Institutions Of Literature 1700 1900
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Author | : Jon Mee |
Publisher | : Cambridge University Press |
Total Pages | : 319 |
Release | : 2022-07-21 |
Genre | : Language Arts & Disciplines |
ISBN | : 110883020X |
This lively collection makes a compelling case for the importance of institutions in the production, reception, and meaning of literature.
Author | : Jon Mee |
Publisher | : Cambridge University Press |
Total Pages | : 319 |
Release | : 2022-07-21 |
Genre | : Language Arts & Disciplines |
ISBN | : 1108905013 |
This collection provides students and researchers with a new and lively understanding of the role of institutions in the production, reception, and meaning of literature in the period 1700–1900. The period saw a fundamental transition from a patronage system to a marketplace in which institutions played an important mediating role between writers and readers, a shift with consequences that continue to resonate today. Often producers themselves, institutions processed and claimed authority over a variety of cultural domains that never simply tessellated into any unified system. The collection's primary concerns are British and imperial environments, with a comparative German case study, but it offers encouragement for its approaches to be taken up in a variety of other cultural contexts. From the Post Office to museums, from bricks and mortar to less tangible institutions like authorship and genre, this collection opens up a new field for literary studies.
Author | : Jon Mee |
Publisher | : |
Total Pages | : 0 |
Release | : 2022 |
Genre | : English literature |
ISBN | : 9781108822015 |
This collection provides students and researchers with a new and lively understanding of the role of institutions in the production, reception, and meaning of literature in the period 1700-1900. The period saw a fundamental transition from a patronage system to a marketplace in which institutions played an important mediating role between writers and readers, a shift with consequences that continue to resonate today. Often producers themselves, institutions processed and claimed authority over a variety of cultural domains that never simply tessellated into any unified system. The collection's primary concerns are British and imperial environments, with a comparative German case study, but it offers encouragement for its approaches to be taken up in a variety of other cultural contexts. From the Post Office to museums, from bricks and mortar to less tangible institutions like authorship and genre, this collection opens up a new field for literary studies.
Author | : Jon Mee |
Publisher | : University of Chicago Press |
Total Pages | : 310 |
Release | : 2023 |
Genre | : Industrial revolution |
ISBN | : 0226828387 |
"In this book, Jon Mee proposes a new literary-cultural history of the Industrial Revolution in Britain from the late-eighteenth to the mid-nineteenth centuries. Against the stubbornly persistent image of "dark satanic mills," in many ways so comforting to literary Romanticism, Jon Mee provides fresh, revisionary account of the Industrial Revolution as a story of unintended consequences. Reading a wide range of texts-economic, medical, and more conventionally "literary" ones-with a distinctive focus on their circulation through networks and institutions, Mee shows how a project of enlightened liberal reform, articulated in Britain's emerging manufacturing towns, led unexpectedly to coercive forms of machine productivity, a pattern that might be seen repeating in the digital technologies in our own time. Instead of treating the Industrial Revolution as Romanticism's "other," Mee shows how writing, practices, and institutions emanating from the industrial towns developed a new kind of knowledge economy, one where "literary" debates played a key role, especially through local literary and philosophical societies who were important transmission hubs for the circulation of knowledge. Mee provides a new perspective on the development of social relations across the period, challenging the idea that the Industrial Revolution as the result of some kind of prior, ideological intention. The book will interest literary scholars concerned with the relation of Romanticism to Britain's social and economic upheavals; social and economic historians studying the underpinnings of the Industrial Revolution; and cultural historians tracing the relation between social networks and political philosophy"--
Author | : James Grande |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 247 |
Release | : 2023-11-16 |
Genre | : Music |
ISBN | : 1501376381 |
This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.
Author | : Robert Morrison |
Publisher | : Oxford University Press |
Total Pages | : 993 |
Release | : 2024-04-18 |
Genre | : Literary Collections |
ISBN | : 0192571494 |
The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.
Author | : Francis Hutcheson Professor of Scottish Literature Gerard Carruthers |
Publisher | : Oxford University Press |
Total Pages | : 657 |
Release | : 2024-02 |
Genre | : Literary Criticism |
ISBN | : 019884624X |
The Oxford Handbook of Robert Burns treats the extensive writing of and culture surrounding Scotland's national 'bard'. Robert Burns (1759-96) was a producer of lyrical verse, satirical poetry, in English and Scots, a song-writer and song-collector, a writer of bawdry, journals, commonplace books and correspondence. Sculpting his own image, his untutored rusticity was a sincere persona as much as it was not entirely accurate. Burns was an antiquarian, national patriot, pioneer of what today we would call 'folk culture', and a man of the Enlightenment and Romanticism. The Handbook considers Burns's reception in his own time and beyond, extending to his iconic status as a world-writer. Burns was important to the English Romantic poets, in the context of debates about Abolition in the US, in the Victorian era he was widely utilised as a model for different kinds of popular poetry and he has been utilised as a contestant in debates surrounding Scottish and, indeed, British politics, in peacetime and in wartime down to the present day. The writer's afterlife includes not only a large number of biographies but a whole culture of commemoration in art, architecture, fiction, material culture, museum-exhibition and even forged manuscripts and memorabilia as well as appearances, apparently, via Spiritualist seances. The politics of his work channel the fierce debates of late eighteenth-century Scottish ecclesiastical controversy as well as the ages of American, Agrarian and French revolutions. All of this ground is traversed in this Handbook, the largest critical compendium ever assembled about Robert Burns.
Author | : Cian Duffy |
Publisher | : Cambridge University Press |
Total Pages | : 299 |
Release | : 2023-07-20 |
Genre | : Literary Criticism |
ISBN | : 1009032623 |
This is the only collection of its kind to focus on one of the most important aspects of the cultural history of the Romantic period, its sources, and its afterlives. Multidisciplinary in approach, the volume examines the variety of areas of enquiry and genres of cultural productivity in which the sublime played a substantial role during the late eighteenth and early nineteenth centuries. With impressive international scope, this Companion considers the Romantic sublime in both European and American contexts and features essays by leading scholars from a range of national backgrounds and subject specialisms, including state-of-the-art perspectives in digital and environmental humanities. An accessible, wide-ranging, and thorough introduction, aimed at researchers, students, and general readers alike, and including extensive suggestions for further reading, The Cambridge Companion to the Romantic Sublime is the go-to book on the subject.
Author | : Matthew Sangster |
Publisher | : Cambridge University Press |
Total Pages | : 481 |
Release | : 2023-09-07 |
Genre | : Literary Criticism |
ISBN | : 1009429930 |
This accessible new introduction to Fantasy literature, media and culture delves into pasts, presents, practices and communities. It considers Fantasy as a deep-rooted form, discusses a wide range of media permutations and reflects on the ways in which fantasies draw from and return ideas to a dynamic, ever-shifting commons.
Author | : Robin Eagles |
Publisher | : Amberley Publishing Limited |
Total Pages | : 489 |
Release | : 2024-06-15 |
Genre | : Political Science |
ISBN | : 1398111716 |
2024 marks the 250th anniversary of John Wilkes becoming Lord Mayor of London. A man simultaneously full of contradiction and principles, Wilkes was a giant of eighteenth-century England and helped shape modern Britain.