Italian Architects And Builders In The Ottoman Empire And Modern Turkey
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| Author | : Paolo Girardelli |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 301 |
| Release | : 2019-01-29 |
| Genre | : Art |
| ISBN | : 1527527239 |
This volume represents the first scholarly work in English devoted to the experience of Italian architects and builders in Turkey, as well as in many of the lands once belonging to the Ottoman Empire. Covering a complex cultural and political geography spanning from the Danubian principalities (today’s Romania) to Anatolia and the Aegean region, the book is the result of individual research experiences that were brought together and debated in an international conference in Istanbul in March 2013, organized in collaboration with the Italian Institute of Culture and Boğaziçi University. Grounded on a flexible notion of identitarian boundaries, the book explores a rich transcultural field of encounters and interactions, analyzed and evaluated by scholars from six different countries on the basis of hitherto uncovered archival materials. Forms, ideas, individual mobility of actors and materials, networks of patronage, material and political constraints, and religious and cultural difference all play a significant role in shaping the landscapes, buildings and architectural projects presented and discussed here. From late 18th and early 19th century experiences of interaction between neo-classical backgrounds and westernizing Ottoman forms to the Italian proposals for a Turkish republican iconic landmark like the Ataturk mausoleum in Ankara; from the design of the first Ottoman university building to Ottoman varieties of Art Nouveau and Art Deco, and to the infrastructures and urban developments of the 1950s in Turkey, the book is both a richly illustrated and documented overview of relevant cases, and a critical introduction to one of the most enticing areas of encounter in the global history of 19th and 20th century architecture and design.
| Author | : Esra Akcan |
| Publisher | : Duke University Press |
| Total Pages | : 410 |
| Release | : 2012-07-12 |
| Genre | : Architecture |
| ISBN | : 0822353083 |
Esra Akcan describes the introduction of modern architecture into Turkey after the Kemalist political elite took power in 1923 and invited German architects to redesign the new capital of Ankara.
| Author | : Ünver Rüstem |
| Publisher | : Princeton University Press |
| Total Pages | : 336 |
| Release | : 2019-04-02 |
| Genre | : Art |
| ISBN | : 0691190542 |
A new approach to late Ottoman visual culture and its place in the world With its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque—the first English-language book on the topic—Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire’s capital. Rüstem reclaims the label “Ottoman Baroque” as a productive framework for exploring the connectedness of Istanbul’s eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style’s cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans’ entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire’s power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom. Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.
| Author | : Ali Humayun Akhtar |
| Publisher | : Edinburgh University Press |
| Total Pages | : 289 |
| Release | : 2024-03-31 |
| Genre | : History |
| ISBN | : 1399519638 |
Italy and the Islamic World tells the story of how Italian cities have been centres of international exchange for centuries, linking Europe with the most storied marketplaces of the Middle East and North Africa. From the Ancient Roman period and the Renaissance to the rise of the Italian Republic, Italy has been a global crossroads for more than two millennia. In Ali Humayun Akhtar's new picture of European history, Italy's debates about trade with its southern neighbours evoke an earlier era of encounters - one that sheds light on where the EU is heading today.
| Author | : Erik Blackthorne-O’Barr |
| Publisher | : Ibn Haldun University Press |
| Total Pages | : 338 |
| Release | : 2023-12-20 |
| Genre | : History |
| ISBN | : |
In this insightful volume, a range of scholars from different backgrounds and disciplines delves into the intricate world of Levantine Studies, unraveling the multifaceted history, identities, and communities that have shaped the region. Spanning the long nineteenth century until the present day, this collection offers a fresh and nuanced perspective on the Levant, challenging traditional paradigms and shedding light on previously unexplored aspects of Levantine life. Through their meticulous research and compelling narratives, the authors explore the hidden histories of marginalized populations, examine the formation of communal ties beyond conventional affiliations, and shed light on the daily complexities of Levantine life through the lens of individual experiences and microhistories. As the field has undergone shifts in focus and methodology, this volume reflects – and pushes the boundaries of – the diversity and complexity of contemporary Levantine Studies. It opens up new avenues for research and grapples with the pressing questions of our era, including the environmental and material foundations of cosmopolitan lifestyles, the sociocultural reverberations of imperialism, and the impact of global crisis on our understanding of the Levant. With its rich insights and thought-provoking analysis, Levantines of the Ottoman World: Communities, Identities, and Cultures offers a compelling and comprehensive exploration of Levantine Studies that will captivate readers, offer an indispensable resource for scholars, and spark further inquiry into this fascinating field.
| Author | : Ioan Bolovan |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 340 |
| Release | : 2020-02-26 |
| Genre | : History |
| ISBN | : 1527547604 |
This volume will serve to enrich the reader’s understanding of the impact of World War I on Eastern Europe, by bringing together authors from all over Europe specialising in the history of this area. It presents a retrospective approach and a re-evaluation of this event, the lasting effects of which still make themselves felt in some regions today. Case studies, memoirs, journals, and the printed press of the time are all examined in order to paint a vivid picture of the Great War in Eastern Europe, and particularly in Romania. The chapters offer fresh perspectives on topics connected to the war, including the contribution of women and the emancipation opportunities for them, the social changes that occurred, and the propaganda in Romanian territory. They also review the League of Nations and the protection of international minorities, particularly in those regions where new boundaries were created, and where the application of national self-determination still left substantial communities outside the frontiers of the respective states.
| Author | : Deniz Türker |
| Publisher | : Penn State Press |
| Total Pages | : 273 |
| Release | : 2023-01-03 |
| Genre | : Architecture |
| ISBN | : 0271094265 |
This book tells the story of Yıldız Palace in Istanbul, the last and largest imperial residential complex of the Ottoman Empire. Today, the palace is physically fragmented and has been all but erased from Istanbul’s urban memory. At its peak, however, Yıldız was a global city in miniature and the center of the empire’s vast bureaucratic apparatus. Following a chronological arc from 1795 to 1909, The Accidental Palace shows how the site developed from a rural estate of the queen mothers into the heart of Ottoman government. Nominally, the palace may have belonged to the rarefied realm of the Ottoman elite, but as Deniz Türker reveals, the development of the site was profoundly connected to Istanbul’s urban history and to changing conceptions of empire, absolutism, diplomacy, reform, and the public. Türker explores these connections, framing Yıldız Palace and its grounds not only as a hermetic expression of imperial identity but also as a product of an increasingly globalized consumer culture, defined by access to a vast number of goods and services across geographical boundaries. Drawn from archival research conducted in Yıldız’s imperial library, The Accidental Palace provides important insights into a decisive moment in the palace’s architectural and landscape history and demonstrates how Yıldız was inextricably tied to ideas of sovereignty, visibility, taste, and self-fashioning. It will appeal to specialists in the art, architecture, politics, and culture of nineteenth-century Turkey and the Ottoman Empire.
| Author | : John D. Lyons |
| Publisher | : |
| Total Pages | : 907 |
| Release | : 2019 |
| Genre | : Art |
| ISBN | : 0190678445 |
Baroque, the cultural period extending from the mid-sixteenth to the mid-eighteenth century, created some of the world's most striking monuments, music, artworks, and literature. This Handbook goes beyond all existing studies by presenting Baroque not only as a style, but also as a global cultural phenomenon arising in response to enormous religious, political, and technological changes.
| Author | : Gülru Necipoğlu |
| Publisher | : Getty Publications |
| Total Pages | : 414 |
| Release | : 1996-03-01 |
| Genre | : Art |
| ISBN | : 0892363355 |
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
| Author | : Doğan Kuban |
| Publisher | : Antique Collectors Club Dist |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : Architecture, Islamic |
| ISBN | : 9781851496044 |
This is the most comprehensive and wide-ranging survey of Ottoman Architecture ever produced. It extends to over 700 pages and is illustrated with over 1000 fabulous illustrations, plans of buildings, maps and drawings. The author is a leading authority on the subject having taught throughout the United States, in Paris and in Istanbul. Whilst this work will become an invaluable reference tool to students, its appeal will also be broadened due to the high quality of its photographs, many of which were commissioned for the publication. In particular the reader will be impressed by the the superb interiors of buildings often decorated by stunning Iznik tiles. Ottoman Architecture developed in parallel with the political structure of the Ottoman Empire. Located at the intersection of Asia and Europe it was influenced by the numerous competing traditions of Islam, China, the Mediterranean and Byzantine worlds. Building on its early development particularly in Bursa and Edirne at the end of the 14th Century, the Ottoman world reached its high point during the so called Classical period 1437-1703 notably under the Sultans Suleyman 1st and Selim 2nd. The finest architectural achievements were undoubtedly the works of the court architect Sinan 1489-1588. It is these works that form the core of this spectacular book. This book, unlike any other, also seeks to survey the extensive building works of the Ottomans throughout their Empire which extend to Damascus, Cairo and as far as the Holy Cities of Mecca and Medina. AUTHOR: Professor Kuban has held various academic positions in the USA, Italy and Turkey. He was a founding member of the Turkish Commission of the International Council of Monuments and Sites. He holds many awards and has written many works of reference. He has also written numerous articles and research publications. SELLING POINTS Comprehensive survey of the huge wealth of Ottoman architecture Extensive and highly illustrated text by a leading authority Wide appeal for the serious student as well as the arm chair traveller ILLUSTRATIONS 1000 colour illustrations
