Inwardness and Theater in the English Renaissance

Inwardness and Theater in the English Renaissance
Author: Katharine Eisaman Maus
Publisher: University of Chicago Press
Total Pages: 240
Release: 1995-06
Genre: History
ISBN: 9780226511238

This text explores the perceived discrepancy between outward appearance and inward disposition which, it argues, influenced the work of many English Renaissance dramatists and poets. The author examines various connections between religious, legal, sexual and theatrical ideas of inward truth.

Painted Faces on the Renaissance Stage

Painted Faces on the Renaissance Stage
Author: Annette Drew-Bear
Publisher: Bucknell University Press
Total Pages: 158
Release: 1994
Genre: Drama
ISBN: 9780838752302

She also shows that in Renaissance comedy, playwrights exploited the many bawdy meanings of fucus, or cosmetic paint, to dramatize that "theres knauery in dawbing.".

Enacting Gender on the English Renaissance Stage

Enacting Gender on the English Renaissance Stage
Author: Viviana Comensoli
Publisher: University of Illinois Press
Total Pages: 284
Release: 1999
Genre: English drama
ISBN: 9780252067303

Collection of essays which engages debates over gender in the English Renaissance theater--Cover.

The Purpose of Playing

The Purpose of Playing
Author: Louis Montrose
Publisher: University of Chicago Press
Total Pages: 246
Release: 1996-06
Genre: Drama
ISBN: 9780226534831

Examines the role of Elizabethan drama in the shape of cultural belief, values, and understanding of political authority.

Memory and Forgetting in English Renaissance Drama

Memory and Forgetting in English Renaissance Drama
Author: Garrett A. Sullivan
Publisher: Cambridge University Press
Total Pages: 196
Release: 2005-09-29
Genre: Literary Criticism
ISBN: 1139446347

Engaging debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter providing a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice.

Entertaining Uncertainty in the Early Modern Theater

Entertaining Uncertainty in the Early Modern Theater
Author: Lauren Robertson
Publisher: Cambridge University Press
Total Pages: 269
Release: 2023-01-31
Genre: Literary Criticism
ISBN: 1009225154

Lauren Robertson shows how the commercial theater transformed early modernity's crisis of uncertainty into spectacular onstage display.

Architectural Rhetoric in Shakespeare and Spenser

Architectural Rhetoric in Shakespeare and Spenser
Author: Jennifer C. Vaught
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 240
Release: 2019-09-23
Genre: History
ISBN: 150151315X

Jennifer C. Vaught illustrates how architectural rhetoric in Shakespeare and Spenser provides a bridge between the human body and mind and the nonhuman world of stone and timber. The recurring figure of the body as a besieged castle in Shakespeare’s drama and Spenser’s allegory reveals that their works are mutually based on medieval architectural allegories exemplified by the morality play The Castle of Perseverance. Intertextual and analogous connections between the generically hybrid works of Shakespeare and Spenser demonstrate how they conceived of individuals not in isolation from the physical environment but in profound relation to it. This book approaches the interlacing of identity and place in terms of ecocriticism, posthumanism, cognitive theory, and Cicero’s art of memory. Architectural Rhetoric in Shakespeare and Spenser examines figures of the permeable body as a fortified, yet vulnerable structure in Shakespeare’s comedies, histories, tragedies, romances, and Sonnets and in Spenser’s Faerie Queene and Complaints.

Printing and Parenting in Early Modern England

Printing and Parenting in Early Modern England
Author: Douglas A. Brooks
Publisher: Routledge
Total Pages: 405
Release: 2017-05-15
Genre: Literary Criticism
ISBN: 1351908839

The relation between procreation and authorship, between reproduction and publication, has a long history - indeed, that relationship may well be the very foundation of history itself. The essays in this volume bring into focus a remarkably important and complex phase of this long history. In this volume, some of the most renowned scholars in the field persuasively demonstrate that during the early modern period, the awkward, incomplete transition from manuscript to print brought on by the invention of the printing press temporarily exposed and disturbed the epistemic foundations of English culture. As a result of this cultural upheaval, the discursive field of parenting was profoundly transformed. Through an examination of the literature of the period, this volume illuminates how many important conceptual systems related to gender, sexuality, human reproduction, legitimacy, maternity, kinship, paternity, dynasty, inheritance, and patriarchal authority came to be grounded in a range of anxieties and concerns directly linked to an emergent publishing industry and book trade. In exploring a wide spectrum of historical and cultural artifacts produced during the convergence of human and mechanical reproduction, of parenting and printing, these essays necessarily bring together two of the most vital critical paradigms available to scholars today: gender studies and the history of the book. Not only does this rare interdisciplinary coupling generate fresh and exciting insights into the literary and cultural production of the early modern period but it also greatly enriches the two critical paradigms themselves.

Othello and Interpretive Traditions

Othello and Interpretive Traditions
Author: Edward Pechter
Publisher: University of Iowa Press
Total Pages: 272
Release: 2012-02-01
Genre: Performing Arts
ISBN: 1587292971

During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear; like the characters in the play, we become trapped in our own prejudicial malice and guilt.