Interrupted Narratives And Intersectional Representations In Italian Postcolonial Literature
Download Interrupted Narratives And Intersectional Representations In Italian Postcolonial Literature full books in PDF, epub, and Kindle. Read online free Interrupted Narratives And Intersectional Representations In Italian Postcolonial Literature ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Caterina Romeo |
Publisher | : Springer Nature |
Total Pages | : 281 |
Release | : 2023-01-17 |
Genre | : Literary Criticism |
ISBN | : 3031100433 |
This book argues for the importance of adopting a postcolonial perspective in analysing contemporary Italian culture and literature. Originally published in Italian in 2018 as Riscrivere la nazione: La letteratura italiana postcoloniale, this new English translation brings to light the connections between the present, the colonial past and the great historical waves of international and intranational migration. By doing so, the book shows how a sense of Italian national identity emerged, at least in part, as the result of different migrations and why there is such a strong resistance in Italy to extending the privilege of italianità, or Italianness, to those who have arrived on Italian soil in recent years. Exploring over 100 texts written by migrant and second-generation writers, the book takes an intersectional approach to understanding gender and race in Italian identity. It connects these literary and cultural contexts to the Italian colonial past, while also looking outwards to a more diffuse postcolonial condition in Europe.
Author | : Caterina Romeo |
Publisher | : Taylor & Francis |
Total Pages | : 159 |
Release | : 2024-08-16 |
Genre | : Literary Criticism |
ISBN | : 1040112080 |
This book questions Italian “white innocence” and examines the specificity of Italian racial discourse through the analysis of different kinds of texts and representations. Intersectionality – a theoretical and methodological approach focusing on the multidimensional discrimination that individuals and groups experience based on their race, color, gender, and other axes of oppression – has only recently been embraced as an effective methodology in Italy, whose national identity is structured around the “chromatic norm” of whiteness. The categories of race and color have been almost absent in post-war public debate as well as in scholarly discourse. Feminist movements and theoreticians have mostly placed gender at the core of their analyses, leaving white privilege unchallenged and undertheorized. Colonial and postcolonial studies have linked present-day racism to Italian colonialism, thus shedding light on contemporary incarnations of Empire. In this volume, the authors adopt an intersectional methodology to question Italian “white innocence” and to examine the specificity of Italian racial discourse through the analysis of different kinds of texts and representations. The volume also includes two interviews with writers and intellectuals Djarah Kan and Leaticia Ouedraogo, who discuss how they articulate concepts of intersectionality, Blackness, white privilege, and structural racism in Italian contemporary culture and society. The book will be of great significance to students, researchers and scholars of Migration and Postcolonial Studies interested in gender, class, and racial identity. The chapters in this book were originally published as a special issue of the Journal of Postcolonial Writing.
Author | : Manuela D'Amore |
Publisher | : Springer Nature |
Total Pages | : 321 |
Release | : 2023-10-29 |
Genre | : Literary Criticism |
ISBN | : 3031354389 |
This volume studies the literary voices of the Italian diaspora in Britain, including 21 authors and 34 pieces of prose, verse, and drama. This book shows how authors both recount the history of the migrant community in the period 1880-1980 while creatively experimenting with hybrid forms of expression and blending words with visuals. Literary Voices of the Italian Diaspora in Britain discusses topical issues like migration and social integration, cultures and foods in transition, as well as plurilingualism. The book pays special attention to discussions of the horrors of the Second World War – especially on the tragedy of the Arandora Star (2nd July 1940) – to show this literary community’s political commitments. More importantly, it will begin to fill the void left by a critical tradition which has only appreciated the northern American and Australian branches of Italian writing.
Author | : Edvige Giunta |
Publisher | : New Village Press |
Total Pages | : 309 |
Release | : 2022-03-22 |
Genre | : Social Science |
ISBN | : 161332152X |
Candid and intimate accounts of the factory-worker tragedy that shaped American labor rights On March 25, 1911, a fire broke out on the eighth floor of the Asch Building in Greenwich Village, New York. The top three floors housed the Triangle Waist Company, a factory where approximately 500 workers, mostly young immigrant women and girls, labored to produce fashionable cotton blouses, known as “waists.” The fire killed 146 workers in a mere 15 minutes but pierced the perpetual conscience of citizens everywhere. The Asch Building had been considered a modern fireproof structure, but inadequate fire safety regulations left the workers inside unprotected. The tragedy of the fire, and the resulting movements for change, were pivotal in shaping workers' rights and unions. A powerful collection of diverse voices, Talking to the Girls: Intimate and Political Essays on the Triangle Fire brings together stories from writers, artists, activists, scholars, and family members of the Triangle workers. Nineteen contributors from across the globe speak of a singular event with remarkable impact. One hundred and eleven years after the tragic incident, Talking to the Girls articulates a story of contemporary global relevance and stands as an act of collective testimony: a written memorial to the Triangle victims.
Author | : Kym Ragusa |
Publisher | : W. W. Norton & Company |
Total Pages | : 184 |
Release | : 2006-05-17 |
Genre | : Biography & Autobiography |
ISBN | : 0393609553 |
Finalist for the Hurston-Wright Legacy Award for Nonfiction A memoir of astonishing delicacy and strength about race and physical beauty. Kym Ragusa’s stunningly beautiful, brilliant African American mother turned heads as she strolled the streets of West Harlem. Ragusa’s white, working-class, Sicilian American father, who grew up only a few streets away in Italian East Harlem, had never seen anything like her. At home, their families despaired at the match, while in the streets the couple faced taunting threats from a city still racially divided. From their volatile, short-lived pairing came a sensitive child with a filmmaker’s observant eye and the intangible gifts of an exceptional writer. Both Italian American and African American, she struggled to find a place for herself as she grew, and, in this book, she brings to life the two families and the warring, but ultimately similar, communities that defined her. Through the stories and memories of her maternal ancestors, Ragusa explores her black family’s history, from her great-great-great-great-grandmother, who escaped from slavery in the South, to her grandmother, a journalist for the society columns of black newspapers, to her glamorous mother, who became a fashion model in Europe. Entwined with these are the stories of Ragusa’s paternal ancestors: her iron-willed great-grandmother, who came to New York from a small village in the mountains of Calabria; her grandmother, the first to be born in America, who struggled to fit in both in her Italian community and later in the American suburbs; and, finally, Ragusa’s father, a Vietnam veteran. At the center of the memoir are her two powerful grandmothers, who gave her the love and stability to grow into her own skin. Eventually, their shared care for their granddaughter forced them to overcome their prejudices. East and West Harlem, the Bronx and suburban New Jersey, rent parties and religious feste, baked yams and baked ziti—all come vividly to life in Ragusa’s sensuous memories and lyrical prose, as she evokes the joy, the pain, and the inexhaustible richness of a racially and culturally mixed heritage.
Author | : Nina Lykke |
Publisher | : Routledge |
Total Pages | : 544 |
Release | : 2010-04-05 |
Genre | : Social Science |
ISBN | : 1136978984 |
In this book, feminist scholar Nina Lykke highlights current issues in feminist theory, epistemology and methodology. Combining introductory overviews with cutting-edge reflections, Lykke focuses on analytical approaches to gendered power differentials intersecting with other processes of social in/exclusion based on race, class, and sexuality. Lykke confronts and contrasts classical stances in feminist epistemology with poststructuralist and postconstructionist feminisms, and also brings bodily materiality into dialogue with theories of the performativity of gender and sex. This thorough and needed analysis of the state of Feminist Studies will be a welcome addition to scholars and students in Gender and Women’s Studies and Sociology.
Author | : Anne Mcclintock |
Publisher | : Routledge |
Total Pages | : 544 |
Release | : 2013-10-01 |
Genre | : Art |
ISBN | : 1135209103 |
Imperial Leather chronicles the dangerous liaisons between gender, race and class that shaped British imperialism and its bloody dismantling. Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.
Author | : Mario Badagliacca |
Publisher | : Liverpool University Press |
Total Pages | : 112 |
Release | : 2021-10-13 |
Genre | : Photography |
ISBN | : 1800857284 |
Italy is Out is the fruit of the collaboration between Mario Badagliacca, the established documentary photographer, and the research team of ‘Transnationalizing Modern Languages: Mobility, Identity and Translation in Modern Italian Cultures’ (2014-16). This ARHC-funded project explored the implications of Italian migration in a global perspective tracing cultural transformations across borders, generations, and language. Badagliacca visited some of the project’s key locations conducting interviews with Italians or people of Italian descent before photographing them in familiar locations. The subjects of the portraits were invited to bring along three objects representing their attachment to Italy. The sheer variety of the objects which appear alongside the portraits suggest the diversity of the migrant experience. Photographs shot in London, New York, and Buenos Aires feature members of the historical Italian community, but also first generation migrants in search of opportunities not offered at home. A similar complexity emerges, more unexpectedly, in the postcolonial Italian communities of Tunis and Addis Abeba. The photographs are accompanied by essays written by members of the research team and people who have in some way participated in the project. Fiction, autobiography and academic reflection sit side by side adding to Badagliacca’s multifaceted exploration of Italians abroad.
Author | : Alison Bechdel |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 303 |
Release | : 2012-05-01 |
Genre | : Comics & Graphic Novels |
ISBN | : 0547524366 |
The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem
Author | : Lisa Sarti |
Publisher | : Rowman & Littlefield |
Total Pages | : 233 |
Release | : 2017-03-23 |
Genre | : Literary Criticism |
ISBN | : 1683930290 |
This collection draws on cutting-edge work that crosses traditional disciplinary boundaries to offer new perspectives on the importance of visuality and the imagination in the work of Luigi Pirandello, the great Italian modernist. The volume re-examines traditional critical notions central to the study of Pirandello by focusing on the importance of the visual imagination in his poetics and aesthetics, an area of multimedia investigation which has not yet received ample attention in English-language books. Putting scholarship on Pirandello in conversation with new work on the multimedia dimensions of modernism, the volume examines how Pirandello worked across and was adapted through multiple media. It also brings Pirandello into a cross-disciplinary dialogue with new approaches to Italian cultural studies to show how his work remains relevant to scholarly conversations across the field. The essays in this collection highlight the ways in which Pirandello is engaged not only in literature and theatre but also in the visual arts, film, and music. At the same time, they emphasize the ways in which this multimedia creativity enables Pirandello to pursue complex philosophical thoughts, and how scholars’ interpretation of his works can provide new insights into problems facing us today. Crossing from aesthetics and a study of modernist notions of creative imagination into studies of multimedia works and adaptations, the volume argues that Pirandello should be understood as a thinker in images whose legacy can be felt across the arts and into the realm of 21st-century theories of literary cognition.