American-Made

American-Made
Author: Nick Taylor
Publisher: Bantam
Total Pages: 680
Release: 2009-02-24
Genre: Business & Economics
ISBN:

In 1935, the Works Progress Administration was created, which would forever change the physical landscape and the social policies of the United States. The WPA lasted for eight years, employed 8.5 million men and women, and gave the country not only a renewed spirit but a fresh face.

Hard Times and New Deal in Kentucky

Hard Times and New Deal in Kentucky
Author: George T. Blakey
Publisher: University Press of Kentucky
Total Pages: 271
Release: 2014-07-15
Genre: History
ISBN: 0813162130

The Great Depression and the New Deal touched the lives of almost every Kentuckian during the 1930s. Fifty years later the Commonwealth is still affected by the legacies of that era and the policies of the Roosevelt administration. George T. Blakey has written the first full study of this turbulent decade in Kentucky, and he offers a fresh perspective on the New Deal programs by viewing them from the local and state level rather than from Washington. Thousands of Kentuckians worked for New Deal programs such as the Civilian Conservation Corps and the Works Projects Administration; thousands more kept their homes through loans from the Home Owners Loan Corporation. Tobacco growers adopted new production techniques and rural farms received their first electricity because of the Agricultural Adjustment and Rural Electrification administrations. The New Deal stretched from the Harlan County coal mines to a TVA dam near Paducah, and it encompassed subjects as small as Social Security pension checks and as large as revived Bourbon distilleries. The impact of these phenomena on Kentucky was both beneficial and disruptive, temporary and enduring. Blakey analyzes the economic effects of this unprecedented and massive government spending to end the depression. He also discusses the political arena in which Governors Laffoon, Chandler, and Johnson had to wrestle with new federal rules. And he highlights social changes the New Deal brought to the Commonwealth: accelerated urbanization, enlightened land use, a lessening of state power and individualism, and a greater awareness of Kentucky history. Hard Times and New Deal weaves together private memories of older Kentuckians and public statements of contemporary politicians; it includes legislative debates and newspaper accounts, government statistics and personal reminiscences. The result is a balanced and fresh look at the patchwork of emergency and reform activities which many people loved, many others hated, but no one could ignore.

The Negro in Illinois

The Negro in Illinois
Author: Brian Dolinar
Publisher: University of Illinois Press
Total Pages: 338
Release: 2013-07-01
Genre: Social Science
ISBN: 0252094956

A major document of African American participation in the struggles of the Depression, The Negro in Illinois was produced by a special division of the Illinois Writers' Project, one of President Roosevelt's Works Progress Administration programs. The Federal Writers' Project helped to sustain "New Negro" artists during the 1930s and gave them a newfound social consciousness that is reflected in their writing. Headed by Harlem Renaissance poet Arna Bontemps and white proletarian writer Jack Conroy, The Negro in Illinois employed major black writers living in Chicago during the 1930s, including Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, and Richard Durham. The authors chronicled the African American experience in Illinois from the beginnings of slavery to Lincoln's emancipation and the Great Migration, with individual chapters discussing various aspects of public and domestic life, recreation, politics, religion, literature, and performing arts. After the project was canceled in 1942, most of the writings went unpublished for more than half a century--until now. Working closely with archivist Michael Flug to select and organize the book, editor Brian Dolinar compiled The Negro in Illinois from papers at the Vivian G. Harsh Collection of Afro-American History and Literature at the Carter G. Woodson Library in Chicago. Dolinar provides an informative introduction and epilogue which explain the origins of the project and place it in the context of the Black Chicago Renaissance. Making available an invaluable perspective on African American life, this volume represents a publication of immense historical and literary importance.

Investigation and Study of the Work Projects Administration(formerly Works Progress Administration, Hearings ... 76th Congress, 3d Session, Pts.3-4 [pts.1-2 Were Titled Investigation and Study of the Works Progress Administration

Investigation and Study of the Work Projects Administration(formerly Works Progress Administration, Hearings ... 76th Congress, 3d Session, Pts.3-4 [pts.1-2 Were Titled Investigation and Study of the Works Progress Administration
Author: United States. Congress. House. Appropriations
Publisher:
Total Pages: 1124
Release: 1940
Genre: Governmental investigations
ISBN:

Contains material complementing and supporting the report of investigation of the Work Projects Administration activities, printed on pages 1 to 94 of Part 3.

Modernism for the Masses

Modernism for the Masses
Author: Jody Patterson
Publisher: Yale University Press
Total Pages: 265
Release: 2020-11-17
Genre: Art
ISBN: 0300241399

A mural renaissance swept the United States in the 1930s, propelled by the New Deal Federal Art Project and the popularity of Mexican muralism. Perhaps nowhere more than in New York City, murals became a crucial site for the development of abstract painting Artists such as Stuart Davis, Arshile Gorky, Willem de Kooning, and Lee Krasner created ambitious works for the Williamsburg Housing Project, Floyd Bennett Field Airport, and the 1939 World’s Fair. Modernism for the Masses examines the public murals (realized and unrealized) of these and other abstract painters and the aesthetic controversy, political influence, and ideological warfare that surrounded them. Jody Patterson transforms standard narratives of modernism by reasserting the significance of the 1930s and explores the reasons for the omission of the mural’s history from chronicles of American art. Beautifully illustrated with the artists’ murals and little-known archival photographs, this book recovers the radical idea that modernist art was a vital part of everyday life.