Institutions And Power In Nineteenth Century French Literature And Culture
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Author | : |
Publisher | : BRILL |
Total Pages | : 322 |
Release | : 2011-01-01 |
Genre | : Literary Criticism |
ISBN | : 9401200807 |
The French Revolution of 1789 altered the face of power and the institutions it inhabited in France, and the aftershocks of this seismic change rippled throughout the nineteenth century. With power changing hands between monarchy, empires and republics in quick succession, the nature of power, both personal and political, and institutions, both real and metaphorical, was constantly being redefined, argued over and fought for. This volume provides innovative analyses of nineteenth-century power relations in France across a series of interlinked spheres: artistic, literary, cultural, political, scientific and topographical. Its seventeen chapters trace the direct impact of politics and the shifting power of regimes on the creative arts, and explore power relations in a wide range of contexts including novels, sculpture, painting, education, religion, science, museums and exhibitions across a wide geographical area from Paris to the provinces, southern France and the colonies. The contributors, all experts in their fields, assess the evolving relationship between institutions and power in nineteenth-century France, exploring how the nation debates its past, negotiates its present and, as the foundation of the Third Republic ushers in a period of relative stability, sets about creating its common future.
Author | : Brian Rigby |
Publisher | : Springer |
Total Pages | : 247 |
Release | : 1992-11-10 |
Genre | : Literary Criticism |
ISBN | : 1349118249 |
This volume adopts a varied approach to the study of the 'material world' in the French literature, thought and visual arts of the 19th century. Contributors look not only at the Romantic and Realist transcendence of the Neo-classical heritage of abstraction and idealism, but also adopt modern critical perspectives to analyse central themes such as urbanisation, fetishism and the representation of the female body.
Author | : Manon Mathias |
Publisher | : Oxford University Press |
Total Pages | : 180 |
Release | : 2016 |
Genre | : Literary Criticism |
ISBN | : 0198735391 |
The nineteenth-century novelist, George Sand, is most famous today for her tumultuous love life and trouser-wearing days in Paris, but she achieved major commercial and critical success in her day and has gradually made her way back into the literary canon. Mainly known for her pastoral tales and allegedly simplistic idealism, Sand in fact produced around ninety novels which experiment with a wide range of themes, forms and aesthetic models. This book offers thefirst study of vision in Sand's works. It argues that, rather than rejecting reality in favour of the ideal, Sand integrates physical observation with internal forms of seeing such as the imaginationand visionary insights. The study maintains that Sand's understanding of vision provides the basis for her distinctive style and challenges conventional categorisations of the novel in this period.
Author | : Madame De Stael |
Publisher | : Routledge |
Total Pages | : 273 |
Release | : 2017-07-12 |
Genre | : Literary Collections |
ISBN | : 1351498126 |
Madame Germaine de Stael is often regarded as the "mistress to an age", or (like England and Russia) one of the three great European "powers" of the 19th century. She was in some sense both, but she was also an important and influential writer whose works, astonishingly, have not, until this volume, been translated into English since the early 19th century. She absorbed the leading ideas of the Enlightenment on literature, politics, science and the social order; turned many of them to her own uses and then bequeathed them to the 19th century, which adopted much of the Enlightenment through her works. She had two related aims: by her writings on politics, to guide Europe as it entered the republican era and to help it maintain its cultural legacy and liberty; and to explain all literature by its relation to social institutions (which has had a profound effect on all subsequent studies of comparative literature). Here, in clear and flowing English prose that conveys both the personality and the style of the original - and that corrects the errors of earlier translations - are selections from Madame Germaine de Stael's major works, including "Considerations on the Principal Events of the French Revolution", "Literature Considered in its Relation to Social Institutions", "Essay on Fiction", "On Germany" and her reflections on Russian and English as well as German national character. They make plain both her amazing modern approach to such subjects as politics, literature, science, education and women, and the tremendous repercussions her work has had.
Author | : Brian Rigby |
Publisher | : Palgrave Macmillan |
Total Pages | : 264 |
Release | : 1993 |
Genre | : Art |
ISBN | : |
This volume adopts a varied approach to the study of the 'material world' in the French literature, thought and visual arts of the 19th century. Contributors look not only at the Romantic and Realist transcendence of the Neo-classical heritage of abstraction and idealism, but also adopt modern critical perspectives to analyse central themes such as urbanisation, fetishism and the representation of the female body.
Author | : AndrewJ. Counter |
Publisher | : Routledge |
Total Pages | : 413 |
Release | : 2017-07-05 |
Genre | : Foreign Language Study |
ISBN | : 1351562800 |
The transmission of wealth between generations was not only a narrative commonplace in nineteenth-century France, but also a topic of considerable cultural anxiety and intense political debate. In this study, Andrew J. Counter draws on a wealth of previously unexplored material to show how the theme of inheritance in literature and beyond acquired ethical, historical and ideological connotations, and was vital to nineteenth-century French conceptions of the family and of the legacy of the Revolution. Weaving together fiction, drama, legal texts, historiographical thought and political writing, Inheritance in Nineteenth-Century French Culture teases out a complex leitmotiv that gives us a new understanding of nineteenth- century Frances sense of its own place in history. It also proposes innovative readings of writers as familiar as Honore de Balzac, George Sand, Guy de Maupassant and Emile Zola, while drawing attention to a range of neglected authors and works.
Author | : Barbara T. Cooper |
Publisher | : Rodopi |
Total Pages | : 250 |
Release | : 1997 |
Genre | : History |
ISBN | : 9789042002241 |
An era of remarkable change and progress, the nineteenth century was in every sense of the word dynamic. In France, writers and artists reflected the ambivalence of their compatriots to the relentlessly changing world around them. The essays assembled here, selected from the Twenty-first annual Nineteenth-Century French Studies Colloquium held at the University of Delaware in 1995, bear witness to this ambivalence. They also testify to an impressive array of approaches to the theme of movement, from the literal to the literary, the social and socially conscious to the unconscious. The three-part collection (Thrust and Drag, Travel and Exile, Uncontrolled Movement) features essays by well-known British, Canadian, French, and American scholars on such authors as Balzac, Baudelaire, Flaubert, Gautier, Maupassant, Stendhal, and Zola and on such artists as Puvis de Chavannes, Millet and Corot.
Author | : |
Publisher | : BRILL |
Total Pages | : 286 |
Release | : 2008-01-01 |
Genre | : Social Science |
ISBN | : 9401206627 |
From Sade at one end of the nineteenth century to Freud at the other, via many French novelists and poets, pleasure and pain become ever more closely entwined. Whereas the inseparability of these themes has hitherto been studied from isolated perspectives, such as psychoanalysis, sadism and sado-masochism, melancholy, or post-structuralist textual jouissance, the originality of this collaborative volume lies in its exploration of how pleasure and pain function across a broader range of contexts. The essays collected here demonstrate how the complex relationship between pleasure and pain plays a vital role in structuring nineteenth-century thinking in prose fiction (Balzac, Flaubert, Musset, Maupassant, Zola), verse and the memoir as well as socio-cultural studies, medical discourses, aesthetic theory and the visual arts. Featuring an international selection of contributors representing the full range of approaches to scholarship in nineteenth-century French studies – historical, literary, cultural, art historical, philosophical, and sociopolitical – the volume attests to the vitality, coherence and interdisciplinarity of nineteenth-century French studies and will be of interest to a wide cross-section of scholars and students of French literature, society and culture.
Author | : Claire White |
Publisher | : |
Total Pages | : |
Release | : 2012 |
Genre | : |
ISBN | : |
Author | : Nigel Harkness |
Publisher | : Peter Lang |
Total Pages | : 340 |
Release | : 2003 |
Genre | : History |
ISBN | : 9783039101405 |
The essays in this volume contribute diversely towards a revision and a reconceptualization of nineteenth-century France, with many adopting interdisciplinary methodologies attentive to the interplay between literature, history, art, popular and high culture, politics and science.