Irish Drama And Theatre Since 1950
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| Author | : Patrick Lonergan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 281 |
| Release | : 2019-02-21 |
| Genre | : Literary Criticism |
| ISBN | : 147426266X |
Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
| Author | : Eamonn Jordan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 250 |
| Release | : 2019-02-21 |
| Genre | : Performing Arts |
| ISBN | : 1350051225 |
The spellbinding premiere of The Weir at the Royal Court in 1997 was the first of many works to bring Conor McPherson to the attention of the theatre-going public. Acclaimed plays followed, including Shining City, The Seafarer, The Night Alive and Girl from the North Country, garnering international acclaim and being regularly produced around the globe. McPherson has also had significant successes as a theatre director, film director and screenwriter, most notably, with his award-winning screenplay for I Went Down. This companion offers a detailed and engaging critical analysis of the plays and films of Conor McPherson. It considers issues of gender and class disparity, violence and wealth in the cultural and political contexts in which the work is written and performed, as well as the inclusion of song, sound, the supernatural, religious and pagan festive sensibilities through which initial genre perceptions are nudged elsewhere, towards the unconscious and ineffable. Supplemented by a number of contributed critical and performance perspectives, including an interview with Conor McPherson, this is a book to be read by theatre audiences, performance-makers and students who wish to explore, contextualize and situate McPherson's provocative, exquisite and generation-defining writings and performances.
| Author | : Christopher Murray |
| Publisher | : Syracuse University Press |
| Total Pages | : 292 |
| Release | : 2000-05-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780815606437 |
This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.
| Author | : Nicholas Grene |
| Publisher | : Oxford University Press |
| Total Pages | : 952 |
| Release | : 2016-07-28 |
| Genre | : Literary Criticism |
| ISBN | : 0191016349 |
The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, and looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting, and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the contributors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
| Author | : Patricia Burke Brogan |
| Publisher | : Salmon Publishing |
| Total Pages | : 104 |
| Release | : 1994 |
| Genre | : Drama |
| ISBN | : 9781897648346 |
"Historically compelling and vividly staged...alternately scalding and magical in its theatricality" -Los Angeles Times. This all-woman play is set in one of the old Mary Magdalen laundries run by an order of nuns. It tells the woeful tale of a group
| Author | : Nicholas Grene |
| Publisher | : |
| Total Pages | : 198 |
| Release | : 2019-12-19 |
| Genre | : English drama |
| ISBN | : 9781788748438 |
Since the late 1970s there has been a marked internationalization of Irish drama, with individual plays, playwrights, and theatrical companies establishing newly global reputations. This book reflects upon these developments, drawing together leading scholars and playwrights to consider the consequences that arise when Irish theatre travels abroad. Essays discuss some of Ireland's major theatre companies - Druid, the Abbey Theatre, Rough Magic, Blue Raincoat, Field Day and others - while also exploring the presence of Irish drama in the UK, the USA, Germany, and throughout Ireland. The volume also presents the views of key playwrights, featuring essays by Elizabeth Kuti and Ursula Rani Sarma, and including a new interview with Enda Walsh.
| Author | : Barry Houlihan |
| Publisher | : Springer Nature |
| Total Pages | : 279 |
| Release | : 2021-07-28 |
| Genre | : Performing Arts |
| ISBN | : 3030745481 |
This book presents new insights into the production and reception of Irish drama, its internationalisation and political influences, within a pivotal period of Irish cultural and social change. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland’s national theatre, the Abbey. Drawing on newly released and digitised archival records, this book argues for an inclusive historiography reflective of the formative impacts upon modern Irish theatre as recorded within marginalised performance histories. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. The book, framed by the device of ‘archival memory’, serves as a means for scholars and theatre-makers to inter-contextualise existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory.
| Author | : Alexandra Poulain |
| Publisher | : Springer |
| Total Pages | : 265 |
| Release | : 2017-01-19 |
| Genre | : Performing Arts |
| ISBN | : 1349949639 |
This book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name of modernity.
| Author | : Philip O'Leary |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 2021-10 |
| Genre | : |
| ISBN | : 9781782054580 |
There was no native tradition of theatre in Irish. Thus, language revivalists were forced to develop the genre ex nihilo if there was to be a Gaelic drama that was not entirely made up of translations. The earliest efforts to do so at the beginning of the 20th century were predictably clumsy at best, and truly dreadful at worst. Yet by the 1950s, a handful of Gaelic playwrights were producing plays in Irish worthy of comparison not only with those by their Irish contemporaries working in English but also with drama being produced elsewhere in Europe as well as in North America.
| Author | : Susan Cannon Harris |
| Publisher | : Edinburgh University Press |
| Total Pages | : 280 |
| Release | : 2017-06-23 |
| Genre | : Political Science |
| ISBN | : 1474424481 |
The first modern Irish playwrights emerged in London in the 1890s, at the intersection of a rising international socialist movement and a new campaign for gender equality and sexual freedom. Irish Drama and the Other Revolutions shows how Irish playwrights mediated between the sexual and the socialist revolutions, and traces their impact on left theatre in Europe and America from the 1890s to the 1960s. Drawing on original archival research, the study reconstructs the engagement of Yeats, Shaw, Wilde, Synge, O'Casey, and Beckett with socialists and sexual radicals like Percy Bysshe Shelley, William Morris, Edward Carpenter, Florence Farr, Bertolt Brecht, and Lorraine Hansberry.
