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| Author | : Denis Arnold |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 404 |
| Release | : 1997-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780393303605 |
The New Grove Dictionary of Music and Musicians is the most up-to-date body of musical knowledge ever gathered together.
| Author | : Andrea Bacchi |
| Publisher | : Getty Publications |
| Total Pages | : 338 |
| Release | : 2008-01-01 |
| Genre | : Portrait sculpture, Baroque |
| ISBN | : 0892369329 |
Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
| Author | : R. Ward Bissell |
| Publisher | : Giles |
| Total Pages | : 248 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : |
Presents 17th- and 18th-century Italian paintings from one of the world's finest collections of European art.
| Author | : Georgia Museum of Art |
| Publisher | : University of Georgia Press |
| Total Pages | : 262 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : 9780820316482 |
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
| Author | : Walter S. Reiter |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 361 |
| Release | : 2020-09-24 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0197525113 |
"The Early Music revival has had far-reaching consequences on how music of the past is performed, both by specialists and non-specialists. This timely book is a practical step-by-step course of lessons for violinists and violists in both these categories, covering the interpretation, technique, culture and historical background of the Baroque violin repertoire. Written by a violinist and teacher specialising in Baroque music over many years, it guides readers from the basics (how to hold the violin) to Bach, via music from a wide variety of styles. Avoiding obscure musicological jargon, it is eminently readable and accessible. Packed with information, detailed observations on the music under discussion and relevant quotations from historical and contemporary sources, it covers everything the Baroque violin student should know and may be considered as equivalent to two to three years of individual lessons. The book contains over 100 Exercises devised for and tested on students over the years. The author's holistic approach is evident through the Exercises aimed at bringing out the individual voice of each student, and his insistence that what happens within, the identification and manipulation of Affects, is a vital part of successful performance. Imitating the voice, both spoken and sung, is a constant theme, beginning with the simple device of playing words. There are 50 Lessons, including five Ornamentation Modules and ones on specific topics: Temperament, Rhetoric, the Affects etc. All the music, transcribed for both violin and viola, is downloadable from the website, where there is also a series of videos"--
| Author | : Robert Enggass |
| Publisher | : Northwestern University Press |
| Total Pages | : 256 |
| Release | : 1992 |
| Genre | : Art |
| ISBN | : 9780810110656 |
The Baroque period was crucial for the development of art theory and the advancement of the artistic academy. This collection of primary sources brings this important period to life with significant documents and texts. It conveniently assembles major texts, which are otherwise available only in scattered publications. The lives of leading artists--Caravaggio, El Greco, among others---are discussed by their contemporaries, while Bellori, Galileo, Pascoli, and others write on art theory and practice. The documents provide fascinating glimpses of the period's artistic self-image.
| Author | : Philip Gossett |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 372 |
| Release | : 1983 |
| Genre | : Music |
| ISBN | : 9780393303612 |
These five biographies provide the first complete survey of Italian opera from the early buffo operas of Rossini to Verdi's great masterpieces, Otello and Falstaff, and the verismo operas of Puccini. Andrew Porter has been highly praised for his original and enlightening account of Verdi, and Philip Gossett has received similar acclaim for his treatment of Rossini. Porter, Gossett, William Ashbrooke, Julian Budden, Mosco Carner, and Friedrich Lippmann, all acknowledged experts in the field of Italian opera, combine to offer insight into the traditions and workings of one of the most fascinating periods in the history of opera. Book jacket.
| Author | : Babette Bohn |
| Publisher | : John Wiley & Sons |
| Total Pages | : 0 |
| Release | : 2013-03-12 |
| Genre | : Art |
| ISBN | : 9781444337266 |
A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book
| Author | : Keith Sciberras |
| Publisher | : |
| Total Pages | : 476 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
The story of Baroque painting in Malta reflects that of the Italian peninsula and, in many ways, can be directly integrated within it. In terms of quantity, the island was impressively prolific. In terms of quality, works vary tremendously. There were, however, celebrated instances when the island was significantly at the forefront of stylistic development. A handful of Maltese artists worked beyond the island's shores and some, like the painter Francesco Noletti (il Fieravino), made major breakthroughs in Rome, the 'mother' of all cities. The island's small size also meant that it could be easily conditioned by one or two major artists working there. Therefore, a talented artist, Maltese or foreign, could exert tremendous influence on the stylistic currents that prevailed. The story of Baroque painting in Malta is thus marked by such artists. Contents: The pre-Baroque Years; Caravaggio; Leonello Spada; Caravaggism in Malta: Imported Works; Caravaggism in Malta: Copies after Caravaggio and Works executed in Malta; The mid- eventeenth century; Mattia Preti; The Bottega of Mattia Preti and Giuseppe d'Arena; The Erardi Family of Artists: Stefano and Alessio; The early eighteenth century; Gio Nicola Buhagiar and Enrico Regnaud; Mid-eighteenth century works by foreign artists; Francesco Zahra; Antoine Favray; Rocco Buhagiar; Giuseppe Grech; The late eighteenth century and the end of the Baroque.
