Inquiry Into the Picturesque

Inquiry Into the Picturesque
Author: Sidney K. Robinson
Publisher: University of Chicago Press
Total Pages: 212
Release: 1991-08-13
Genre: Architecture
ISBN: 9780226722511

The aesthetic mode of the picturesque has undergone so many transformations since its initial discussion in eighteenth-century England that it is hard to say just what it is. In these probing essays, Sidney K. Robinson re-examines the picturesque in its late eighteenth-century phase.

After the Beautiful

After the Beautiful
Author: Robert B. Pippin
Publisher: University of Chicago Press
Total Pages: 178
Release: 2013-12-23
Genre: Art
ISBN: 022607952X

In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility—the expression of a distinct collective self-understanding that develops through historical time. Hegel’s approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in history: modernism. In After the Beautiful, Robert B. Pippin, looking at modernist paintings by artists such as Édouard Manet and Paul Cézanne through Hegel’s lens, does what Hegel never had the chance to do. While Hegel could never engage modernist painting, he did have an understanding of modernity, and in it, art—he famously asserted—was “a thing of the past,” no longer an important vehicle of self-understanding and no longer an indispensable expression of human meaning. Pippin offers a sophisticated exploration of Hegel’s position and its implications. He also shows that had Hegel known how the social institutions of his day would ultimately fail to achieve his own version of genuine equality, a mutuality of recognition, he would have had to explore a different, new role for art in modernity. After laying this groundwork, Pippin goes on to illuminate the dimensions of Hegel’s aesthetic approach in the path-breaking works of Manet, the “grandfather of modernism,” drawing on art historians T. J. Clark and Michael Fried to do so. He concludes with a look at Cézanne, the “father of modernism,” this time as his works illuminate the relationship between Hegel and the philosopher who would challenge Hegel’s account of both modernity and art—Martin Heidegger. Elegantly inter-weaving philosophy and art history, After the Beautiful is a stunning reassessment of the modernist project. It gets at the core of the significance of modernism itself and what it means in general for art to have a history. Ultimately, it is a testament, via Hegel, to the distinctive philosophical achievements of modernist art in the unsettled, tumultuous era we have inherited.

The Imprint of the Picturesque on Nineteenth-Century British Fiction

The Imprint of the Picturesque on Nineteenth-Century British Fiction
Author: Alexander M. Ross
Publisher: Wilfrid Laurier Univ. Press
Total Pages: 220
Release: 2006-01-01
Genre: Literary Criticism
ISBN: 0889206260

"Despite the negative criticism directed at its sentiment, its heartlessness, its superficiality, the picturesque remained in both art and fiction of Victorian England a mode of seeing that even the greatest of the artists and novelists relied upon from time to time so that their viewers and readers could rejoice in the instant recognition of place and character distinctly limned and sometimes subtly enough to elicit sympathy" (Preface). After briefly tracing the development of the theory of the picturesque in the eighteenth-century writings of William Gilpin, Sir Uvedale Price, and Richard Payne Knight and examining how nineteenth-century novelists accommodated aesthetic theory to the practice of fiction, Ross focuses on the use of the picturesque in the works of Sir Walter Scott, Charlotte Bronte, Charles Dickens, George Eliot, and Thomas Hardy. The persistence of the picturesque through novels ranging from Waverley to Jude the Obscure and in writers like Dickens and Eliot, who had little respect for its conventions, attests to its strength and attraction in nineteenth-century literature.

Silent City on a Hill

Silent City on a Hill
Author: Blanche M. G. Linden
Publisher:
Total Pages: 408
Release: 2007
Genre: Architecture
ISBN: 9781952620133

This award-winning book offers an insightful inquiry into the intellectual and cultural origins of Mount Auburn Cemetery, the first landscape in the United States to be designed in the picturesque style. Inspired by developments in England and France, Mount Auburn, founded in 1831, became the prototype for the "rural cemetery" movement and was an important precursor of many of America's public parks, beginning with New York City's Central Park.

George Inness and the Science of Landscape

George Inness and the Science of Landscape
Author: Rachael Z. DeLue
Publisher: University of Chicago Press
Total Pages: 353
Release: 2008-09-15
Genre: Art
ISBN: 0226142310

George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen." Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology, physiology, and mathematics—with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape—the first in-depth examination of Inness's career to appear in several decades—demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right. This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies.

The Picturesque

The Picturesque
Author: John Macarthur
Publisher: Routledge
Total Pages: 314
Release: 2013-03-07
Genre: Architecture
ISBN: 1134956975

In this fresh and authoritative account John Macarthur presents the eighteenth century idea of the picturesque – when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor – in the light of its reception and effects in modern culture. In a series of linked essays Macarthur shows: what the concept of picture does in the picturesque and how this relates to modern theories of the image how the distaste that might be felt today at the sentimentality of the picturesque was already at play in the eighteenth century how visual values such as ‘irregularity’ become the basis of modern architectural planning; how the concept of appropriating a view moves from landscape design into urban design why movement is fundamental to picturing the stillness of buildings, cities and landscapes. Drawing on examples from architecture, art and broader culture, John Macarthur's account of this key topic in cultural history, makes engaging reading for all those studying architecture, art history, cultural history or visual studies.

The Politics of the Picturesque

The Politics of the Picturesque
Author: Stephen Copley
Publisher: Cambridge University Press
Total Pages: 322
Release: 1994-03-10
Genre: Literary Criticism
ISBN: 0521441137

Essays on eighteenth- and nineteenth-century ways of looking at landscape, in theory and practice.