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| Author | : Stefania Lucamante |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 236 |
| Release | : 2001 |
| Genre | : Literary Criticism |
| ISBN | : 9780838638927 |
The contributors extol changes in fiction, extricating the new elements in the hybrid and anticlassicist writing proposed by the Giovani Cannibali."--BOOK JACKET.
| Author | : Ellen Nerenberg |
| Publisher | : Indiana University Press |
| Total Pages | : 402 |
| Release | : 2012-03-29 |
| Genre | : Social Science |
| ISBN | : 0253012422 |
A study of three high-profile Italian murder cases, how they were covered by the media, and what it all says about Italian culture. Looking at media coverage of three very prominent murder cases, Murder Made in Italy explores the cultural issues raised by the murders and how they reflect developments in Italian civil society over the past twenty years. Providing detailed descriptions of each murder, investigation, and court case, Ellen Nerenberg addresses the perception of lawlessness in Italy, the country’s geography of crime, and the generalized fear for public safety among the Italian population. Nerenberg examines the fictional and nonfictional representations of these crimes through the lenses of moral panic, media spectacle, true crime writing, and the abject body. The worldwide publicity given the recent case of Amanda Knox, the American student tried for murder in a Perugia court, once more drew attention to crime and punishment in Italy and is the subject of the epilogue. “A fantastic array of literary, cinematic, and oral narratives.” —Stefania Lucamante, Catholic University of America “Original, engaging, and thought-provoking . . . quite unlike any other existing book in Italian cultural and media studies.” —Ruth Glynn, University of Bristol
| Author | : Graziella Parati |
| Publisher | : University of Toronto Press |
| Total Pages | : 289 |
| Release | : 2005-01-01 |
| Genre | : History |
| ISBN | : 0802039243 |
In terms of migration, Italy is often thought of as a source country - a place from which people came rather than one to which people go. However, in the past few decades, Italy has indeed become a destination for many people from poor or war-torn countries seeking a better life in a stable environment. Graziella Parati's Migration Italy examines immigration to Italy in the past twenty years, and explores the processes of cultural hybridization that have occurred. Working from a cultural studies viewpoint, Parati constructs a theoretical framework for discussing Italy as a country of immigration. She gives special attention to immigrant literature, positing that it functions as an act of resistance, a means to talk back to the laws that regulate the lives of migrants. Parati also examines Italian cinema, demonstrating how native and non-native filmmakers alike create parallels between old and new migrations, complicating the definitions of sameness and difference. These definitions and the complexities inherent in the different cultural, legal, and political positions of Italy's people are at the heart of Migration Italy, a unique work of immense importance for understanding society in both modern-day Italy and, indeed, the entire European continent.
| Author | : Peter Hutchings |
| Publisher | : Routledge |
| Total Pages | : 250 |
| Release | : 2014-09-11 |
| Genre | : Performing Arts |
| ISBN | : 1317874099 |
The Horror Film is an in-depth exploration of one of the most consistently popular, but also most disreputable, of all the mainstream film genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world and never a time when they were not being criticised, censored or banned. The Horror Film engages with the key issues raised by this most contentious of genres. It considers the reasons for horror's disreputability and seeks to explain why despite this horror has been so successful. Where precisely does the appeal of horror lie? An extended introductory chapter identifies what it is about horror that makes the genre so difficult to define. The chapter then maps out the historical development of the horror genre, paying particular attention to the international breadth and variety of horror production, with reference to films made in the United States, Britain, Italy, Spain and elsewhere. Subsequent chapters explore: The role of monsters, focusing on the vampire and the serial killer. The usefulness (and limitations) of psychological approaches to horror. The horror audience: what kind of people like horror (and what do other people think of them)? Gender, race and class in horror: how do horror films such as Bride of Frankenstein, The Texas Chainsaw Massacre and Blade relate to the social and political realities within which they are produced? Sound and horror: in what ways has sound contributed to the development of horror? Performance in horror: how have performers conveyed fear and terror throughout horror's history? 1970s horror: was this the golden age of horror production? Slashers and post-slashers: from Halloween to Scream and beyond. The Horror Film throws new light on some well-known horror films but also introduces the reader to examples of noteworthy but more obscure horror work. A final section provides a guide to further reading and an extensive bibliography. Accessibly written, The Horror Film is a lively and informative account of the genre that will appeal to students of cinema, film teachers and researchers, and horror lovers everywhere.
| Author | : Roberto Curti |
| Publisher | : McFarland |
| Total Pages | : 333 |
| Release | : 2013-09-28 |
| Genre | : Performing Arts |
| ISBN | : 1476612080 |
In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, political tensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent years have seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italy between 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters.
| Author | : Beppe Cavatorta |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 238 |
| Release | : 2019-08-19 |
| Genre | : Literary Criticism |
| ISBN | : 1527538699 |
Through a series of original analyses of experimental works that exist well outside of the established territory inhabited by the Italian literary canon, or which purposely position themselves at its margins, this volume proposes a new way to understand the goals of literary experimentation as a means to break the canon and give literature the same freedom that is easily granted to other arts. This serves to allow literature itself to intersect with those other art forms, while enhancing the powerful and positive outcomes of literary experimentation. Specifically, the volume explores a series of 20th- and 21st-century Italian works that are characterized by a non-normative approach to language or the act of writing itself. The contributors, while addressing diverse writers, and often even adopting different theoretical interpretations of experimentalism itself, all analyze the intersection between experimental literatures and other art forms, as well as cross-disciplinary and non-traditional approaches to the theme of experimentation.
| Author | : Matt Blake |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 2019-03-18 |
| Genre | : Performing Arts |
| ISBN | : 9781799284079 |
Italy is not a country generally known for its science fiction cinema. Over the years, however, a number of films belonging to the genre have been made and - while there might not be a single, defining science fiction 'movement' as such - they make for a curious, compellingly disparate whole. From critically acclaimed futuristic satires to cheapjack exploitation films featuring deadly extra-terrestrials; from counterculture polemics set in an imminent dystopia to post-apocalyptic action movies populated by Mohican-sporting thugs. There might be many different types of films, but they all deal with shared themes and concerns. And that's not even mentioning the giant chickens and flesh-eating fish. This is the first English language book to deal comprehensively with the subject. Covering all Italian science fiction films made between 1958 and 2000 in detail - as well as including an overview of productions made in subsequent years - it examines a range of interconnected sub-genres, looking into how recurrent narratives came about, evolved and eventually faded. So... zip up your space suit, settle back in your anti-gravity seating device... and welcome to the wild, wild world of Science Fiction, Italian Style.
| Author | : Stefania Lucamante |
| Publisher | : University of Toronto Press |
| Total Pages | : 337 |
| Release | : 2008-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0802097944 |
A Multitude of Women looks at the ways in which both Italian literary tradition and external influences have assisted Italian women writers in rethinking the theoretical and aesthetic ties between author, text, and readership in the construction of the novel. Stefania Lucamante discusses the valuable contributions that Italian women writers have made to the contemporary novel and illustrates the relevance of the novelistic examples set by their predecessors. She addresses various discursive communities, reading works by Di Lascia, Ferrante, Vinci, and others with reference to intertextuality and the theories of Elsa Morante and Simone de Beauvoir. This study identifies a positive deviation from literary and ideological orthodoxy, a deviation that helps give meaning to the Italian novel and to transform the traditional notion of the canon in Italian literature. Lucamante argues that this is partly due to the merits of women writers and their ability to eschew obsolete patterns in narrative while favouring forms that are more attuned to the ever-changing needs of society. She shows that contemporary novels by women authors mirror a shift from previous trends in which the need for female emancipation interfered with the actual literary and aesthetic significance of the novel. A Multitude of Women offers a new epistemology of the novel and will appeal to those interested in women's writing, readership, Italian studies, and literary studies in general.
| Author | : Simone Brioni |
| Publisher | : Springer |
| Total Pages | : 298 |
| Release | : 2019-07-18 |
| Genre | : Literary Criticism |
| ISBN | : 3030193268 |
This book explores Italian science fiction from 1861, the year of Italy’s unification, to the present day, focusing on how this genre helped shape notions of Otherness and Normalness. In particular, Italian Science Fiction draws upon critical race studies, postcolonial theory, and feminist studies to explore how migration, colonialism, multiculturalism, and racism have been represented in genre film and literature. Topics include the role of science fiction in constructing a national identity; the representation and self-representation of “alien” immigrants in Italy; the creation of internal “Others,” such as southerners and Roma; the intersections of gender and race discrimination; and Italian science fiction’s transnational dialogue with foreign science fiction. This book reveals that though it is arguably a minor genre in Italy, science fiction offers an innovative interpretive angle for rethinking Italian history and imagining future change in Italian society.
