Islam and the Divine Comedy

Islam and the Divine Comedy
Author: Miguel Asin Palacios
Publisher: Routledge
Total Pages: 328
Release: 2013-10-16
Genre: Religion
ISBN: 113453650X

When first published in 1926 this book aroused much controversy. The theory expounded in the book was that Islamic sources in general, and the writings of Ibn al-`Arabi in particular, formed the basis of Dante’s poem Divine Comedy, the poem which symbolised the whole culture of medieval Christianity. The book shows how fundamental Muslim legends of the nocturnal journey and of the ascension of the Prophet Muhammed appear in Dante’s writings.

Dante and Islam

Dante and Islam
Author: Jan M. Ziolkowski
Publisher: Fordham Univ Press
Total Pages: 380
Release: 2014-12-01
Genre: Literary Criticism
ISBN: 0823263886

Dante put Muhammad in one of the lowest circles of Hell. At the same time, the medieval Christian poet placed several Islamic philosophers much more honorably in Limbo. Furthermore, it has long been suggested that for much of the basic framework of the Divine Comedy Dante was indebted to apocryphal traditions about a “night journey” taken by Muhammad. Dante scholars have increasingly returned to the question of Islam to explore the often surprising encounters among religious traditions that the Middle Ages afforded. This collection of essays works through what was known of the Qur’an and of Islamic philosophy and science in Dante’s day and explores the bases for Dante’s images of Muhammad and Ali. It further compels us to look at key instances of engagement among Muslims, Jews, and Christians.

Inferno: The Divine Comedy I

Inferno: The Divine Comedy I
Author: Dante
Publisher: Penguin UK
Total Pages: 722
Release: 2006-03-30
Genre: Poetry
ISBN: 0141916443

Describing Dante's descent into Hell midway through his life with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters doomed souls including the pagan Aeneas, the liar Odysseus, the suicide Cleopatra, and his own political enemies, damned for their deceit. Led by leering demons, the poet must ultimately journey with Virgil to the deepest level of all. For it is only by encountering Satan, in the heart of Hell, that he can truly understand the tragedy of sin.

The Doré Illustrations for Dante's Divine Comedy

The Doré Illustrations for Dante's Divine Comedy
Author: Gustave Doré
Publisher: Courier Corporation
Total Pages: 145
Release: 2012-09-21
Genre: Art
ISBN: 0486129934

These 135 fantastic scenes depict the passion and grandeur of Dante's masterpiece — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise.

The Prophet of Islam in Old French: The Romance of Muhammad (1258) and The Book of Muhammad's Ladder (1264)

The Prophet of Islam in Old French: The Romance of Muhammad (1258) and The Book of Muhammad's Ladder (1264)
Author: Reginald Hyatte
Publisher: BRILL
Total Pages: 215
Release: 1997-04-01
Genre: History
ISBN: 9004247297

The Prophet of Islam in Old French gives the first English translation of the only medieval French narratives that present comprehensive accounts of Muhammad's prophethood: Alexandre du Pont's Romance of Muhammad from 1258 and the 1264 translation of a Muslim apocalypse, The Book of Muhammad's Ladder. The introduction addresses the problems of the romance's divergence from conventional Christian representations of Muhammad's confirmation as prophet and the absence of Christian commentary in the apocalypse. It discusses the traditions regarding Muhammad's prophethood, the conventions of the apocalyptic genre, and the propagandistic aims of both narratives in relation to the crusades and missionary activity at that time. These works are of particular interest because they are the first to present to a French lay audience the topic of Muhammad's prophethood, and scholars have long debated whether the apocalypse influenced Dante's Divine Comedy.

Hell, the Devil, and Karma

Hell, the Devil, and Karma
Author: Samael Aun Weor
Publisher: Glorian Publishing
Total Pages:
Release: 2011
Genre: Religion
ISBN: 1934206652

For thousands of years, people believed the Earth was flat. Similarly, everything we believe about hell, the devil and karma is based on centuries of dogma, illogical beliefs and foolish theories. In this book, Samael Aun Weor demonstrates how to confirm for yourself the reality of the inferior levels of life, and how to avoid them. Although modern culture laughs at the mere mention of the devil and hell while simultaneously indulging deeply in them via popular music, movies, and television, the practical reality remains completely unknown to the general public. Samael Aun Weor discusses his personal, conscious experiences of the inferior worlds and the beings who reside there. By application of ancient techniques preserved by the Gnostic tradition, anyone can confirm with certainty what exists in the subtle dimensions of nature, whether above or below. Learn the true identity of both the Devil and Lucifer, and how to harness the forces of nature in order to be propelled towards a higher way of life. Dispels centuries of beliefs and theories, while explaining the essential truths hidden in ancient symbols Provides practical steps towards acquiring your own experience of the truth Supported by solid science and authentic spiritual traditions

The Venetian Qur'an

The Venetian Qur'an
Author: Pier Mattia Tommasino
Publisher: University of Pennsylvania Press
Total Pages: 320
Release: 2018-05-08
Genre: History
ISBN: 0812250125

In The Venetian Qur'an, Pier Mattia Tommasino uncovers the author, origin, and lasting influence of the Alcorano di Macometto, a book that purported to be the first printed European vernacular translation of the Qur'an.

What Is Islam?

What Is Islam?
Author: Shahab Ahmed
Publisher: Princeton University Press
Total Pages: 629
Release: 2015-11-17
Genre: Social Science
ISBN: 1400873584

A bold new conceptualization of Islam that reflects its contradictions and rich diversity What is Islam? How do we grasp a human and historical phenomenon characterized by such variety and contradiction? What is "Islamic" about Islamic philosophy or Islamic art? Should we speak of Islam or of islams? Should we distinguish the Islamic (the religious) from the Islamicate (the cultural)? Or should we abandon "Islamic" altogether as an analytical term? In What Is Islam?, Shahab Ahmed presents a bold new conceptualization of Islam that challenges dominant understandings grounded in the categories of "religion" and "culture" or those that privilege law and scripture. He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent. What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation—one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory. A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.