Italian Baroque Masters
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Author | : Denis Arnold |
Publisher | : W. W. Norton & Company |
Total Pages | : 404 |
Release | : 1997-07 |
Genre | : Biography & Autobiography |
ISBN | : 9780393303605 |
The New Grove Dictionary of Music and Musicians is the most up-to-date body of musical knowledge ever gathered together.
Author | : Andrea Bornstein |
Publisher | : |
Total Pages | : 32 |
Release | : 1998 |
Genre | : Canons, fugues, etc. (Violins (2)) |
ISBN | : |
Author | : R. Ward Bissell |
Publisher | : Giles |
Total Pages | : 248 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
Presents 17th- and 18th-century Italian paintings from one of the world's finest collections of European art.
Author | : Andrea Bacchi |
Publisher | : Getty Publications |
Total Pages | : 338 |
Release | : 2008-01-01 |
Genre | : Portrait sculpture, Baroque |
ISBN | : 0892369329 |
Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
Author | : Georgia Museum of Art |
Publisher | : University of Georgia Press |
Total Pages | : 262 |
Release | : 1995 |
Genre | : Art |
ISBN | : 9780820316482 |
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
Author | : Denis Arnold |
Publisher | : |
Total Pages | : 376 |
Release | : 1984 |
Genre | : Composers |
ISBN | : 9780393016901 |
Author | : |
Publisher | : |
Total Pages | : 376 |
Release | : 1984 |
Genre | : Composers |
ISBN | : 9780039016906 |
Author | : Philip Gossett |
Publisher | : W. W. Norton & Company |
Total Pages | : 372 |
Release | : 1983 |
Genre | : Music |
ISBN | : 9780393303612 |
These five biographies provide the first complete survey of Italian opera from the early buffo operas of Rossini to Verdi's great masterpieces, Otello and Falstaff, and the verismo operas of Puccini. Andrew Porter has been highly praised for his original and enlightening account of Verdi, and Philip Gossett has received similar acclaim for his treatment of Rossini. Porter, Gossett, William Ashbrooke, Julian Budden, Mosco Carner, and Friedrich Lippmann, all acknowledged experts in the field of Italian opera, combine to offer insight into the traditions and workings of one of the most fascinating periods in the history of opera. Book jacket.
Author | : Tim Carter |
Publisher | : |
Total Pages | : 296 |
Release | : 1992 |
Genre | : Music |
ISBN | : |
This book proposes new ways of exploring vocal and instrumental music in northern and central Italy in the sixteenth and early seventeenth centuries. The text focuses on the consolidation of the 'High Renaissance' style of Josquin Desprez and his contemporaries, and the subsequent transformation of this style under the pressure of new aesthetic and functional demands made upon music, and of shifting social, political and cultural circumstances as Italy moved into the period of the Counter-Reformation, and the arts moved through Mannerism into the Baroque. The effects of these changing contexts upon such masters as Giovanni Pierluigi da Palestrina and Claudio Monteverdi are fully documented here, but this is less a 'great composer' book than a study of secular, sacred and theatrical styles and genres, both within the musical market-place and in relation to music's sister arts. The author also attempts to view music, and indeed all the arts, as essentially political phenomena, conditioned by (but also conditioning) social and cultural constraints. There are copious music examples and an extensive bibliography; considerable space is also devoted to extracts from contemporary documents in translation to allow the reader first-hand experience of one of the most exciting periods in music history.
Author | : Keith Sciberras |
Publisher | : |
Total Pages | : 476 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
The story of Baroque painting in Malta reflects that of the Italian peninsula and, in many ways, can be directly integrated within it. In terms of quantity, the island was impressively prolific. In terms of quality, works vary tremendously. There were, however, celebrated instances when the island was significantly at the forefront of stylistic development. A handful of Maltese artists worked beyond the island's shores and some, like the painter Francesco Noletti (il Fieravino), made major breakthroughs in Rome, the 'mother' of all cities. The island's small size also meant that it could be easily conditioned by one or two major artists working there. Therefore, a talented artist, Maltese or foreign, could exert tremendous influence on the stylistic currents that prevailed. The story of Baroque painting in Malta is thus marked by such artists. Contents: The pre-Baroque Years; Caravaggio; Leonello Spada; Caravaggism in Malta: Imported Works; Caravaggism in Malta: Copies after Caravaggio and Works executed in Malta; The mid- eventeenth century; Mattia Preti; The Bottega of Mattia Preti and Giuseppe d'Arena; The Erardi Family of Artists: Stefano and Alessio; The early eighteenth century; Gio Nicola Buhagiar and Enrico Regnaud; Mid-eighteenth century works by foreign artists; Francesco Zahra; Antoine Favray; Rocco Buhagiar; Giuseppe Grech; The late eighteenth century and the end of the Baroque.