Introduction To Philosophy Thinking And Poetizing
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| Author | : Martin Heidegger |
| Publisher | : |
| Total Pages | : 112 |
| Release | : 2011-01-11 |
| Genre | : Literary Criticism |
| ISBN | : |
Introduction to Philosophy presents Heidegger's final lecture course given at the University of Freiburg in 1944 before he was drafted into the German army. While the lecture is incomplete, Heidegger provides a clear and provocative discussion of the relation between philosophy and poetry by analyzing Nietzsche's poetry. Here, Heidegger explores themes such as the home and homelessness, the age of technology, globalization, postmodernity, the philosophy of poetry and language, aesthetics, and the role of philosophy in society.
| Author | : Martin Heidegger |
| Publisher | : Indiana University Press |
| Total Pages | : 139 |
| Release | : 2012-06-22 |
| Genre | : Philosophy |
| ISBN | : 0253008956 |
The philosopher presents a stimulating overview of his work, its intellectual roots, and its relationship to the work of other twentieth century thinkers. In Four Seminars, Heidegger reviews the entire trajectory of his thought and offers unique perspectives on fundamental aspects of his work. First published in French in 1976, these seminars were translated into German with Heidegger’s approval and reissued in 1986 as part of his Gesamtausgabe, volume 15. Topics considered include the Greek understanding of presence, the ontological difference, the notion of system in German Idealism, the power of naming, the problem of technology, danger, and the event. Heidegger’s engagements with his philosophical forebears—Parmenides, Heraclitus, Kant, and Hegel—continue in surprising dialogues with his contemporaries—Husserl, Marx, and Wittgenstein. While providing important insights into how Heidegger conducted his lectures, these seminars show him in his maturity, reflecting back on his philosophical path.
| Author | : Martin Heidegger |
| Publisher | : Indiana University Press |
| Total Pages | : 308 |
| Release | : 2014-09-16 |
| Genre | : Philosophy |
| ISBN | : 0253014301 |
“Translated with skill and precision, these lectures . . . present the most penetrating analysis of two of Hölderlin’s most significant hymns” (Choice). Martin Heidegger’s 1934–1935 lectures on Friedrich Hölderlin’s hymns “Germania” and “The Rhine” are considered the most significant among Heidegger’s lectures on Hölderlin. Coming at a crucial time in his career, the text illustrates Heidegger’s turn toward language, art, and poetry while reflecting his despair at his failure to revolutionize the German university and his hope for a more profound revolution through the German language, guided by Hölderlin’s poetry. These lectures are important for understanding Heidegger’s changing relation to politics, his turn toward Nietzsche, his thinking about the German language, and his breakthrough to a new kind of poetic thinking. “[This translation], including a clear and concise introduction and useful glossaries, attains both accuracy and clarity, rarely faltering in its choice of words.” —Notre Dame Philosophical Reviews
| Author | : Martin Heidegger |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 239 |
| Release | : 2005-03-01 |
| Genre | : Philosophy |
| ISBN | : 1441199810 |
The Essence of Human Freedom is a fundamental text for understanding Heidegger's view of Greek philosophy and its relationship to modern philosophy. These previously untranslated lectures were delivered by Heidegger at the University of Freiburg in the summer of 1930.
| Author | : Martin Heidegger |
| Publisher | : Livraria Press |
| Total Pages | : 624 |
| Release | : 1962-01-01 |
| Genre | : Philosophy |
| ISBN | : 3989882902 |
A new 2024 translation of Martin Heidegger's major work "Being and Time" (Sein und Zeit), originally published in 1927 in multiple publications. This edition contains a new afterword by the Translator, a timeline of Heidegger's life and works, a philosophic index of core Heideggerian concepts and a guide for terminology across 19th and 20th century Existentialists. This translation is designed for readability and accessibility to Heidegger's enigmatic and dense philosophy. Complex and specific philosophic terms are translated as literally as possible and academic footnotes have been removed to ensure easy reading. Being and Time presents a complex philosophical discourse on the nature of being (Sein) and time (Zeit), focusing in particular on the temporal-existentialist concept of Dasein, a term that combines the German words for "to be" (sein) and "there" (da). This classic philosophic work examines the traditional metaphysical understanding of being, arguing that this understanding, typically based on the idea of a constant presence, fails to account for the temporal and existential dimensions of being. Heidegger proposes that an understanding of being requires an analysis of Dasein, which is characterized not only by its existence, but also by its being in the world and its temporal existence. The concept of Dasein is central to the his argument, emphasizing that Dasein is always already situated in a world, and its understanding of being is shaped by its temporal existence. This perspective challenges traditional metaphysical notions of being as static and unchanging, proposing instead that being is fundamentally temporal and connected to human existence and understanding. As the title suggests, Heidegger sees the question of Being as indistinguishable from Time, arguing that Newtonian conceptions of time as a series of now-points are inadequate for understanding the being of Dasein. His Ontochronology argues that the existential and ontological analysis of Dasein reveals a more fundamental concept of time, one that is integral to the structure of Being itself. The text further elaborates on the idea of "thrownness" and several other existentialist themes. Thrownness is one of the three conditions that signifies Dasein's immersion in the world, where it finds itself already entangled in a web of relations and meanings. This "thrownness", combined with Dasein's inherent being-toward-death, underscores the existential condition of human beings, framing their existence as a continual engagement with their own finitude and the possibilities of their being. Heidegger posits that understanding the nature of being requires a fundamental rethinking of both being and time, dogmatically stating that the true nature of being can only be grasped through an understanding of the temporality that characterizes the existence of being.
| Author | : Martin Heidegger |
| Publisher | : Indiana University Press |
| Total Pages | : 130 |
| Release | : 2018-09-28 |
| Genre | : Philosophy |
| ISBN | : 0253035880 |
“This faithful and readable translation . . . serves as a critical orientation to interpreting Heidegger’s later thought” inspired by Hölderlin’s poetry (Christopher D. Merwin, Emory University). Over the course of 1941–42, Martin Heidegger delivered a lecture course on Friedrich Hölderlin’s hymn, “Remembrance.” Immediately following his confrontation with Nietzsche, it lays out a detailed plan for the interpretation of Hölderlin’s poetry in which remembrance is a central concern. With its emphasis on the “free use of the national” and the “holy of the fatherland,” the course marks an important progression in Heidegger’s political thought. In addition to its startlingly innovative analyses of greeting, the festive, and the dream, the text provides Heidegger’s fullest elaboration of the structure of commemorative thinking in relationship to time and the possibility of an “other beginning.” This English translation by William McNeill and Julia Ireland completes the series of Heidegger’s major lecture courses on Hölderlin.
| Author | : J.J. Kockelmans |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 261 |
| Release | : 2012-12-06 |
| Genre | : Philosophy |
| ISBN | : 9400950675 |
This book grew from a series of lectures presented in 1983 in the context of the Summer Program in Phenomenology at The Pennsylvania State University. For these lectures I made use of notes and short essays which I had written between 1978 and 1982 during interdisciplinary seminars on Heidegger's later philosophy in general, and on his philosophy of language and art in particular. The participants in these seminars consisted of faculty members and graduate students concerned with the sciences, the arts, literature, literary criticism, art history, art education, and philosophy. On both occasions I made a special effort to introduce those who did not yet have a specialized knowledge of Heidegger's philosophy, to his later way of thinking. In this effort I was guided by the conviction that we, as a group, had to aim for accuracy, precision, clarity, faithfulness, and depth, while at the same time taking distance, comparing Heidegger's views with ideas of other philosophers and thinkers, and cultivat ing a proper sense of criticism. Over the years it has become clear to me that among professional philoso phers, literary critics, scholars concerned with art history and art education, and scientists from various disciplines, there are many who are particularly interested in "Heidegger's philosophy of art". I have also become convinced that many of these dedicated scholars often have difficulty in understanding Heidegger's lectures on art and art works. This is understandable.
| Author | : Martin Heidegger |
| Publisher | : Indiana University Press (Ips) |
| Total Pages | : 224 |
| Release | : 1994-06-22 |
| Genre | : Philosophy |
| ISBN | : |
First published in German in 1984 as volume 45 of Martin Heidegger's collected works, this book is the first English translation of a lecture course he presented at the University of Freiburg in 1937–1938. Heidegger's task here is to reassert the question of the essence of truth, not as a "problem" or as a matter of "logic," but precisely as a genuine philosophical question, in fact the one basic question of philosophy. Thus, this course is about the essence of truth and the essence of philosophy. On both sides Heidegger draws extensively upon the ancient Greeks, on their understanding of truth as aletheia and their determination of the beginning of philosophy as the disposition of wonder. In addition, these lectures were presented at the time that Heidegger was composing his second magnum opus, Beiträge zur Philosophie, and provide the single best introduction to that complex and crucial text.
| Author | : Jennifer Anna Gosetti-Ferencei |
| Publisher | : Fordham Univ Press |
| Total Pages | : 338 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 9780823223602 |
Gosetti-Ferencei argues that Heidegger has overlooked central elements in Hlderlin's poetics, such as a Kantian understanding of aesthetic subjectivity and a commitment to Enlightenment ideals. These elements, she argues, resist the more politically distressing aspects of Heidegger's interpretations, including Heidegger's nationalist valorization of the German language and sense of nationhood, or Heimat.
| Author | : Martin Heidegger |
| Publisher | : Indiana University Press |
| Total Pages | : 192 |
| Release | : 1998-07-22 |
| Genre | : Philosophy |
| ISBN | : 9780253212146 |
Parmenides, a lecture course delivered by Martin Heidegger at the University of Freiburg in 1942-1943, presents a highly original interpretation of ancient Greek philosophy. A major contribution to Heidegger's provocative dialogue with the pre-Socratics, the book attacks some of the most firmly established conceptions of Greek thinking and of the Greek world. The central theme is the question of truth and the primordial understanding of truth to be found in Parmenides' "didactic poem." Heidegger highlights the contrast between Greek and Roman thought and the reflection of that contrast in language. He analyzes the decline in the primordial understanding of truth—and, just as importantly, of untruth—that began in later Greek philosophy and that continues, by virtue of the Latinization of the West, down to the present day. Beyond an interpretation of Greek philosophy, Parmenides (volume 54 of Heidegger's Collected Works) offers a strident critique of the contemporary world, delivered during a time that Heidegger described as "out of joint."
