Interpreting The Moving Image
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Author | : Noel Carroll |
Publisher | : Cambridge University Press |
Total Pages | : 396 |
Release | : 1998-05-28 |
Genre | : Performing Arts |
ISBN | : 9780521589703 |
A collection of film essays by the well-respected critic, Noël Carroll.
Author | : Cary Bazalgette |
Publisher | : |
Total Pages | : 64 |
Release | : 2000-01-01 |
Genre | : Education, Secondary |
ISBN | : 9780851708317 |
Author | : Noël Carroll |
Publisher | : Oxford University Press |
Total Pages | : 417 |
Release | : 2021 |
Genre | : Performing Arts |
ISBN | : 0190683309 |
"This book is a selection of essays by Noël Carroll at the intersection of film and TV and major divisions of philosophy including metaphysics, epistemology, ethics, politics, and aesthetics"--
Author | : Guy Lindsay Scott |
Publisher | : Pitman Publishing |
Total Pages | : 130 |
Release | : 1988 |
Genre | : Computers |
ISBN | : |
Author | : Noël Carroll |
Publisher | : John Wiley & Sons |
Total Pages | : 432 |
Release | : 2009-02-09 |
Genre | : Philosophy |
ISBN | : 140515201X |
Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout
Author | : Christopher Bolton |
Publisher | : U of Minnesota Press |
Total Pages | : 339 |
Release | : 2018-02-20 |
Genre | : Performing Arts |
ISBN | : 1452956847 |
For students, fans, and scholars alike, this wide-ranging primer on anime employs a panoply of critical approaches Well-known through hit movies like Spirited Away, Akira, and Ghost in the Shell, anime has a long history spanning a wide range of directors, genres, and styles. Christopher Bolton’s Interpreting Anime is a thoughtful, carefully organized introduction to Japanese animation for anyone eager to see why this genre has remained a vital, adaptable art form for decades. Interpreting Anime is easily accessible and structured around individual films and a broad array of critical approaches. Each chapter centers on a different feature-length anime film, juxtaposing it with a particular medium—like literary fiction, classical Japanese theater, and contemporary stage drama—to reveal what is unique about anime’s way of representing the world. This analysis is abetted by a suite of questions provoked by each film, along with Bolton’s incisive responses. Throughout, Interpreting Anime applies multiple frames, such as queer theory, psychoanalysis, and theories of postmodernism, giving readers a thorough understanding of both the cultural underpinnings and critical significance of each film. What emerges from the sweep of Interpreting Anime is Bolton’s original, articulate case for what makes anime unique as a medium: how it at once engages profound social and political realities while also drawing attention to the very challenges of representing reality in animation’s imaginative and compelling visual forms.
Author | : Noel Carroll |
Publisher | : Yale University Press |
Total Pages | : 448 |
Release | : 2008-10-01 |
Genre | : Performing Arts |
ISBN | : 0300133073 |
Noël Carroll, a brilliant and provocative philosopher of film, has gathered in this book eighteen of his most recent essays on cinema and television—what Carroll calls “moving images.” The essays discuss topics in philosophy, film theory, and film criticism. Drawing on concepts from cognitive psychology and analytic philosophy, Carroll examines a wide range of fascinating topics. These include film attention, the emotional address of the moving image, film and racism, the nature and epistemology of documentary film, the moral status of television, the concept of film style, the foundations of film evaluation, the film theory of Siegfried Kracauer, the ideology of the professional western, and films by Sergei Eisenstein and Yvonne Rainer. Carroll also assesses the state of contemporary film theory and speculates on its prospects. The book continues many of the themes of Carroll’s earlier work Theorizing the Moving Image and develops them in new directions. A general introduction by George Wilson situates Carroll’s essays in relation to his view of moving-image studies.
Author | : Adrian J. Ivakhiv |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 433 |
Release | : 2013-10-07 |
Genre | : Performing Arts |
ISBN | : 1554589061 |
This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.
Author | : Mario Slugan |
Publisher | : Bloomsbury Publishing |
Total Pages | : 233 |
Release | : 2019-01-30 |
Genre | : Performing Arts |
ISBN | : 1786725401 |
Noël Carroll is one of the most prolific, widely-cited and distinguished philosophers of art, but how, specifically, has cinema impacted his thought? This book, one of the first in the acclaimed 'Film Thinks' series, argues that Carroll's background in both cinema and philosophy has been crucial to his overall theory of aesthetics. Often a controversial figure within film studies, as someone who has assertively contested the psychoanalytic, semiotic and Marxist cornerstones of the field, his allegiance to alternative philosophical traditions has similarly polarised his readership. Mario Slugan proposes that Carroll's defence of the notions of truth and objectivity provides a welcome antidote to 'anything goes' attitudes and postmodern scepticism towards art and popular culture, including film. Carroll's thinking has loosened the grip of continental philosophers on cinema studies - from Maurice Merleau-Ponty to Gilles Deleuze and Jacques Lacan - by turning to cognitive and analytical approaches. Slugan goes further to reveal that Carroll's methods of evaluation and interpretation in fact, usefully bridge gaps between these `opposing' sides, to look at artworks anew. Throughout, Slugan revisits and enriches Carroll's definitions of popular art, mass art, horror, humour and other topics and concludes by tracing their origins to this important thinker's relationship with the medium of cinema.
Author | : Noël Carroll |
Publisher | : |
Total Pages | : 262 |
Release | : 1988 |
Genre | : Film criticism |
ISBN | : 9780231059558 |