Inside Film Music
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| Author | : Christian DesJardins |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 2006 |
| Genre | : Music |
| ISBN | : |
Designed to speak clearly and intelligently to non-musicians and musicians alike, "Inside Film Music" is a must for every film music fan. Through its forty-plus lively, insightful interviews, it delves deeply into the creative process, the basics of musical thought, filmmaking's collaborative nature, and the individual psyches of its participating composers. It covers every current style of film music, the essence of what it means to write a score for motion pictures ... and much more. Composers featured included Academy Award Winners John Barry (Dances with Wolves, Out of Africa, Goldfinger); Rachel Portman (Mona Lisa Smile, The Cider House Rules, Chocolat); Stephen Warbeck (Shakespeare in Love); and Gabriel Yared (Cold Mountain, The Talented Mr. Ripley, City of Angels, The English Patient). Also interviewed are Academy Award Nominees John Debney (Sin City, The Passion of the Christ, Bruce Almighty, Spy Kids); Philip Glass (The Hours, Kundun); Mark Isham (Freedom Writers, The Black Dahlia, Home for the Holidays, Quiz Show); Marc Shaiman (How Harry Met Sally, Ghosts of Mississippi, A Few Good Men, City Slickers, Misery); and Alan Silvestri (Back to the Future, Forrest Gump, The Polar Express). Additionally there is commentary from Marco Beltrami (Hellboy,The Terminator 3); Mychael Danna (Little Miss Sunshine, Capote); Cliff Martinez (Wonderland, Traffic, Sex, Lies and Videotape); and Jeff Rona (TV series: Homicide, Chicago Hope, Profiler).
| Author | : Stephan Eicke |
| Publisher | : McFarland |
| Total Pages | : 228 |
| Release | : 2019-07-30 |
| Genre | : Music |
| ISBN | : 1476676313 |
Do you want to pick up a light saber whenever you hear John Williams' Star Wars theme? Get the urge to ride into the desert and face down steely-eyed desperados to the refrain of Ennio Morricone's The Good, the Bad and the Ugly? Does Hans Zimmer's Pirates of the Caribbean score have you talking like Jack Sparrow? From the Westerns of the 1960s to current blockbusters, composers for both film and television have faced new challenges--evermore elaborate sound design, temp tracks, test audiences and working with companies that invest in film score recordings all have led to creative sparks, as well as frustrations. Drawing on interviews with more than 40 notable composers, this book gives an in-depth analysis of the industry and reveals the creative process behind such artists as Klaus Badelt, Mychael Danna, Abel Korzeniowski, Walter Murch, Rachel Portman, Alan Silvestri, Randy Thom and others.
| Author | : Jonathan Rhodes Lee |
| Publisher | : Routledge |
| Total Pages | : 1155 |
| Release | : 2020-03-10 |
| Genre | : Music |
| ISBN | : 1000091287 |
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
| Author | : Kathryn Kalinak |
| Publisher | : Oxford University Press |
| Total Pages | : 177 |
| Release | : 2023 |
| Genre | : Motion picture music |
| ISBN | : 0197628036 |
"Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--
| Author | : Kenneth Lampl |
| Publisher | : Taylor & Francis |
| Total Pages | : 166 |
| Release | : 2023-10-24 |
| Genre | : Music |
| ISBN | : 1000984990 |
A comprehensive introduction to film music, this book provides a concise and illuminating summary of the process of film scoring, as well as a succinct overview of the rich history of contemporary film music. Written in a non-technical style, this book begins by presenting a brief history of film music from the last 30 years, covering topics ranging from blockbuster franchises to indie film scores. It explores film music from around the world, including Bollywood and European Avant-garde cinema, and film music in animation, like Disney-Pixar and Japanese anime. It then offers a guide to the language of film music analysis, the creative process behind composing film music, and the use of current technology. The book champions diversity in the industry, with case studies and interviews from a range of active film composers, including: Pinar Toprak (Captain Marvel, 2019), Kris Bowers (Bridgerton, 2020), Natalie Holt (Loki, 2021), and Rachel Portman (Emma, 1996), Complete with a glossary of key terms and further reading, this book is an invaluable resource for all those beginning to study film music, as well as lifelong film music buffs seeking to update their understanding of film music.
| Author | : Roy M. Prendergast |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 356 |
| Release | : 1992 |
| Genre | : History |
| ISBN | : 9780393308747 |
The expanded, updated, and revised edition of Film Music brings together the experience and insights of the professional film music editor with the scholarship and concerns of the film critic and historian. In this pioneering work, film music--from its beginnings to the present day--is analyzed both as composition and as an integral element of cinematic expression. Beginning with an extensive historical overview, the author recreates the process by which film music composers developed their own forms out of typical screen action. The techniques and achievements of filmmakers from the silent and early sound film eras to the 1990s are examined, including the unique demands of music for the rapidly changing images of cartoons and animated films. A new chapter about music for television has been added to the very informative discussion of techniques for synchronizing music to picture. And the latest technological advances are described in an entirely new section dealing with contemporary methods and tools, including video post-production, the advent of digital audio, and the pervasive influence of the music synthesizer. Replete with music examples drawn from actual film scores, this comprehensive study concludes with an extensive and up-to-date bibliography of related reference works.
| Author | : Leslie C. Dunn |
| Publisher | : Routledge |
| Total Pages | : 236 |
| Release | : 2016-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 1317130480 |
Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.
| Author | : James Wierzbicki |
| Publisher | : Routledge |
| Total Pages | : 329 |
| Release | : 2009-01-21 |
| Genre | : Art |
| ISBN | : 1135851433 |
Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances. The book’s four large parts are given over to Music and the "Silent" Film (1894--1927), Music and the Early Sound Film (1895--1933), Music in the "Classical-Style" Hollywood Film (1933--1960), and Film Music in the Post-Classic Period (1958--2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals—logically and thoroughly—with the complex ‘machine’ whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music’s path.
| Author | : A. Sisto |
| Publisher | : Springer |
| Total Pages | : 230 |
| Release | : 2014-03-13 |
| Genre | : Performing Arts |
| ISBN | : 1137387718 |
A critical engagement with cinema in Italy, this book examines the national archive of film based on sound and listening using a holistic audio-visual approach. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations.
| Author | : Emilio Audissino |
| Publisher | : Springer Nature |
| Total Pages | : 792 |
| Release | : 2023-11-28 |
| Genre | : Music |
| ISBN | : 3031334221 |
This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives. Its approach is not only multidisciplinary, but also interdisciplinary in its close examination of how music and other cinematic devices interact in the creation of comedy. The volume addresses gender representation, national identities, stylistic strategies, and employs inputs from cultural studies, musicology, music theory, psychology, cognitivism, semiotics, formal and stylistic film analysis, and psychoanalysis. It is organised in four sections: general introductions, theoretical investigations, music and comedy within national cinemas, and exemplary case studies of films or authors.
