Ingmar Bergmans The Silence
Download Ingmar Bergmans The Silence full books in PDF, epub, and Kindle. Read online free Ingmar Bergmans The Silence ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Maaret Koskinen |
Publisher | : University of Washington Press |
Total Pages | : 260 |
Release | : 2010 |
Genre | : Biography & Autobiography |
ISBN | : 0295989432 |
When The Silence was released in 1963, Bergman's stature allowed the film's depiction of sexuality to challenge the boundaries of the censorship boards in Sweden and the U.S. Yet, Swedish film critic Maaret Koskinen - one of the first scholars given access to Bergman's private papers - found his notebooks revealed his tendency to self-censorship, as well as the difficulties he experienced in writing for the medium of moving images. She draws a picture of Berman that reveals his attempts to make his work relevant to a new generation of filmgoers.
Author | : Alexis Luko |
Publisher | : Routledge |
Total Pages | : 324 |
Release | : 2015-08-11 |
Genre | : Music |
ISBN | : 1135022747 |
Sonatas, Screams, and Silence: Music and Sound in the Films of Ingmar Bergman is the first musical examination of Bergman’s style as an auteur filmmaker. It provides a comprehensive examination of all three aspects (music, sound effects, and voice) of Bergman’s signature soundtrack-style. Through examinations of Bergman’s biographical links to music, the role of music, sound effects, silence, and voice, and Bergman’s working methods with sound technicians, mixers, and editors, this book argues that Bergman’s soundtracks are as superbly developed as his psychological narratives and breathtaking cinematography. Interdisciplinary in nature, this book bridges the fields of music, sound, and film.
Author | : Arthur Gibson |
Publisher | : New York ; Toronto : Edwin Mellen Press |
Total Pages | : 171 |
Release | : 1969 |
Genre | : |
ISBN | : 9780889469518 |
In this work, the author faces the religious issues in Bergman's film, fitting it into a theological reflection on faith and freedom and he aims to provide an insight for the reader who is grappling with the intricate and compelling films of Ingmar Bergman.
Author | : Ingmar Bergman |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 268 |
Release | : 2007 |
Genre | : Performing Arts |
ISBN | : 9781578062188 |
Interviews with the famed director of Wild Strawberries, Scenes from a Marriage, The Seventh Seal, Saraband, and other films
Author | : Ingmar Bergman |
Publisher | : |
Total Pages | : 164 |
Release | : 1967 |
Genre | : Motion picture plays |
ISBN | : |
Author | : Dennis Kurzon |
Publisher | : John Benjamins Publishing |
Total Pages | : 168 |
Release | : 1998 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027250626 |
This work discusses the discourse of silence and looks at how people relate to silence in specific conte×ts. It e×amines the application of semiotic tools to e×plore several facets of silence in everyday conversation, and reviews various studies of silence that have been published. The book interprets silence in terms of modality in order to distinguish between intentional and unintentional silence. It also presents an analysis of the silence of characters in films, biblical and cinematic te×t in which the terms of reference generally e×pand - from the silent answer, through the silencing of characters by authors, to silence as a feature of the generation gap.
Author | : Stephen C. Meyer |
Publisher | : Oxford University Press |
Total Pages | : 844 |
Release | : 2020-03-02 |
Genre | : Music |
ISBN | : 0190658460 |
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Author | : Ingmar Bergman |
Publisher | : Arcade Publishing |
Total Pages | : 0 |
Release | : 2007 |
Genre | : Motion picture producers and directors |
ISBN | : 9781559702935 |
Following the success of his bestselling autobiography The Magic Lantern, the most influential film director of our time shares his wisdom and insig hts about himself and his cinematic work. Bergman's career spanned 40 years and produced over 50 films, many of which are considered classics. Over 200 photos.
Author | : Karl Toepfer |
Publisher | : Vosuri Media |
Total Pages | : 1320 |
Release | : 2019-08-19 |
Genre | : Performing Arts |
ISBN | : 1733249737 |
This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.
Author | : Frank Gado |
Publisher | : Duke University Press |
Total Pages | : 572 |
Release | : 1986 |
Genre | : Performing Arts |
ISBN | : 9780822305866 |
Acknowledged as one of the greatest filmmakers of this or any other time, Bergman has with few exceptions written his own screenplays--an uncommon practice in the film industry--and for this practice critics refer to him as a "literary" filmmaker: In this work, Gado examines virtually the entire range of Bergman's literary output. While treating the matter of the visual presentation of Bergman's films, Gado concentrates on story and narrative and their relationship to Bergman's personal history. Gado concludes that whatever the outward appearance of Bergman's works, they contain an elementary psychic fantasy that links them all, revealing an artist who hoped to be a dramatist, "the new Strindberg," and who saw the camera as an extension of his pen.