative art was created.
Gothic Sculpture
Author | : Paul Binski |
Publisher | : Association of Human Rights Institutes series |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Church architecture |
ISBN | : 9780300241433 |
In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a "poetic." Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts. Published in association with the Paul Mellon Centre for Studies in British Art
The Color of Ivory
Author | : Carolyn Loessel Connor |
Publisher | : |
Total Pages | : 129 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780691048185 |
Intrigued by barely visible traces of paint or stain, Connor subjected such ivory objects as boxes, plaques, and book covers to scientific analysis. Under the microscope, she saw that their surfaces were once ablaze with color, while tests identified the actual pigments. Her findings, presented here, demonstrate that the ivories were colored and that the paint or stain - which does not adhere well to the surface of ivory - either wore off or was cleaned away. She draws on the work of archaeologists, classicists, historians, and art historians to show that this color was almost certainly original and not, as many scholars have assumed, a medieval or later addition. The author also locates Byzantine ivories within a long tradition of colored ivory going back, for example, to a painted chest found in the tomb of the Egyptian boy-king Tutankhamen.