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| Author | : Travis Miller |
| Publisher | : |
| Total Pages | : 154 |
| Release | : 2012-04-01 |
| Genre | : Automobile dealers |
| ISBN | : 9780985478209 |
The invasion is underway. The Profit Snatchers are here to destroy car businesses. Miller and Vee offer a simple solution to a serious syndrome: stop selling cars at low prices. They share their unique methods for building a profitable dealership.
| Author | : Victor Gold |
| Publisher | : Sourcebooks, Inc. |
| Total Pages | : 256 |
| Release | : 2008-04-01 |
| Genre | : Political Science |
| ISBN | : 1402247907 |
Victor Gold wants his party back. Gold is the former press aide to Barry Goldwater and the former speechwriter and senior advisor for George H. W. Bush. He is incensed that the Neo-Cons and the Evangelical Right have betrayed the ideals of the conservative cause. Now he's fighting back. A Republican insider for 40 years, Gold is ready to tell all about the war being waged for the GOP's soul, the elder Bush's opinion of his son's presidency, the significance of the Democratic resurgence, and how Goldwater would have reacted to it all. Among Gold's explosive disclosures is the truth about Cheney's manipulation of George W., and the chilling, puppet-like role of the President amongst Neo- and Theo-Conservatives. "Entertaining, provocative . . . Mr. Gold is on to something." —The Washington Times "For those disillusioned with the state of the GOP, this quick, uncompromising polemic provides substantial support, along with a large dose of cold comfort." —Publishers Weekly "Like his political mentor Barry Goldwater, Gold pulls no verbal punches in telling the story of how the Bush–Cheney White House has made a mockery of the conservative values it claims to uphold." —Frank Mankiewicz, former press secretary to Robert Kennedy and George McGovern's campaign manager "Victor Gold unleashes a bitter yet comic blend of ferocity and ridicule at the neo-conservatives and theocrats who have taken over his party." —Jules Witcover
| Author | : Ralph Blum |
| Publisher | : Other Press, LLC |
| Total Pages | : 305 |
| Release | : 2010 |
| Genre | : Health & Fitness |
| ISBN | : 1590513428 |
Looks at the effectiveness of the prostatectomy and surveys the latest research in prostate cancer managment.
| Author | : Adam Witty |
| Publisher | : Advantage Media Group |
| Total Pages | : 184 |
| Release | : 2013-10 |
| Genre | : Business & Economics |
| ISBN | : 1599324075 |
"Inside these pages, you'll discover nine exciting, different ways to make money and advance your career, business or cause by being the author of a book."--Back cover.
| Author | : Blair Davis |
| Publisher | : Rutgers University Press |
| Total Pages | : 275 |
| Release | : 2012-04-06 |
| Genre | : Performing Arts |
| ISBN | : 0813553245 |
The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios. In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come.
| Author | : Don Siegel |
| Publisher | : Rutgers Films in Print |
| Total Pages | : 230 |
| Release | : 1989 |
| Genre | : Performing Arts |
| ISBN | : 9780813514611 |
Invasion of the Body Snatchers (1956) is a low-budget science fiction film that has become a classic. The suspense of the film lies in discovering, along with Miles, the central character (played by Kevin McCarthy), who is "real" and who is not, and whether Miles and Becky (played by Dana Wynter) will escape the pod takeover. As the center of the film moves outward from a small-town group of neighbors to the larger political scene and institutional network (of police, the FBI, hospital workers), the ultimate question is whether "they" have taken over altogether. Although Invasion can be interpreted in interesting ways along psychological and feminist lines, its importance as a text has centered primarily on political and sociological readings. In his introduction to this volume, Al LaValley explores the politics of the original author of the magazine serial story on which the film is based, Don Siegel; and of its screenwriter, Daniel Mainwaring. And he looks at the ways the studio (Allied Artists) tried to neutralize certain readings by tacking on an explanatory frame story. The commentary section includes readings by Stephen King, Peter Biskind, Nora Sayre, and Peter Bogdanovich. A section of postproduction documents reproduced here (many for the first time) includes many written by Wanger and Siegel. The volume also contains two previously unpublished framing scripts written for Orson Welles. For students and individual enthusiasts, the contextual materials are particularly interesting in showing how crucial the postproduction history of a film can be. A filmography and bibliography are also included in the volume. Al LaValley is the director of film studies at Dartmouth. He is the author of many articles on film and editor of Mildred Pierce in the Wisconsin screenplay series.
| Author | : Jarrod Wiener |
| Publisher | : Springer |
| Total Pages | : 204 |
| Release | : 2016-07-27 |
| Genre | : Political Science |
| ISBN | : 1349251577 |
The Transatlantic Relationship , written by a group of experts drawn from both sides of the Atlantic, examines the security, trade, and cultural aspects of the United States - European Union relationship. It focuses in particular on the politics of alliance reconfigurations, especially with regard to NATO, the NACC, and the OSCE; the new issues in the new World Trade Organization; the structural factors affecting NAFTA-EU relations; and the cultural dimensions of the relationship.
| Author | : David J. Hogan |
| Publisher | : McFarland |
| Total Pages | : 267 |
| Release | : 2017-10-26 |
| Genre | : Performing Arts |
| ISBN | : 0786499044 |
With the queasy U.S.-Soviet wartime alliance long dissolved into mutual suspicion, the House Un-American Activities Committee launched aggressive investigations of alleged communist activity in the Hollywood film industry in 1947--and again in 1951. Studio chiefs, terrified of scandal, scrambled to display their patriotism by producing anti-communist films, from melodramas to thrillers to animated cartoons. Twenty-one lively new essays by film historians examine the aesthetics and politics of more than 40 remarkable films of the McCarthy era and the chauvinism that spawned them.
| Author | : Steven Sanders |
| Publisher | : University Press of Kentucky |
| Total Pages | : 241 |
| Release | : 2007-12-14 |
| Genre | : Performing Arts |
| ISBN | : 0813172810 |
The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.
