Italian Renaissance Paintings With Musical Subjects
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Author | : Albert G. Hess |
Publisher | : |
Total Pages | : 52 |
Release | : 1955 |
Genre | : Angels in art |
ISBN | : |
"This fascicle contains religious paintings by 15th-century artists ... The most frequent musical subject is angels who either play instruments or sing"--Preface.
Author | : Albert Günter Hess |
Publisher | : |
Total Pages | : 44 |
Release | : 2011-10 |
Genre | : Music in art |
ISBN | : 9781258193744 |
With Detailed Descriptions Of The Musical Features. Fascicle Eleven.
Author | : Albert Günther HESS |
Publisher | : |
Total Pages | : |
Release | : 1955 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1955 |
Genre | : |
ISBN | : |
Author | : Albert G. Hess |
Publisher | : |
Total Pages | : |
Release | : 19?? |
Genre | : |
ISBN | : |
Author | : George Bent |
Publisher | : Cambridge University Press |
Total Pages | : 353 |
Release | : 2017-01-16 |
Genre | : Art |
ISBN | : 1316810720 |
Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations.
Author | : Margaret Aston |
Publisher | : Harry N. Abrams |
Total Pages | : 0 |
Release | : 2000-03-01 |
Genre | : Art |
ISBN | : 9780810981881 |
The great turning point of Western civilization that we call the Renaissance marked the emergence of the modern world from the Dark Ages. This ingenious, profusely illustrated book presents the entire epoch of the Renaissance through a spectacular array of images and invites readers to follow the great lives, explore the themes, and witness the major events of this exciting era.
Author | : Patricia Emison |
Publisher | : Routledge |
Total Pages | : 290 |
Release | : 2013-10-28 |
Genre | : Music |
ISBN | : 113652343X |
During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 394 |
Release | : 2008 |
Genre | : Art del Renaixement |
ISBN | : 1588393003 |
"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
Author | : Stefano Zuffi |
Publisher | : Harry N. Abrams |
Total Pages | : 0 |
Release | : 2010-03-01 |
Genre | : Art |
ISBN | : 9780810989405 |
Zuffi reveals the world of the Renaissance masters in a new and rich light. Each spread uses an important painting as a way to explain a key concept. Includes brief biographies of the major artists, provided an accessible introduction to the art and culture of the Italian Renaissance.