Inhospitable World
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Author | : Jennifer Fay |
Publisher | : Oxford University Press |
Total Pages | : 273 |
Release | : 2018-03-01 |
Genre | : Performing Arts |
ISBN | : 019069680X |
In recent years, environmental and human rights advocates have suggested that we have entered the first new geological epoch since the end of the ice age: the Anthropocene. In this new epoch, humans have come to reshape unwittingly both the climate and natural world; humankind has caused mass extinctions of plant and animal species, polluted the oceans, and irreversibly altered the atmosphere. Ironically, our efforts to make the planet more hospitable to ourselves seem to be driving us toward our inevitable extinction. A force of nature, humanity is now decentered as the agent of history. As Jennifer Fay argues, this new situation is to geological science what cinema has always been to human culture. Film, like the Anthropocene, is a product of the industrial revolution, but arises out of a desire to preserve life and master time and space. It also calls for the creation of artificial worlds, unnatural weather, and deadly environments for entertainment, scientific study, and devising military strategy. Filmmaking stages, quite literally, the process by which worlds and weather come into being and meaning, and it mimics the forces that are driving this new planetary inhospitality. Cinema, in other words, provides an image of "nature" in the age of its mechanical reproducability. Fay argues that cinema exemplifies the philosophical, political, and perhaps even logistical processes by which we can adapt to these forces and also imagine a world without humans in it. Whereas standard ecological criticism attends to the environmental crisis as an unraveling of our natural state, this book looks to film (from Buster Keaton, to Jia Zhangke, to films of atomic testing and early polar exploration) to consider how it reflects upon the creation and destruction of human environments. What are the implications of ecological inhospitality? What role might cinema and media theory play in challenging our presumed right to occupy and populate the world? As an art form, film enjoys a unique relationship to the material, elemental world it captures and produces. Through it, we may appreciate the ambitions to design an unhomely planet that may no longer accommodate us.
Author | : David Wallace-Wells |
Publisher | : Crown |
Total Pages | : 386 |
Release | : 2019-02-19 |
Genre | : Science |
ISBN | : 052557672X |
#1 NEW YORK TIMES BESTSELLER • “The Uninhabitable Earth hits you like a comet, with an overflow of insanely lyrical prose about our pending Armageddon.”—Andrew Solomon, author of The Noonday Demon NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • The New York Times Book Review • Time • NPR • The Economist • The Paris Review • Toronto Star • GQ • The Times Literary Supplement • The New York Public Library • Kirkus Reviews It is worse, much worse, than you think. If your anxiety about global warming is dominated by fears of sea-level rise, you are barely scratching the surface of what terrors are possible—food shortages, refugee emergencies, climate wars and economic devastation. An “epoch-defining book” (The Guardian) and “this generation’s Silent Spring” (The Washington Post), The Uninhabitable Earth is both a travelogue of the near future and a meditation on how that future will look to those living through it—the ways that warming promises to transform global politics, the meaning of technology and nature in the modern world, the sustainability of capitalism and the trajectory of human progress. The Uninhabitable Earth is also an impassioned call to action. For just as the world was brought to the brink of catastrophe within the span of a lifetime, the responsibility to avoid it now belongs to a single generation—today’s. LONGLISTED FOR THE PEN/E.O. WILSON LITERARY SCIENCE WRITING AWARD “The Uninhabitable Earth is the most terrifying book I have ever read. Its subject is climate change, and its method is scientific, but its mode is Old Testament. The book is a meticulously documented, white-knuckled tour through the cascading catastrophes that will soon engulf our warming planet.”—Farhad Manjoo, The New York Times “Riveting. . . . Some readers will find Mr. Wallace-Wells’s outline of possible futures alarmist. He is indeed alarmed. You should be, too.”—The Economist “Potent and evocative. . . . Wallace-Wells has resolved to offer something other than the standard narrative of climate change. . . . He avoids the ‘eerily banal language of climatology’ in favor of lush, rolling prose.”—Jennifer Szalai, The New York Times “The book has potential to be this generation’s Silent Spring.”—The Washington Post “The Uninhabitable Earth, which has become a best seller, taps into the underlying emotion of the day: fear. . . . I encourage people to read this book.”—Alan Weisman, The New York Review of Books
Author | : Enrique Vila-Matas |
Publisher | : New Directions Publishing |
Total Pages | : 257 |
Release | : 2012-06-27 |
Genre | : Fiction |
ISBN | : 0811219615 |
Inspired by a dream, a retired publisher spontaneously embarks on a trip to the Dublin cemetery in which a character from Joyce's "Ulysses" was buried, where he meets a mysterious person who resembles Samuel Beckett.
Author | : Charles Dudley Warner |
Publisher | : Cosimo, Inc. |
Total Pages | : 430 |
Release | : 2008-01-01 |
Genre | : Literary Collections |
ISBN | : 1605201820 |
Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Highlights from Volume 18 include: . excerpts from Nathaniel Hawthorne's The Scarlet Letter . travel writing by Lafcadio Hearn . the philosophy of George William Frederick Hegel and Thomas Hobbes . the writings of Heliodorus . the poems of George Herbert and Jos-Maria de Hrdia . the writings of Patrick Henry . verse by Thomas Heywood . and much, much more.
Author | : Peter David |
Publisher | : Simon and Schuster |
Total Pages | : 110 |
Release | : 2012-08-07 |
Genre | : Fiction |
ISBN | : 1471108031 |
Roll Call: The Crew of the U.S.S. Excalibur: Captain Mackenzie Calhoun:An unorthodox, decisive young captain who loves his crew and his ship, and loves testing their limits even more. Commander Shelby:A woman of strong opinions and strong values, Shelby never hesitated to tell her captains when she thought they were wrong, and Mackenzie Calhoun won't be any exception. Burgoyne 172:The chief engineer of the Excalibur, with the decisiveness of Calhoun, the strength of Shelby, and the gender of both. Burgoyne is a Hermat, and when s/he sets his/her sights on you, s/he isn't an easy...person...to refuse. As the Thallonian Empire succumbs to violence and insurrection, the U.S.S. Excalibur prepares to launch on her humanitarian mission of mercy. But her departure is destined to be a memorable one, as Calhoun contends with an unexpected stowaway, a stormy relationship with his crew, and -- light-years away -- frightened refugees aboard a dying ship.
Author | : Brian R. Jacobson |
Publisher | : University of California Press |
Total Pages | : 333 |
Release | : 2020-07-21 |
Genre | : Performing Arts |
ISBN | : 0520297598 |
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio icons—Pinewood, Cinecittà, Churubusco, and CBS—as well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.
Author | : Seth Peabody |
Publisher | : Boydell & Brewer |
Total Pages | : 209 |
Release | : 2023 |
Genre | : Art |
ISBN | : 1640141618 |
"From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jèutzi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--
Author | : Jamie d Cook |
Publisher | : Pencil |
Total Pages | : 72 |
Release | : 2023-09-03 |
Genre | : Fiction |
ISBN | : 935883062X |
The trio stood together on the barren planet, staring down an army of powerful enemies. They had been fighting for days, and they were exhausted, battered, and bruised. They had not anticipated that they would face such fierce opposition, and they knew that they could not hold out much longer. As they regrouped, they realized that their only chance was to make a desperate move. One of them would have to make the ultimate sacrifice to save the world and defeat the enemies. They knew there was no other way. For a long moment, there was silence as they each considered the magnitude of the decision. Finally, one of them, the bravest of the trio, stepped forward. "I will do it," he said firmly. "I know what I have to do." His decision was met with tearful, solemn nods from the others.
Author | : Richard Grusin |
Publisher | : U of Minnesota Press |
Total Pages | : 246 |
Release | : 2020-12-29 |
Genre | : Performing Arts |
ISBN | : 1452965064 |
At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century—from the introduction of sound and color to the advent of television and video—and in Ends of Cinema, contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century. In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Contributors: Caetlin Benson-Allott, Georgetown U; James Leo Cahill, U of Toronto; Francesco Casetti, Yale U; Mary Ann Doane, U of California Berkeley; André Gaudreault, U de Montréal; Michael Boyce Gillespie, City College of New York; Mark Paul Meyer, EYE Filmmuseum; Jennifer Lynn Peterson, Woodbury U, Los Angeles; Amy Villarejo, Cornell U.
Author | : Joe E. Holman |
Publisher | : Lulu.com |
Total Pages | : 408 |
Release | : 2010-01-07 |
Genre | : Religion |
ISBN | : 0615237223 |
After nine years of preaching fundamentalist Christianity for the denomination known as the Church of Christ, minister Joe E. Holman decided to call it quits. Walking away from the ministry forever, Holman explains the reasons for making such a life-altering and controversial decision.