Inky Fingers
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Author | : Anthony Grafton |
Publisher | : Belknap Press |
Total Pages | : 393 |
Release | : 2020-06-09 |
Genre | : History |
ISBN | : 067423717X |
An Open Letters Review Best Book of the Year “Grafton presents largely unfamiliar material...in a clear, even breezy style...Erudite.” —Michael Dirda, Washington Post In this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book—compiling notebooks, copying and correcting proofs, preparing copy—and shows us how scribes and scholars shaped influential treatises and forgeries. Inky Fingers ranges widely, from the theological polemics of the early days of printing to the pathbreaking works of Jean Mabillon and Baruch Spinoza. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty gritty labor of printmakers has had a profound impact on the history of ideas. “Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers...Captivating and often amusing.” —Wall Street Journal “Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper.” —New York Review of Books “Grafton upends idealized understandings of early modern scholarship and blurs distinctions between the physical and mental labor that made the remarkable works of this period possible.” —Christine Jacobson, Book Post “Scholarship is a kind of heroism in Grafton’s account, his nine protagonists’ aching backs and tired eyes evidence of their valiant dedication to the pursuit of knowledge.” —London Review of Books
Author | : Anthony Grafton |
Publisher | : |
Total Pages | : 84 |
Release | : 2011 |
Genre | : History |
ISBN | : 9788822261274 |
Author | : Anthony Grafton |
Publisher | : Harvard University Press |
Total Pages | : 260 |
Release | : 1997 |
Genre | : History |
ISBN | : 9780674307605 |
In this engrossing account, footnotes to history give way to footnotes as history, recounting in their subtle way the curious story of the progress of knowledge in written form.
Author | : Marion Deuchars |
Publisher | : Laurence King Publishing |
Total Pages | : 0 |
Release | : 2012-10-10 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781780670157 |
Discover different and surprising ways of creating pictures with finger- and handprints. Create handprint birds, lions and reindeer; invent strange creatures by combining fingerprints and blowpainting; make fingerprint stencil art or create your own gallery of aliens and monsters. From flowers and bees to dinosaurs and skeletons - let the inky fingers begin! Marion Deuchars is an internationally acclaimed, award-winning illustrator with an instantly recognizable and much loved style. From her covers for Penguin Books to her stamps celebrating the Royal Shakespeare Company, her illustration and lettering is unparalleled and highly influential.
Author | : Anthony Grafton |
Publisher | : Harvard University Press |
Total Pages | : 348 |
Release | : 1994 |
Genre | : History |
ISBN | : 9780674195455 |
This book traces the relationship between humanism and science from the mid-fifteenth century to the beginning of the modern period and demonstrates that humanism was neither a simple nor an impractical enterprise, but worked hand-in-hand with science in developing modern learning.
Author | : Keith Houston |
Publisher | : W. W. Norton & Company |
Total Pages | : 353 |
Release | : 2013-09-24 |
Genre | : Design |
ISBN | : 0393064425 |
Revealing the secret history of punctuation, this tour of two thousand years of the written word, from ancient Greece to the Internet, explores the parallel histories of language and typography throughout the world and across time.
Author | : Anthony Grafton |
Publisher | : Harvard University Press |
Total Pages | : 1188 |
Release | : 2010-10-25 |
Genre | : History |
ISBN | : 9780674035720 |
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.
Author | : Anthony Grafton |
Publisher | : Harvard University Press |
Total Pages | : 300 |
Release | : 1995-03-15 |
Genre | : History |
ISBN | : 0674254120 |
Describing an era of exploration during the Renaissance that went far beyond geographic bounds, this book shows how the evidence of the New World shook the foundations of the old, upsetting the authority of the ancient texts that had guided Europeans so far afield. What Anthony Grafton recounts is a war of ideas fought by mariners, scientists, publishers, and rulers over a period of 150 years. In colorful vignettes, published debates, and copious illustrations, we see these men and their contemporaries trying to make sense of their discoveries as they sometimes confirm, sometimes contest, and finally displace traditional notions of the world beyond Europe.
Author | : Anthony Grafton |
Publisher | : Harvard University Press |
Total Pages | : 438 |
Release | : 2009 |
Genre | : Education |
ISBN | : 9780674032576 |
Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form.
Author | : Anthony Grafton |
Publisher | : Harvard University Press |
Total Pages | : 384 |
Release | : 2009-07-01 |
Genre | : History |
ISBN | : 0674037863 |
When early Christians began to study the Bible, and to write their own history and that of the Jews whom they claimed to supersede, they used scholarly methods invented by the librarians and literary critics of Hellenistic Alexandria. But Origen and Eusebius, two scholars of late Roman Caesarea, did far more. Both produced new kinds of books, in which parallel columns made possible critical comparisons previously unenvisioned, whether between biblical texts or between national histories. Eusebius went even farther, creating new research tools, new forms of history and polemic, and a new kind of library to support both research and book production. Christianity and the Transformation of the Book combines broad-gauged synthesis and close textual analysis to reconstruct the kinds of books and the ways of organizing scholarly inquiry and collaboration among the Christians of Caesarea, on the coast of Roman Palestine. The book explores the dialectical relationship between intellectual history and the history of the book, even as it expands our understanding of early Christian scholarship. Christianity and the Transformation of the Book attends to the social, religious, intellectual, and institutional contexts within which Origen and Eusebius worked, as well as the details of their scholarly practices--practices that, the authors argue, continued to define major sectors of Christian learning for almost two millennia and are, in many ways, still with us today.,