Inhabiting Memory
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| Author | : Benjamin Authers |
| Publisher | : University of Alberta |
| Total Pages | : 336 |
| Release | : 2017-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 1772123552 |
This book examines the cultural work of space and memory in Canada and Canadian literature, and encourages readers to investigate Canada within its regional, national, and global contexts. It features seven chapters in English and five in French, with a bilingual introduction. The contributors invite us to recognize local intersections that are so easily overlooked, yet are so important. They reveal the unities and fractures in national understanding, telling stories of otherness and marginality and of dislocation and un-belonging. Ce livre examine l’importance culturelle de l’espace et de la mémoire en contexte canadien et plus spécifiquement dans les littératures du pays, afin d’inviter des lectures neuves des questions régionales, nationales et globales. Il rassemble sept chapitres en anglais et cinq en français, en plus d’une introduction bilingue. Les contributions, favorisant des approches thématiques et théoriques variées, sont réunies par leur désir de mettre en lumière des croisements inédits entre la mémoire et l’espace en tant qu’ils définissent certains des problèmes les plus brûlants de notre époque au Canada. S’y révèle l’équilibre fort instable entre récits unitaires et fractures communautaires, entre altérité et marginalité, ou entre dislocation et désappartenance. Contributors / Collaborateurs: Albert Braz, Samantha Cook, Jennifer Delisle, Lise Gaboury-Diallo, Smaro Kamboureli, Janne Korkka, André Lamontagne, Margaret Mackey, Sherry Simon, Pamela Sing, Camille van der Marel, Erin Wunker
| Author | : Emily Urquhart |
| Publisher | : House of Anansi |
| Total Pages | : 169 |
| Release | : 2020-09-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1487005326 |
A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. “The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time? The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.
| Author | : Marjorie Agosín |
| Publisher | : Wings Press (TX) |
| Total Pages | : 198 |
| Release | : 2011 |
| Genre | : Political Science |
| ISBN | : 9781609401733 |
| Author | : E. Granum |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 446 |
| Release | : 2013-03-09 |
| Genre | : Computers |
| ISBN | : 1447136985 |
Lars Qvortrup The world of interactive 3D multimedia is a cross-institutional world. Here, researchers from media studies, linguistics, dramaturgy, media technology, 3D modelling, robotics, computer science, sociology etc. etc. meet. In order not to create a new tower of Babel, it is important to develop a set of common concepts and references. This is the aim of the first section of the book. In Chapter 2, Jens F. Jensen identifies the roots of interaction and interactivity in media studies, literature studies and computer science, and presents definitions of interaction as something going on among agents and agents and objects, and of interactivity as a property of media supporting interaction. Similarly, he makes a classification of human users, avatars, autonomous agents and objects, demon strating that no universal differences can be made. We are dealing with a continuum. While Jensen approaches these categories from a semiotic point of view, in Chapter 3 Peer Mylov discusses similar isues from a psychological point of view. Seen from the user's perspective, a basic difference is that between stage and back-stage (or rather: front-stage), i. e. between the real "I" and "we" and the virtual, representational "I" and "we". Focusing on the computer as a stage, in Chapter 4 Kj0lner and Lehmann use the theatre metaphor to conceptualize the stage phenomena and the relationship between stage and front-stage.
| Author | : Elisa Gabbert |
| Publisher | : FSG Originals |
| Total Pages | : 171 |
| Release | : 2020-08-11 |
| Genre | : Literary Collections |
| ISBN | : 0374720339 |
"Terror, disaster, memory, selfhood, happiness . . . leave it to a poet to tackle the unthinkable so wisely and so wittily."* A literary guide to life in the pre-apocalypse, The Unreality of Memory collects profound and prophetic essays on the Internet age’s media-saturated disaster coverage and our addiction to viewing and discussing the world’s ills. We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase “Did you see?” The feeling that we’re living in the worst of times seems to be intensifying, alongside a desire to know precisely how bad things have gotten—and each new catastrophe distracts us from the last. The Unreality of Memory collects provocative, searching essays on disaster culture, climate anxiety, and our mounting collective sense of doom. In this new collection, acclaimed poet and essayist Elisa Gabbert explores our obsessions with disasters past and future, from the sinking of the Titanic to Chernobyl, from witch hunts to the plague. These deeply researched, prophetic meditations question how the world will end—if indeed it will—and why we can’t stop fantasizing about it. Can we avoid repeating history? Can we understand our moment from inside the moment? With The Unreality of Memory, Gabbert offers a hauntingly perceptive analysis of our new ways of being and a means of reconciling ourselves to this unreal new world. "A work of sheer brilliance, beauty and bravery.” *—Andrew Sean Greer, author of Less
| Author | : Tobias Boos |
| Publisher | : Springer |
| Total Pages | : 142 |
| Release | : 2017-11-02 |
| Genre | : Social Science |
| ISBN | : 3319584545 |
This book explores the concept of cyberplace as a mode of inhabiting the contemporary world. As a result, it suggests that, for many communities, unlocking cyberspace and inhabiting cyberplaces is now an integral part of their coming-to-the-globalised-world. Boos reviews in the detail the existing academic literature from cultural anthropology, human geography, and sociology on “cyberspace”, concluding that a phenomenological perspective on cyberspace provides the possibility of gaining a deep understanding of our contemporary lifeworlds, in which on- and offline practices constantly intermingle. In four chapters, he applies the developed theoretical and methodological approaches to the case of Siena’s neighbourhoods, the contrade, analysing their websites and discussing the implications of his findings for understanding contemporary processes of community building and for future research on cyberspace. This concise and accessible book will be of interest to advanced students and scholars in cultural anthropology, human geography, media studies and sociology.
| Author | : Sarah Thomas |
| Publisher | : University of Toronto Press |
| Total Pages | : 255 |
| Release | : 2019-05-31 |
| Genre | : Performing Arts |
| ISBN | : 1487504888 |
Although children have proliferated in Spain's cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the nation as it emerged from almost four decades of repressive dictatorship under the rule of General Francisco Franco. In Inhabiting the In-Between: Childhood and Cinema in Spain's Long Transition, Sarah Thomas analyses the cinematic child within this complex historical conjuncture of a nation looking back on decades of authoritarian rule and forward to an uncertain future. Examining films from several genres by four key directors of the Transition - Carlos Saura, Antonio Mercero, Víctor Erice, and Jaime de Armiñán - Thomas explores how the child is represented as both subject and object, and self and other, and consistently cast in a position between categories or binary poles. She demonstrates how the cinematic child that materializes in this period is a fundamentally shifting, oscillating, ambivalent figure that points toward the impossibility of fully comprehending the historical past and the figure of the other, while inviting an ethical engagement with each.
| Author | : David Hope |
| Publisher | : Whitaker House |
| Total Pages | : 72 |
| Release | : 2014-10-31 |
| Genre | : Religion |
| ISBN | : 1629112585 |
Have you ever wondered how God is able to entertain billions of prayer requests at one time and still give full attention to each person? God has dominion over time and space because He created them. If you are born again, you, too, can—by faith—have dominion over time and space, through the Holy Spirit. If you are in Christ, you are here on earth and are simultaneously seated in heavenly places with Christ Jesus. Join author David Hope on a journey of divine discovery as you walk in the miraculous power of God. “This book reveals the truth that when we place ourselves in Christ, by faith, we also place ourselves in the One who not only travels through time but who also is the Creator and Master of time itself.” —Tom Battle, Senior Pastor, Lord’s Glory Church, Humble, Texas “Inhabiting Eternity on Earth will stir your faith to greater heights and possibilities.” —Gerald Davis, Overflowing Cup Ministries, Conroe, Texas
| Author | : Ronojoy Sircar |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 200 |
| Release | : 2021-12-30 |
| Genre | : Philosophy |
| ISBN | : 9389812607 |
Remember, Repeat, Inhabit looks at three questions in relation to the idea of the viewer: What happens when one reads someone else's reading of someone else? What happens when something repeats itself in Kieslowski's work? Is there a possibility of an ontology of space? The book attempts to understand the idea of 'viewing' from the inside, not simply as an ontological premise but definitely affected by it. Three differing contexts are looked at-a French madman's notion of the 'self', a Polish filmmaker's notion of the 'everyday' and an Indian performance artist's notion of 'memory'. Through these on-the-surface contrasting artists and texts, a particular idea of a 'viewer' emerges. This viewer is the key to an understanding of something almost elemental in the nature of the idea of 'viewing' in the contemporary context of twenty-first-century Delhi.
| Author | : Paule Mackrous |
| Publisher | : TOPO - Laboratory of Digital Writings |
| Total Pages | : 79 |
| Release | : 2017-12-06 |
| Genre | : Art |
| ISBN | : 2981058045 |
The Montreal artist-run centre TOPO positions itself as a laboratory for digital writings and creations for web, performance, and installation spaces. Created in 1993, and present on the web since 1998, the organization guides, incubates, produces, and circulates original multimedia artworks that explore interdisciplinary and intercultural hybridizations in the digital arts. The most recent high point of this twenty-year cycle is the inauguration of an exhibition showcase, the Vitrine. This digital book provides a record of the first two exhibition seasons (spring 2015 to spring 2017), in which artists and duos explored the possibilities and limitations of this unique space with different kinds of interactive apparatuses and also as a performance site. Here are the questions that guided our artistic direction: Who or what inhabits the Vitrine? How and with what “theatrical effect”? How do we think about notions of interaction and interactivity between the inside and the outside? How can we activate a relationship between the artwork inside the showcase and visitors on the outside, in a hallway? With the Vitrine, TOPO invites the public to a direct, fresh, and constantly changing experience of interactivity with the artwork and the artist. It offers a new cycle of research to reaffirm an interdisciplinary vision of digital arts nourished on aesthetic and conceptual currents from the visual arts, cinema, literature, and performance.
