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| Author | : David Sylvester |
| Publisher | : Yale University Press |
| Total Pages | : 414 |
| Release | : 2001-01-01 |
| Genre | : Art |
| ISBN | : 9780300092042 |
This astounding book includes 21 interviews, recorded over the past 40 years, with leading American artists. Together they illuminate all the great developments in American art. Here are the views of David Smith, Richard Serra, Willem de Kooning, Barnett Newman, Franz Kline, Philip Guston, Robert Rauschenberg, and others.
| Author | : Robert Storr |
| Publisher | : eBook Partnership |
| Total Pages | : 1405 |
| Release | : 2021-11-23 |
| Genre | : Art |
| ISBN | : 1912122561 |
'Interviews' collates, in a single volume, the major body of interviews conducted by the revered American critic and curator Robert Storr, encompassing engaging discussions with some of the most renowned names in the artworld over the last two centuries. The book features nearly 30 illustrated interviews with artists and curators, including Gerhard Richter,Alex Katz, Chuck Close, Richard Serra, Gabriel Orozco, Elizabeth Murray, Harald Szleeman, Catherine David and Mike Kelley.The introduction by art historian and curator Francesca Pietropaolo precedes a conversation between herself and Storr in which they dissect the interview as a medium: discussing the ethics involved, the notion of technique and approach, alongside the limitations and difficulties of the process. 'Interviews' presents an important, stimulating chronicle of Storr's most essential discussions with an esteemed cast of interviewees.
| Author | : Illuminations |
| Publisher | : A&C Black |
| Total Pages | : 134 |
| Release | : 2002-01-01 |
| Genre | : Art |
| ISBN | : 9780826463708 |
Art Now is a series of interview-based profiles of prominent contemporary visual artists, bringing together the work of Howard Hodgkin, Antony Gormley, Rachel Whiteread, Julian Opie, Mark Wallinger, and 2001 Turner Prize winner Martin Creed.Sandy Nairne's introductory essay offers a comprehensive overview of the state of contemporary art, highlighting how the six artists manifest some of the best recent and emerging art in Britain today. Each interview presents a thought-provoking survey of the artist's work and ideas and offers a rare and personal insight into their influences and creative processes. Art Now is an excellent introduction to some of today's most important contemporary artists and provides an accessible way to engage with the pleasures and puzzles of art in the twenty-first century.
| Author | : John Gruen |
| Publisher | : A Cappella Books (IL) |
| Total Pages | : 344 |
| Release | : 1991 |
| Genre | : Architecture |
| ISBN | : |
Interviews with twenty-eight prominent artists reveal the influences that have inspired them as they each strive to forge their own individual style.
| Author | : Mindy N. Besaw |
| Publisher | : University of Arkansas Press |
| Total Pages | : 225 |
| Release | : 2018-10-24 |
| Genre | : Art |
| ISBN | : 1682260801 |
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigating the themes of transculturalism and pan-Indian identity, traditional practices conducted in radically new ways, displacement, forced migration, shadow histories, the role of personal mythologies as a means to reimagine the future, and much more. As both a survey of the development of Indigenous art from the 1950s to the present and a consideration of Native artists within contemporary art more broadly, Art for a New Understanding expands the definition of American art and sets the tone for future considerations of the subject. It is an essential publication for any institution or individual with an interest in contemporary Native American art, and an invaluable resource in ongoing scholarly considerations of the American contemporary art landscape at large.
| Author | : Amaranth Borsuk |
| Publisher | : MIT Press |
| Total Pages | : 346 |
| Release | : 2018-05-04 |
| Genre | : Literary Criticism |
| ISBN | : 0262346893 |
The book as object, as content, as idea, as interface. What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately. Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term “book” commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.
| Author | : William Deresiewicz |
| Publisher | : Henry Holt and Company |
| Total Pages | : 336 |
| Release | : 2020-07-28 |
| Genre | : Art |
| ISBN | : 1250125529 |
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
| Author | : Katie Holten |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Artists' books |
| ISBN | : 9783943196306 |
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
| Author | : Lord K2 |
| Publisher | : Dokument Forlag |
| Total Pages | : 144 |
| Release | : 2022-04-15 |
| Genre | : Art |
| ISBN | : 9789188369697 |
The birthplace of graffiti, New York City, has evolved into a global center for street art. Its public surfaces host a range of media from handmade stickers and wheatpastes to huge installations and murals. Artists from across the globe routinely travel to New York City to grace its walls as they refashion the city into one huge never-ending unofficial street art festival. Among these are such contemporary urban legends as D'Face, Banksy, Os Gemeos, Case, MaClaim, Invader, Stik and Faith 47. Street Art NYC showcases both sanctioned and unsanctioned works captured in the course of a transformative decade that saw the emergence of over a dozen distinctly engaging projects. The hugely popular Bushwick Collective, L.I.S.A Project NYC and Welling Court Mural Project are highlighted with introductory essays. Local community-based projects and festivals, as well as those responding to specific environmental and social issues, are also represented. Banksy's one month 2013 residency, Better Out than In is documented with words and images. And homage is paid to the legendary 5 Pointz graffiti and street art mecca. Street Art NYC is is a beautifully designed hardcover book. The full color photographs by Lord K2 captures the art in the city, printed on thick coated paper, and Lois Stavsky's text provides the context. This is the only book to spotlight the transformational decade that marked the shift from largely unsanctioned to widely curated street art throughout New York City's five boroughs. This book is a collaboration between Lord K2, an award-winning photographer and curator of the online Museum of Urban Art and Lois Stavsky, a noted street art documentarian and editor of the popular blog, Street Art NYC.
| Author | : Maya Lin |
| Publisher | : Simon and Schuster |
| Total Pages | : 231 |
| Release | : 2016-04-26 |
| Genre | : Art |
| ISBN | : 1501146564 |
Renowned artist and architect Maya Lin's visual and verbal sketchbook—a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
