Invitation To The Theatre
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Author | : Donna Walker-Kuhne |
Publisher | : Theatre Communications Group |
Total Pages | : 188 |
Release | : 2005-01-01 |
Genre | : Performing Arts |
ISBN | : 1559366362 |
Acknowledged as the nation’s foremost expert on audience development involving America’s growing multicultural population by the Arts and Business Council, Donna Walker-Kuhne has now written the first book describing her strategies and methods to engage diverse communities as participants for arts and culture. By offering strategic collaborations and efforts to develop and sustain nontraditional audiences, this book will directly impact the stability and future of America’s cultural and artistic landscape. Donna Walker-Kuhne has spent the last 20 years developing and refining these principles with such success as both the Broadway and national touring productions of Bring in ’Da Noise, Bring in ’Da Funk, as well as transforming the audiences at one of the U.S.’s most important and visible arts institutions, New York’s Public Theater. This book is a practical and inspirational guide on ways to invite, engage and partner with culturally diverse communities, and how to enfranchise those communities into the fabric of arts and culture in the United States. Donna Walker-Kuhne is the president of Walker International Communications Group. From 1993 to 2002, she served as the marketing director for the Public Theater in New York, where she originated a range of audience-development activities for children, students and adults throughout New York City. Ms. Walker-Kuhne is an Adjunct Professor in marketing the arts at Fordham University, Brooklyn College and New York University. She was formerly marketing director for Dance Theatre of Harlem. Ms. Walker-Kuhne has given numerous workshops and presentations for arts groups throughout the U.S., including the Arts and Business Council, League of American Theaters and Producers, the Department of Cultural Affairs, and the National Endowment for Arts to name a few. She has been nominated for the Ford Foundation’s 2001 Leadership for a Changing World Fellowship.
Author | : George Riley Kernodle |
Publisher | : Houghton Mifflin Harcourt P |
Total Pages | : 490 |
Release | : 1985 |
Genre | : Family & Relationships |
ISBN | : 9780155469242 |
Author | : |
Publisher | : |
Total Pages | : 498 |
Release | : 1894 |
Genre | : Cipher and telegraph codes |
ISBN | : |
Author | : Member of the aristocracy |
Publisher | : |
Total Pages | : 234 |
Release | : 1889 |
Genre | : Letter writing |
ISBN | : |
Author | : Arthur Laurents |
Publisher | : Dramatists Play Service Inc |
Total Pages | : 80 |
Release | : 1961 |
Genre | : Drama |
ISBN | : 9780822205753 |
THE STORY: George Oppenheimer's brief summation: It skirts about the fairy story of Sleeping Beauty , but never settles for long in one mold. There is social comment on conformity and other failings of our modern civilization; there is satir
Author | : American Code and Cypher Company |
Publisher | : |
Total Pages | : 498 |
Release | : 1891 |
Genre | : Cipher and telegraph codes |
ISBN | : |
Author | : Jeffrey K. Coleman |
Publisher | : Northwestern University Press |
Total Pages | : 243 |
Release | : 2020-05-15 |
Genre | : Performing Arts |
ISBN | : 0810141876 |
The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage demonstrates how theatrical production in Spain since the early 1990s has reflected national anxieties about immigration and race. Jeffrey K. Coleman argues that Spain has developed a “necropolitical theater” that casts the non-European immigrant as fictionalized enemy—one whose nonwhiteness is incompatible with Spanish national identity and therefore poses a threat to the very Europeanness of Spain. The fate of the immigrant in the necropolitical theater is death, either physical or metaphysical, which preserves the status quo and provides catharsis for the spectator faced with the notion of racial diversity. Marginalization, forced assimilation, and physical death are outcomes suffered by Latin American, North African, and sub-Saharan African characters, respectively, and in these differential outcomes determined by skin color Coleman identifies an inherent racial hierarchy informed by the legacies of colonization and religious intolerance. Drawing on theatrical texts, performances, legal documents, interviews, and critical reviews, this book challenges Spanish theater to develop a new theatrical space. Jeffrey K. Coleman proposes a “convivial theater” that portrays immigrants as contributors to the Spanish state and better represents the multicultural reality of the nation today.
Author | : Jordan Tannahill |
Publisher | : Coach House Books |
Total Pages | : 161 |
Release | : 2015-05-11 |
Genre | : Social Science |
ISBN | : 177056411X |
How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)
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Total Pages | : 786 |
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Author | : James Albert Richards |
Publisher | : |
Total Pages | : 520 |
Release | : 1924 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |